ART

ART Digital MPA-II 2-Channel Tube Microphone Preamp with A/D Conversion
The ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.The input section of the Digital MPA-II operates at either a low or high plate voltage applied to the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display input or output levels while multi-colored LED arrays, with average or peak hold, show tube gain and digital output levels.In addition to XLR and 1/4" analog outputs, the Digital MPA-II features a high quality A to D converter which offers digital connectivity on S/PDIF, ADAT, or AES/EBU outputs. A rotary control on the front panel allows selection of format and sample rates from 44.1 to 192 KHz and 16 bit dithering. There is also a push button for, and two wordclock jacks, allowing loop-through.The Digital MPA-II comes in a standard 2 unit space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel....details

ART USBPhonoPlus v2 Computer Audio Interface
The USBPhonoPlus v2 is a low-cost USB computer interface for transferring analog and digital audio source—especially from a turntable—to your computer. The USBPhonoPlus v2 adds more convenient pre or post monitor source selection and a variable headphone level control to the already successful low noise RIAA standard A/D interface package.The USBPhonoPlus v2 is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for audio recording applications. Optical TOSLINK inputs and outputs as well as S/PDIF inputs allow it to act as a convenient digital audio to USB interface as well standard line level analog audio/USB conversion tool. Designed to work with the USB audio device drivers in PC Windows 98SE/ME/2000/XP, Mac OS9.1 or greater (with native USB support) or any OS-X based system, it requires no additional drivers.Housed in a robust black anodized-aluminum case, the USBPhonoPlus v2 audio interface can be powered by either an external power supply or directly from a PC based USB host port for added convenience. The USBPhonoPlus v2 now ships with a CD-ROM of the audio recording utility Audacity....details

ART Voice Channel Tube Mic Preamp
The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels....details

ART S8 8-Channel Balanced Mic Splitter
The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen (eight pairs). Each channel of the S8 Microphone Splitter provides one direct output and one transformer isolated output from a single microphone, making it the ideal signal splitting solution for dividing mic signals for separate Front-of-House monitor mixes, or for remote recording applications. The direct outputs pass phantom power from the main mixer to the microphones for use with condenser microphones. The S8 includes a ground-lift switch on each isolated output to reduce hum due to ground loops between connected AC-powered units. For versatility the S8 mic splitter also features an attenuator pad switch on each input that can be used to connect preamplified signals to the two microphone-level outputs on each channel. Typical preamplified signals would originate from instrument preamplifiers, mixers, keyboards, etc.With such an extensive history of making audio processors, ART has consistently set new industry standards and watched competitors follow their innovation and the ART S8 Microphone Splitter is no exception. ART continues to set the bar for high-quality audio products at a reasonable cost to audio enthusiasts of all types....details

ART HeadAmp6PRO 6-Channel Headphone Amp
The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular "more-me" function on each headphone mix. Each output channel also features a dual-function balance control which will pan between the left and right sides of the main signal bus, or vary the mix between the main signal bus and the auxiliary input for that respective channel.Bass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front- and rear-panel stereo 1/4" TRS jacks for ease of installation and quick patching capability. Two mono select buttons on each channel select between four operating modes: Stereo, Mono Left, Mono Right, and Mono Both (left and right) for versatile monitoring solutions.The main outputs for each channel of the headphone amplifier are rear-mounted stereo TRS jacks wired in parallel with the corresponding output jacks on the front panel. Front-panel, rear-panel, or both front- and rear-panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network.Input options include XLR and 1/4" TRS balanced inputs with matching Thru jacks for bridging multiple HeadAmp6Pro units. An additional front-panel stereo 1/4" TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus....details

ART SyncGen Wordclock Sample Rate Generator
The ART SyncGen is a simple-to-use, inexpensive way to improve the performance of your digital recording equipment while eliminating pops and clicks that result from synchronization timing errors in recording systems.A word-clock generator will centralize all of the timing of various pieces of digital equipment, reducing accumulated timing errors between the individual units that make up a digital recording chain. Designed for maximum versatility, the ART SyncGen converter will provide stable, sample-accurate time-based reference and can connect to digital audio equipment with either BNC word-clock or coaxial S/PDIF inputs. The ART SyncGen also acts as a system tester by confirming the status of BNC word-clock cables and terminations and can verify which pieces of gear are internally terminated. The ART SyncGen will also test proper cable connections to ensure total system accuracy....details

ART SplitCom Pro 2 Way Mic Splitter / Combiner
Use the ART SPLITCom Pro to split or combine balanced low-impedance microphone signals.As a splitter The SPLITCom Pro mic splitter provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the isolated mic output.As a combiner The SPLITCom Pro provides one output from two microphone inputs. The Phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual miking of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to its respective input, (Main to Main, Isolated to Isolated), however phantom power is blocked from passing between the Main and Isolated signal paths. Only the audio passes between the Main and Isolated signal paths (it is present on all inputs and outputs).The ART SPLITCom Pro includes a Ground switch, which, in the Lift position, will provide full galvanic isolation between the Main Mic Input (& Output) and the Isolated Mic Input (& Output) to reduce noise due to ground loops between connected AC-powered units....details

ART T8 8-Channel Transformer Isolator
High-quality passive audio interface uses 8 transformers to separate input and output signal grounds, isolating 2 systems and reducing hum and ground-loop noise. The T8's audio transformers have flat, wide frequency response and handle high signal levels while maintaining an isolated balanced output. This allows a clean, neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed for 600 ohm to 100kOhm impedance. XLR, 1/4", and RCA connections on all inputs and outputs offers connection versatility. Reversible mounting ears allow either the XLRs or the 1/4" and RCA jacks on the front. The T8 fits easily into virtually any audio system and is a clean patch point between all types of systems.The T8 works great as an interface between a computer-based audio workstation and a monitor system, isolation on long cable runs in a fixed installation, isolation of multiple signal sources from recording equipment, or a safer connection between 2 audio systems. Comes in a road-rugged 19", 1U all-steel black case....details

ART ProSplit High Performance Mic Splitter
The ART ProSplit mic splitter provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct output to the main or front-of-house mixer, with the second isolated output being sent to a monitor or recording mixer. The direct output passes phantom power from the main mixer to the microphone for use with condenser microphones. The ART ProSplit includes a ground-lift switch on the isolated output to reduce noise due to ground loops between connected equipment. For versatility, the ProSplit also features an attenuator pad switch on the input that can be used to alternately connect a preamplified (line-level) signal to the two microphone-level ProSplit outputs....details

ART 341 Dual Channel 15-Band Equalizer
ART gave the 341 Dual Channel 15-Band Equalizer a rugged, all-steel chassis that mounts in a single 19" rackspace. Dual-channel, 15-band, 2/3-octave graphic equalizer from features constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, a selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connections, variable input level control, clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch. Each channel has its own bypass switch with LED indicator....details

ART CoolSWITCH A/B-Y Box
The ART CoolSWITCH A/B-Y Box lets you switch a common source signal (guitar, bass, or keyboard) between 2 amps or amp channels. Or conversely, it lets you switch 2 source signals into the same amplifier. LEDs indicate whether A, B, or Y routing is in effect....details

ART MyMONITOR Personal Monitor Mixer
With the ART MyMONITOR Personal Monitor Mixer you can hear yourself while sending only the mic signal to the main mixer. Just connect MyMONITOR between the microphone and line source and the mixer. Can be AC or battery powered. Dynamic or condenser mics can be used since phantom power comes through the Mic Thru jack from the mixer or other source. Dual headphone jacks....details

ART PowerMIX III - 3 Channel Personal Mixer
The ART PowerMIX III - 3 Channel Personal Mixer connects 3 signals from any source to a recorder. Mono/stereo signals come in through 3 input channels, and are mixed down to stereo or L/R mono signals. Also includes a headphone output....details

ART ProMIX 3-Channel Microphone Mixer
The ART ProMIX Microphone Mixer is a little 3-channel problem solver that features 12V phantom power and an LF cut on each channel. Mono balanced XLR and 1/4" headphone/aux outs give it flexibility for lots of applications. Runs on batteries or optional adapter....details

ART HeadTap Headphone Tap
The ART HeadTap Headphone Tap is a passive device with an input to connect the PA or monitor amplifier and an output to connect your headphones. Sometimes floor monitors are a problem. There isn't enough room for them onstage or someone sits in and can't hear the monitors, or the drummer can't hear them well enough. Or perhaps it's a pickup gig or a rehearsal and you didn't have enough time to set them up. In any case, sometimes it's preferable to just to put on headphones and somehow connect them to the PA. That's where a headphone tap comes in. A volume control regulates the headphone output and internal resistors keep the unit's impedance high enough to protect the phones. It also protects the amplifier from encountering too low a load impedance while powering tap units, the speaker system, or several tap units by themselves. The HeadTAP will also work with a stereo headphone amplifier for use in recording situations when you want to add headphones for additional performers....details

ART CleanBox II Passive Hum Eliminator
The safest way to eliminate unwanted noise in your live sound setup is with the ART CleanBOX II. Hum in an audio system is often caused by loop effects which act like antennas. Typically, these loops are connected via grounds, more commonly called "ground loops." These loops can easily pick up a 60Hz (or higher harmonics) hum transmitted by electrical wiring. Here are some common examples of ground loops where the CleanBox II can eliminate the hum: The power ground of a synthesizer, connected to the signal ground of the synth, into a mixer's ground, then into a mixer's power ground. The signal ground of a send effect (reverb, delay) into a mixer, and the connecting power grounds of the mixer and the unit. The power ground of a guitar amplifier, connected to a signal processor which has a second guitar amplifier on the other channel, and then the second guitar amp's power ground.All such common ground loop problems are solved by the ART CleanBox II....details

ART ARTcessories Xdirect Professional Active Direct Box
Powered by an internal 9-volt battery or via phantom power at the XLR output, the Xdirect Active Direct Box from ART features a switchable low-pass filter that cuts out all very high-frequency interference. This Bessel filter on the output is placed out of the audio range and is primarily intended to reduce radio frequency interference before it gets into the main system. The filter also reduces computer noise artifacts when used as an interface between a computer-based audio workstation and monitors. Phase inversion switch reverses signal polarity at the source. The ART Xdirect has a stylish, compact, and durable chassis; input attenuator switches for a wide range of signal levels; and an input through jack for tapping off the signal chain. A ground lift switch lets you totally separate the input and output signal grounds, reducing hum and ground-loop noise....details

ART Dual Transformer/Isolator Hum Eliminator
The ART Dual Transformer/Isolator Hum Eliminator uses a pair of high-performance transformers to totally separate input and output signal grounds, thereby isolating the 2 systems and reducing hum and ground-loop noise. The ART DTI's audio transformers have an extremely flat and wide frequency response and can handle high signal levels while maintaining an isolated balanced output. This gives the ART DTI a very clean and neutral sound with a wide variety of signal sources. The transformers are wound for 1:1 unity gain and are designed to be used with impedances from 600 ohms to 100kOhms. XLR, 1/4" phone, and RCA type phono connections on all inputs and outputs....details

ART DJPre II Phono Preamp
With the ART DJPre II Phono Preamp, analog input capacitance can be switched between 100pf and 200pf to optimize your phono cartridge response. Switchable low cut filter removes rumble while front main trim control and signal/clip LED let you optimize the gain for a wide range of input sources. Low-noise circuitry is highly accurate and meets RIAA standard. Rugged, attractive, aluminum, black anodized case. Designed to amplify and EQ your vinyl to interface with your audio workstation, sound card, or main monitor system. Accepts variable power input from 7V DC to 12VAC....details

ART Tube MP Project Series Tube Microphone/Instrument Preamp
The ART TUBE MP Project Series Preamp for Microphone and Instrument can also make your voice sound fabulous, warmed and made silky smooth by the genuine 12AX7A tube inside. A makeover of the popular original, the Tube MP features an ultralow-noise discrete mic preamp front end that has an extremely flat, wide frequency response and can handle very low and high signal levels with minimum coloration. High impedance instrument input bypasses the mic preamp circuitry for a shorter signal path. External power supply minimizes AC line noise and hum.Input gain control and switch maximizes dynamic range of input and lets you control how hard you drive the tube. Switchable input impedance on the XLR in optimizes mic response. Bessel switchable low-cut filter removes rumble and wind noise. Set at 40Hz, it won't overly affect bass tonality. XLR input features phantom power of +48V DC from a very quiet internal high voltage power supply.The Tube MP Project Series Preamp has an FET limiter with fast attack and musical release times that protect other gear in the chain without compression. This allows you to maximize the dynamic range of your signal before converting to digital. A phase invert switch lets you switch signal polarity at the source to minimize cancellation. Output control after the tube and limiter matches output level to a wide variety of systems. Added output section at the end of the signal path has enhanced signal drive capability to both output jacks....details

ART Phantom I Studio Mic Power Supply
The ART Phantom I is a 48V Phantom power supply for studio microphones. The Phantom I has a wide frequency response and features a female XLR input and a male XLR output. 18V DC power adaptor included.Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be "more is better." For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs....details

ART XL231 Dual 31-Band, 1/3 Octave, Graphic EQ
The 2-channel ART XL231 Graphic Equalizer delivers extremely precise, powerfully flexible and simply great sounding equalization with the quality features and reliable design criteria necessary for top-level audio performance. This innovative, high-quality equalizer is perfect for virtually any audio application where precision frequency, tailoring, reliable performance, rugged design and extremely silent processing are of the utmost priority....details

ART Pro VLA II Tube Compressor
The Pro VLA by ART is a tube driven Vactrol-based Compressor/Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro VLA II tube compressor the ideal dynamic control device for critical studio and live sound applications.These are the differences between the Pro VLA and the Pro VLA II:1. Enhanced Link mode In link mode, CH1 output control acts as a master output level and CH2 becomes a Balance control. This optimizes the Pro VLA II for use as a mastering processor.2. Active balanced outputs. The old VLA has balanced outputs that have 6dB more gain than when using them in the unbalanced mode. This shows up as an error when using the VU meter to compare the input and output level.3. LED output meter. a. Always monitors the output level allowing the user to view Both input and output levels at the same time. b. LED meter indicates both average level plus Peak hold.4. Attack and Release knobs vs. switches. The Old VLA compressor has switches that allow the user to adjust the attack time between "Fast" (~1mSec) and "Normal" (~10mSec). The release switch can be set to "normal" (200mSec) and "Auto" (program dependant, but rather long an average). a. Attack time as ranges from .25mSec to 50mSec b. Release time ranges from 0.15Sec to 3Sec. (This is program dependant at shorter release rates). c. Improved detector that lowers low frequency distortion at fast release rates.5. Improved package a. Rounded front panel machined to countersink all knobs and level meters. b. Re-enforced ears. c. Led lit switch caps. d. Heavier chassis and cover ruggedized for longer life on the road.6. Lower noise. a. +4dBu/-10dBv mode switch optimizes the unit for Pro OR consumer operating system levels. b. Toroidal transformer reduces mechanical and electrical hum. c. Tweaked Tube circuit for better dynamic range. d. Increased transformer shielding.7. Increased ranges on Threshold and Output gain. This allows the user a wider range of operation. a. Old threshold = -20 to +15, New Threshold range = -30dB to +20dB. b. Old Output gain max = +10dB, New output Gain = +20dB8. LED lit VU meters. No more dark meters due to blown out bulbs.9. All of the pots have detents. a. Imparts a more professional feel. b. Makes settings more repeatable....details

ART 355 Dual Channel 31-Band EQ
The ART 355 Dual Channel 31-Band EQ boasts a rugged, all-steel chassis that occupies 2U rackspace and fits standard 19" racks. The 335 has a long list of impressive features that includes constant Q circuitry, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, balanced XLR and 1/4" and unbalanced RCA input and output connections, adjustable high-pass and low-pass filters, variable input level controls, signal clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch....details

ART Tube MP Studio Mic Preamp
The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards. The VU meter reflects the impact of the OPL circuitry when it is activated, which allows more effective fine tuning of the audio signal. It is a valuable tool for recording in project and home studios and can also function as a DI box with impedance matching and preamplification for line-level sources. Includes a 3-year warranty....details

ART 351 Single Channel 31-Band Equalizer
The ART 351 Single Channel 31-Band Equalizer features a rugged all-steel chassis that occupies a single 19" rackspace. The 351 is a single-channel, 31-band, 1/3-octave graphic equalizer with many features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connections, adjustable high-pass filter, adjustable low-pass filter, variable input level control, clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch....details

ART DPS II Stereo Tube Preamp with Digital Out
The ART DPS II Stereo Tube Preamp with Digital Out is a high-quality performer. It has continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility, and more tube warmth. Designed with twin discrete preamplifiers and a flexible V3 (Variable Valve Voicing) 12AX7A gain stage plus analog and digital outputs.Preamp accepts +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. The LED input meter monitors the signal level of the input amplifier.The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. It also adds additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments, making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs.A versatile insert loop on each channel provides access for additional signal processing or direct access to a high-quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK, and ADAT (front panel selectable). The A/D converter is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32kHz to 100kHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits....details

ART ARTcessories Zdirect Professional Passive Direct Box
The Zdirect Professional Passive Direct Box is a high-quality interface that lets you connect instrument, line, or speaker-level signals to a mixer or other balanced input through a high-performance audio isolation transformer. The high-impedance, single-ended 1/4" input is converted by the transformer into an isolated balanced low-impedance signal output. Extremely flat and wide frequency response with high signal level handling. The ART Zdirect delivers clean and neutral sound with a wide variety of signal sources and over long signal runs in otherwise high-noise , live sound environments....details

ART TPS II 2-Channel Variable Impedance Tube Preamp
The ART TPS II 2-Channel Variable Impedance Tube Preamp is coupled with ART's proprietary V3 (Variable Valve Voicing) functionality to deliver tremendous versatility. It features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics. Like its predecessor, the DPS, the newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals, and more. Unique to its class, the TPS II provides level monitoring with 2 analog meters as well as 2 newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks. This newly enhanced TPS II can accept +20dB peaks while maintaining over 120dB dynamic range, quiet performance, and incredibly low distortion. ART's legendary tube stage delivers classic warm sound and adds additional tube voicing specifically tailored to vocal, guitar, bass, and acoustic instruments, making it an incredible DI box. OPL (Output Protection Limiting) controls overshoots and normalizes levels before clipping occurs. The TPS II was conceived, designed, and manufactured to the highest standards to provide years of quiet, reliable performance. Audition one and you too will know why the TPS II is among the most cost-effective professional mic preamp system you'll find on the market today....details

ART Tube PAC
The ART Tube PAC is a combination of the world's most popular tube mic/line preamp and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single, convenient, aircraft-quality extruded aluminum chassis. This table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamp and compressor package, this may well be the ultimate in tube direct boxes!...details

ART Pro Channel Tube Mic Preamp
The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART's award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters - now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry's top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe....details

ART PDB Passive Direct Box
The PDB is a roadworthy passive DI for connecting electric instruments and other audio outputs to the balanced inputs of mixers and other balanced inputs. It allows connection to an instrument amp while simultaneously patching it to a mixer. The PDB translates high-impedance signals from instruments into low-impedance balanced signals required by mixers. It also automatically balances and matches line level outputs of keyboards. If you're using a multiple keyboard setup and your keyboards are all plugged into a single amplifier, the PDB can replace individual direct boxes. Simply send the output of the instrument amplifier to the PDB and then to the console (instead of a separate DI box for each keyboard). DJ mixers often supply only an unbalanced —10dB signal. The ART PDB converts this signal to a balanced line level signal before it reaches the console, while providing a convenient method of connector transition with the capability to run long cables. It also accepts speaker level inputs from a power amp allowing post-amplifier, post-EQ, and effects signals to be fed directly to the console....details

ART Tube MP Studio V3 Mic Preamp
The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it....details

ART HeadAMP 4 Stereo Headphone Amp
Most home recordings involve from one to four people, any or all of whom are going to need headphone monitoring. The monitor amp would be connected to the tape deck's headphone output or a mixer output so that the performers can hear themselves and each other. Of course the same application can apply to band rehearsals and even home entertainment. HeadAMP provides amplification and individual volume control for up to 4 headsets. It can be driven by either line-level or headphone amplifier signals (mono or stereo)....details

ART MacroMIX Mini Mixer
The MacroMIX gives you 4 channels with level controls, a variety of input types, and active mixing circuitry. Use this mini mixer from ART for all kinds of situations in the studio, such as solving level mismatches, sub-mixing of instruments, cable testing, preamping mics or turntables, etc....details

ART Tube MP Professional Mic Preamp/Processor
The ART Tube MP Professional Mic Preamp/Processor is a 12AX7-based mic preamp that provides high-quality sound and smooth response. You get 70dB of gain while maintaining a low noise floor suitable for digital. Features 1/4" balanced and XLR balanced inputs, 1/4" TRS and XLR balanced outputs, input and output level controls, a phantom power switch, "soft" power up and down, and more....details

ART SLA-2 Studio Power Amplifier
Toroidal transformer-based amplifier delivers 200W of clear power to reproduce your mixes with near-pinpoint accuracy. The ART SLA-2 Studio Power Amp has the advanced SmartFan cooling system; XLR, Euroblock, and 1/4" inputs; XLR and 1/4" outputs, and a tamper-proof faceplate for fixed installations. Single rackspace. 200W stereo or 560W mono @ 8 ohms....details

ART SLA1 Studio Power Amplifier
The ART SLA1 Studio Power Amplifier gives you the level of quality needed for your studio monitoring. With a super-wide frequency response (10Hz-40kHz), thermal-dependent cooling system, extremely low-noise electronics, and low-profile single rackspace design, it's ideal for both project and pro studios. Pair with the SLM-1 passive monitors for a great-sounding, cost-effective monitoring solution! The SLA-1 is rated at 100W rms/channel @ 8 ohms (130W rms/channel @ 4 ohms and 260W/bridged mono @ 8 ohms), hum and noise >100dB, input impedance of 22kOhm unbalanced (44kOhm balanced)....details

ART HeadAmp 6 PRO Headphone Amp with 6 Free Headphones
The ART HeadAmp 6 PRO Headphone Amp and 6 free headphones package will be music to your ears. It includes the ARTnHeadAmp 6 PRO 6-Channel Headphone Amp and also includes 6 pairs of ART G40DX Headphones. An amazing package, an incredible value, offered at a steal!HeadAmp6PRO 6-Channel Headphone Amp The ART HeadAmp6PRO 6-channel stereo headphone amplifier includes a 6-channel auxiliary input section that can be used to provide the popular "more-me" function on each headphone mix. Each output channel also features a dual-function balance control which will pan between the left and right sides of the main signal bus, or vary the mix between the main signal bus and the auxiliary input for that respective channel.Bass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front- and rear-panel stereo 1/4" TRS jacks for ease of installation and quick patching capability. Two mono select buttons on each channel select between four operating modes: Stereo, Mono Left, Mono Right, and Mono Both (left and right) for versatile monitoring solutions.The main outputs for each channel of the headphone amplifier are rear-mounted stereo TRS jacks wired in parallel with the corresponding output jacks on the front panel. Front-panel, rear-panel, or both front- and rear-panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network.Input options include XLR and 1/4" TRS balanced inputs with matching Thru jacks for bridging multiple HeadAmp6Pro units. An additional front-panel stereo 1/4" TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus.G40DX Headphones The Gear One G40DX Stereo Headphones have a lightweight and comfortable design. These full frequency headphones collapse for easy transport and storage. The G40DX headphones are fully adjustable and have an attached 8' cable with a 3.5mm stereo jack. A ¼" stereo adapter is included....details

ART HeadAmp 4 Headphone Amp with 4 Free Headphones
The ART HeadAmp 4 headphone amp and headphone package will be music to your ears. It includes the HeadAmp 4 Stereo Headphone Amp and 4 pairs of G40DX Headphones. An amazing package, an incredible value, offered at a steal of a price.HeadAmp 4 Stereo Headphone Amp Most home recordings involve from one to four people, any or all of whom are going to need headphone monitoring. The monitor amp would be connected to the tape deck's headphone output or a mixer output so that the performers can hear themselves and each other. Of course, the same application can apply to band rehearsals and even home entertainment. HeadAMP provides amplification and individual volume control for up to 4 headsets. It can be driven by either line-level or headphone amplifier signals (mono or stereo).G40DX Headphones The Gear One G40DX Stereo Headphones have a lightweight and comfortable design. These full-frequency headphones collapse for easy transport and storage. The G40DX headphones are fully adjustable and have an attached 8' cable with a 3.5mm stereo jack. A ¼" stereo adapter is included....details

ART Pro Channel and AT2020 Audio Package
The ART Pro Channel and AT2020 Package includes an ART Pro Channel Tube Mic Preamp, and a AT2020 Large Diaphragm Condenser Microphone.ART Pro Channel Tube Mic Preamp The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world's best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART's award-winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat, and a bit aggressive and is guaranteed to become a legend among compressors as has the Pro VLA. The 4-band parametric equalizer has selectable Q for the 2 sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry's top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.AT2020 Large Diaphragm Condenser Microphone The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz to 20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power....details

ART Phantom II Pro Phantom Power Supply
The ART Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable power supply unit. Innovative low-power circuitry generates the higher voltage necessary for powering microphones while maximizing battery life. The Phantom II Pro phantom power supply installs inline between your microphone and a balanced line input on your gear. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.The ART Phantom II Pro is an invaluable tool in application areas including, but not limited to, home or professional recording studios, live sound, PA, permanent installs, DJ, AV, podcasting, and broadcasting. Use the phantom power supply with mixers, audio processors, digital audio workstations, or anywhere you need phantom power for your mics....details

ART HeadAmp6 Headphone Amplifier
The ART HeadAmp6 is a fully-featured, 6-channel stereo headphone amplifier that includes six auxiliary inputs to allow separate "more-me" mixes on each headphone channel. Each output channel has a dual function Balance Control which will pan between the left & right input of the main signal bus, or vary the mix between the main stereo signal bus and the auxiliary input for that respective channel.Each output channel on the ART HeadAmp6 headphone amp includes one front- and two rear-panel stereo 1/4" TRS headphone jacks for ease of installation and quick patching capability. It has Mono, Mute L, and Mute R select buttons, and on each channel you can select between four operating modes—Stereo, Mono Left, Mono Right, and Mono Both (Left & Right)—for versatile monitoring solutions. Independent output level controls on each channel of the 6-channel headphone amp personalize monitoring levels.The ART HeadAmp6's input options include XLR and 1/4-inch TRS balanced inputs with matching Thru jacks for bridging multiple headphone amps. An additional front-panel stereo 1/4" TRS Direct In jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Master Volume control sets the main signal bus level. The headphone amp's eight-segment precision LED level metering on the main bus and four-segment indicators on each output channel provide visual feedback of the signal level at all key points.Audio Utilities Series Audio Utilities by Applied Research and Technology are audio devices that have been designed and engineered to exceed high standards for audio performance and functionality. These innovative, high-quality components make the ART HeadAmp6 headphone amplifier perfect for virtually any audio application where precision frequency tailoring, reliable performance, and rugged design are of the utmost importance. ART Audio Utilities deliver extremely precise and powerful flexibility, with quality features and reliable design criteria necessary for top-level audio performance....details

ART MX821 Audio Series Mixer
The ART MX821 is a versatile rackmount mixer combining eight independent input channels into a single mono line level mixed output. It's essential features include XLR mic and 1/4" line inputs, individual level and tone controls, switch-selectable +48 Volt phantom power on each channel. The main output on the 8-channel mixer is balanced low impedance. An additional pre-fade output and auxiliary bus input jacks allow patching multiple ART MX821 mixers together when more channels are needed. The ART MX821 mixer's built-in power supply and single high 19" rackmount format allows for easy installation and reliable long term operation.Audio Utilities Series Audio Utilities by Applied Research and Technology are audio devices that have been designed and engineered to exceed high standards for audio performance and functionality. These innovative, high-quality components make the ART MX821 line mixer perfect for virtually any application where precision frequency tailoring, reliable performance, and rugged design are of the utmost importance. ART Audio Utilities deliver extremely precise and powerful flexibility, with quality features and reliable design criteria necessary for top-level audio performance....details

ART TubeOpto8 Mic Preamp with ADAT I/O
The ART TubeOpto8 is a cost-effective 8-channel input/output expander for any ADAT lightpipe-equipped audio interface, hard disk recorder, or DAW. Eight high-quality, second-generation, discrete, Class A microphone preamps are packaged in a single rack space with 8-channel, 24-bit digital I/O.Every input on the ART TubeOpto8 audio interface offers full control of the signal path with pad, phase, and low-frequency roll-off switches. Input gain and variable output level control of each channel allows up to 70dB of clean gain (up to 64dB input gain) with incredible sonic transparency, or for the tube stage to be dialed in for warming effects and soft clipping. Each channel on the ART audio interface has wide-range LED meters to monitor the preamp output levels while clip indicators monitor mic preamp peak levels.ADAT lightpipe I/O handles eight channels of 24-bit audio input and output at either 44.1 or 48kHz sample rates. Wordclock in and thru-puts allow multiple ART TubeOpto8's to be synced in complex system configurations....details

ART CLEANBoxPro Dual-Channel Level Converter
The ART CLEANBoxPro audio converter provides two channels of unbalanced-to-balanced level conversion and two channels of balanced-to-unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical hum, excelling in noise reduction. Since a balanced system minimizes induced noise, this method of reducing noise is the preferred method of connecting audio gear, especially when long lengths of cable are used.One section of the ART CLEANBoxPro converts two channels of consumer-level unbalanced input signals into two channels of pro line-level balanced output signals. The audio converter has two RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds two XLR male jacks.The other section of the ART CLEANBoxPro converts two channels of line-level balanced input signals into two channels of consumer unbalanced output signals. The audio converter has two XLR female input jacks. The unbalanced output feeds two RCA jacks and a stereo mini-phone jack connected in parallel. Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.The noise reduction you get from the ART CLEANBoxPro converter can be invaluable in numerous application areas including, but not limited to, home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer HiFi, podcasting, and broadcasting. The CLEANBoxPro audio converter can be used with mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors, and digital audio workstations....details

ART ProMPA II - 2-Channel Tube Mic Preamp
The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display input or output levels while multi-colored LED arrays, with average or peak hold, show tube gain.Housed in a standard 2 rack unit space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the ProMPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement....details

ART S8-3Way Eight-Channel Three-Way Mic Splitter
The S8-3WAY is an eight-channel three-way microphone splitter that is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations. Each channel provides one XLR input, one XLR direct output with two additional transformer isolated XLR outputs for a total of 3 balanced outputs from each single microphone input signal.Typical uses would include sending 8 direct signals through the S8-3WAY to a main Front-of-house mixer, with additional feeds going to a monitor mix station while transformer balanced isolated feeds are sent to remote recording desk or used for a broadcast feed.The ART S8-3WAY features the same high-quality musical sounding transformers used in the popular ART S8, and is housed in a standard 1U space rack-mountable steel chassis designed for years of reliable operation....details

ART V63M ART Tube MP Studio Package
The MXL V63M/ART Tube MP Studio package includes an Art Tube MP Studio mic preamp, MXL V63M condenser studio microphone, tripod mic stand with fixed boom, and a 20 ft. Lo-Z microphone cable, giving you excellent recording equipment for professional sound capture.MXL V63M Condenser Studio Microphone The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. With balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. The MXL V63M has a cardioid pickup pattern and a frequency response of 30Hz-20kHz. 48V phantom power required.Tube MP Studio Mic Preamp The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART's OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards. The VU meter reflects the impact of the OPL circuitry when it is activated, which allows more effective fine tuning of the audio signal. It is a valuable tool for recording in project and home studios and can also function as a DI box with impedance matching and preamplification for line-level sources. Includes a 3-year warranty.MS-220 Tripod Mic Stand with Fixed Boom The MS-220 Tripod Microphone Stand has a thread adapter and tubular legs. Adjustable height from floor to top thread is 35" to 61-7/8". 30-1/4" boom is not adjustable....details

ART USB Dual Pre Two-Channel Preamplifier/Computer Interface
The ART USB Dual Pre is ideal for laptop-based audio production. It's powered by an internal 9-volt battery, your computer's USB bus, or an optional 12-volt DC adapter. The rugged aluminum chassis with rubber sides handles road abuse. The ART USB Dual Pre has two low-noise input channels with XLR balanced and 1/4" TRS inputs, each with up to 48dB of clean gain and clip LED indicators. With it's low noise 48-volt phantom power supply you can power up to two mics as well as the preamp when running off any of the power sources. The 1/4" outputs are buffered and low impedance balanced for use as either preamplifier outputs or feeds for powered monitors. A rear 1/8" TRS mini headphone jack with level and monitor controls provides latency-free monitoring of inputs during recording or the USB bus during playback. Fully compliant with the USB 1.1 specification, this compact device uses USB adaptive mode for playback and USB asynchronous mode for recording.Power supply not included. The Dual Pre can run on battery and USB bus power, separately or simultaneously. However, if you prefer to use an external adapter, please see #219000...details