leo's drums

LeosDrums is an authorized affiliate of Musician's Friend

LEO'S DRUMS
and musical instruments

BRANDS

  • ZVex
  • ZT
  • Zplane
  • Zonda
  • Zon
  • ZOE
  • ZipSpin
  • Zills
  • Zildjian
  • ZeroGravity
  • Zero G
  • Zaret
  • Yorkville
  • York
  • Yellow Tools
  • Yanagisawa
  • Yamaha
  • XLNT Idea
  • XLN Audio
  • XL Specialty Percussion
  • Xeros
  • Wuhan
  • Writer's Digest
  • Wrap-N-Strap
  • Worship Together
  • World Wide Woodshed
  • World Beat
  • Word Music
  • Woodwind Paris
  • Woodwind and Brasswind
  • Woodwind
  • Wood Violins
  • WolfPak
  • Wolf
  • Wittner
  • Wise Publications
  • Windy City
  • Willson
  • Willis
  • Williams
  • William Lewis & Son
  • Whirlwind
  • Westminster
  • Western Digital
  • Weril
  • Wedgie
  • Weber Speakers
  • WEA
  • WD Music
  • Way Huge Electronics
  • Waves
  • Wave Machine Labs
  • Watson-Guptill
  • Waterloo
  • Washburn
  • Warwick
  • Warner Bros
  • Warchal
  • Warburton
  • Waltons
  • Walt Johnson
  • Walrus Productions
  • Wallander Instruments
  • Waldorf
  • W. Nirschl
  • VTG
  • Voyage-Air Guitar
  • Vox
  • Voodoo Lab
  • VocoPro
  • VMI
  • Viva La Musica
  • Vitri
  • Vito
  • Vital Arts
  • Visual Sound
  • Vir2
  • Vienna Instruments
  • Vienna by Woodwind
  • Vic Firth
  • Vibrass
  • Vestax
  • Verve
  • Verbatim
  • Venue
  • Vega
  • Vecchio
  • Vater
  • Vandoren
  • Valentino
  • Vact
  • Use Audio
  • Up-Stage
  • Universal Percussion
  • Universal Audio
  • Univenture
  • Unitec
  • UMI
  • UltraSound
  • Ultrasone
  • Ultra-Pure
  • Ultimate Support
  • Ultimate Ligature
  • UDG
  • U.S. Masters
  • Twinson
  • Turbo Harp
  • Tungsol
  • Tudor
  • Tube-Tech
  • TSoundPro
  • Trutone
  • Trumcor
  • True Systems
  • Trophy
  • Trombotine
  • Triplet Drum Glove
  • Trigger Perfect
  • Trick
  • Trench
  • TreeWorks
  • Traynor
  • Travelite
  • Traveler
  • Traps Drums
  • Transcontinental Music
  • Traben
  • Town Talk
  • Tourte
  • Tour Grade
  • Toontrack
  • Tonium
  • ToneShaper
  • TonePros
  • ToneGear
  • Ton Kooiman
  • Tom Crown
  • Toft Audio Designs
  • Toca
  • TL Audio
  • TKL
  • Tiger
  • Thumb-Eze
  • Thud Rumble
  • Thomson Technologies
  • Thomastik
  • Third Hand Capo
  • Theodore Presser
  • The String Centre
  • The Singing Machine
  • The Realist
  • The Loar
  • The Light Source
  • The Hood
  • The Gripp
  • The Drum Channel
  • THD
  • Telleno
  • Telex
  • Telefunken
  • Technics
  • Tech 21
  • Teac
  • TDK
  • TC Helicon
  • TC Electronic
  • Taylor
  • Taye
  • TASCAM
  • Tara Publications
  • Tapco
  • Tantrum
  • Tannoy
  • Tama
  • Takamine
  • Taiyo Yuden
  • T.U.K.
  • T-Rex
  • Synthogy
  • Synapse Audio
  • Symetrix
  • SWR
  • Switchcraft
  • Swirlygig
  • Sweet Pipes
  • Svetlana
  • Suzuki
  • Superslick
  • Super-Sensitive
  • Summy-Birchard
  • Summit Audio
  • Sugal
  • Submersible Music
  • StylePlus
  • Studiologic
  • Studio RTA
  • Studio Projects
  • Studio Devil
  • Studio 49
  • Stuart Dunkel
  • Strunal
  • String Swing
  • String Master
  • String Letter
  • Stradella
  • Stork
  • Stomvi
  • Stewart
  • Steven Slate Drums
  • Sterling by Music Man
  • Sterling Audio
  • Sterisol
  • Steinberger
  • Steinberg
  • Stedman
  • Stay-Put
  • Startec
  • Star Licks
  • Stanton
  • Standtastic
  • Standard
  • Stagg
  • StageTrix
  • Stageline
  • Stage Ninja
  • SR Technologies
  • Squier by Fender
  • Sperzel
  • Spectrasonics
  • Spector
  • Spaun
  • Space Filler
  • Sovtek
  • Soundwear
  • SoundTech
  • Sounds We Make
  • Soundcraft
  • Sound Sleeve
  • Sound Quest
  • Sound Percussion
  • Sound Back
  • Sony
  • Sonuus
  • Sonor
  • Sonoma Wire Works
  • Sonnox
  • SONiVOX
  • Sonik Capsules
  • Sonic Reality
  • Sonic Implants
  • Solidstand
  • Solid State Logic
  • Soldano
  • Softube
  • Softone
  • SofiaMari
  • Snarling Dogs
  • Snark
  • Snap Jack
  • SMP
  • Smokey
  • SM Pro Audio
  • Slider Straps
  • Slide-O-Mix
  • Slate Pro Audio
  • Slate Digital
  • Slappa
  • SKB
  • SIT
  • SimpleTech
  • Simmons
  • Silvertone
  • SilverFox
  • Silver Creek
  • Sibelius
  • Shure
  • Shur Stik
  • Shubb-Pearse
  • Shubb
  • Shredneck
  • Sherrard
  • Sherman
  • Shawnee
  • Shaker
  • Shadow
  • Seymour Duncan
  • Sevilla Classical Guitar Strings
  • Sennheiser
  • Selmer Paris
  • Selmer
  • Seiko
  • Sefour
  • Secrets of the Pros
  • Second Floor Music
  • Seagull
  • sE Electronics
  • Scratch Pad
  • Schott
  • Schoenhut
  • Schilke
  • Scherzer
  • Scherl and Roth
  • Schecter
  • Schalloch
  • Schaller
  • Savarez
  • Sattler
  • Sarkett
  • Sanyo
  • Sanctuary
  • Sample Logic
  • Samba
  • Sailor Jerry Clothing
  • Sacconi
  • Sabra
  • Sabine
  • Sabian
  • S. Clary
  • Rupert Neve Designs
  • Runyon
  • Ruff Rider
  • Rudy Muck
  • Ruby Tubes
  • RTOM
  • RSQ
  • Royer
  • Roxio
  • Rovner
  • Rousseau
  • Rounder
  • Rotosound
  • Ross Technologies
  • Ross Mallet
  • Rolls
  • Roland
  • Rogue
  • Rogers
  • Roger Linn Design
  • Rodriguez
  • Rode Microphones
  • Rocky Mountain Slides
  • Rocktron
  • Rockstop
  • Rockman
  • Rockfield
  • RockenWraps
  • Rock Steady
  • Rock n Roller
  • Rock Iconz
  • Rock House
  • Rock Band
  • Roche Thomas
  • Roc-N-Soc
  • Robokey
  • Robert Vinson
  • Rob Papen
  • Road Tough
  • Road Runner
  • Road Ready
  • RME
  • Rivera
  • Rittor Music
  • Rising Software
  • Rigotti
  • Ridenour
  • Rico Royal
  • Rico
  • Richmond by Godin
  • Rhythm Tech
  • Rhythm Band
  • Revere
  • Reunion Blues
  • Resonans
  • Replacement Cases
  • Ren Wei Shi
  • Remo
  • REH
  • Regal Tip
  • Regal
  • Rees Harps
  • Reeds Australia
  • Reed Wizard
  • Reed Mate
  • Redwine
  • Red Witch
  • Red Strings
  • Recording King
  • Record Research
  • Rebel Straps
  • Rebeats Publications
  • RCI Starlite
  • RCA
  • Raxxess
  • Raven
  • Rapco
  • Rane
  • Randall
  • Ralph Marlin
  • Rainsong
  • Radial
  • Qwik Tune
  • Qwik Time
  • Quik-Lok
  • QuickStep
  • Quick Note
  • QSC
  • Q Up Arts
  • Q Parts
  • Pyware
  • Pyne
  • Puresound
  • Pulse
  • PRS Cables
  • Prowler
  • Protection Racket
  • Protechtor Cases
  • Propellerhead
  • Prop-It
  • ProLine
  • ProjectSAM
  • Pro-Mark
  • Pro-Ject
  • Pro Tour
  • Pro Tec
  • Pro Media
  • Pro Co
  • Primero
  • Primera Technology
  • Primary Line
  • Primacoustic
  • Prim
  • PreSonus
  • Premiere
  • Premier
  • Prelude
  • Powerlung
  • Postal Monkey
  • Portnoy
  • Pork Pie
  • POPS
  • Pomarico
  • Poehland
  • Plush
  • Players
  • Play on Air
  • Platinum Samples
  • Plasti Lyre
  • Planet Waves
  • Pirastro
  • Pipers' Choice
  • Pioneer
  • Pintech
  • Pinnacle
  • PikCard USA
  • Pigtronix
  • Pignose
  • Pick N Glider
  • Piano Wizard
  • Phonic
  • PG Music
  • Petz
  • Peterson
  • Petersen Designs
  • Peter Ponzol
  • Perri's
  • Performance Gear
  • Perfectone
  • Perfection
  • Perantucci
  • Penguin Books
  • Pedaltrain
  • Pedal Pad
  • Peavey
  • Pearl Flutes
  • Pearl
  • Peak Music Stands
  • Peaceland Guitar Ring
  • PCDJ
  • PCAudioLabs
  • Paul Reed Smith
  • Parkwood
  • Parker
  • Parduba
  • Panyard
  • Palatino
  • Paiste
  • Paige
  • Pack-A-Stand
  • Pacific Drums by DW
  • Pace
  • P & H
  • Overseas Connection
  • Overloud
  • Ovation
  • Otto Musica
  • Otto Link
  • Oscar Schmidt
  • Ortofon
  • Original Swab
  • Orbitone
  • Orange County Drums and Percussion
  • Orange Amplifiers
  • Open Labs
  • Onori
  • On-Stage Stands
  • OmniSistem
  • Omnirax
  • Olympus
  • Olivieri
  • Oleg
  • Olathe
  • Odyssey
  • Ocheltree
  • Obedia
  • Oasis
  • O-Tray
  • Nyman
  • Numark
  • NS Design
  • Novation
  • Nova
  • Notion
  • Notes & Strings
  • Norren
  • Normandy
  • Nord
  • Nomata
  • Nomad
  • Node
  • Noblet
  • Noble & Cooley
  • Nino
  • Neutrik
  • Neuratron
  • Neumann
  • Neotech
  • Nechville
  • Neary
  • Native Instruments
  • National Picks
  • Namba Gear
  • Nagoya Suzuki
  • Nady
  • N-Tune
  • MXR
  • MXL
  • MVP
  • Mutec
  • Musser
  • Musitek
  • MusicXPC
  • MusicLab
  • Musician's Institute
  • Musician's Gear
  • Musician's Friend
  • Music Works
  • Music Sales
  • Music Man
  • Music Accessories
  • Mullard
  • Mu Technologies
  • MTS Products
  • MTD
  • MOTU
  • Motrya
  • Motion Sound
  • Morrie Backun
  • Morrell
  • Morpheus
  • Morley
  • Morgan
  • Mooradian
  • Moog
  • Monster Power
  • Monster Cable
  • Monster
  • Mono Cases
  • Monarch
  • Mollard
  • Mojave Audio
  • Mogami
  • Modulus
  • Modtone
  • Modern Drummer
  • Modartt
  • MJS
  • Mixta Music
  • Mixosaurus
  • MixMeister
  • Mitchell Lurie
  • Mitchell
  • Miraphone
  • Miller Freeman
  • Millennia
  • Mike Caddy
  • Mike Balter
  • Mighty Moe
  • Mighty Mite
  • Mighty Bright
  • Midwest
  • MIDI Solutions
  • Middle Atlantic
  • Midas
  • MicroPhome
  • Micronet
  • MicroBoards
  • Micro
  • Michael Kelly
  • MI Audio
  • Meyer
  • Metrophones
  • Meredith Music
  • Mel Bay
  • Meisel
  • Meinl Weston
  • Meinl
  • MEG
  • Mediapresse
  • McNally
  • McDSP
  • Maxon
  • Matrix
  • Matador
  • Martin-LeBlanc
  • Martin
  • Marshall
  • Marlin Lesher
  • Marks
  • Markbass
  • Marimba Warehouse
  • Marcinkiewicz
  • Marca
  • Marantz
  • Maranatha! Music
  • Mapex
  • Manuel Contreras II
  • Manley
  • Manhasset
  • Majestic
  • Mainline
  • Mahalo
  • Magnum
  • Magix
  • Magic Valve
  • Magic Reed
  • Maestro
  • Mackie
  • Mach One
  • M-Audio
  • Lyons
  • Lynx
  • Luyben
  • Lute Hole
  • Luna
  • Ludwig
  • Lucida
  • Lucid
  • Lucero
  • LR Baggs
  • Lovepedal
  • Lost Country
  • Londoner Bows
  • Lomax
  • LMI
  • LM Products
  • Livid
  • Live Wire Solutions
  • Live Wire
  • Littlite
  • Linton
  • Line 6
  • LightSnake
  • Lightning Lab Productions, LLC
  • Lighting
  • Lifetime
  • Lexicon
  • Levy's
  • Leslie
  • Lehle
  • Legere
  • Lee Oskar
  • LeBlanc
  • Leather Specialties Company
  • Lazer
  • LaVoz
  • Lava
  • Latin Percussion
  • Last Stand Deluxe
  • Laskey
  • Larsen Strings
  • Lanikai
  • Langevin
  • Lampcraft
  • Lamp Lite
  • Lakland
  • Laguna
  • LaCie
  • Lace
  • Lab Gruppen
  • La Patrie
  • L.A. Sax
  • Kyser
  • Kydd
  • Kustom
  • Kurzweil
  • Kun
  • Kultur
  • Kullerswift
  • KSP
  • KRK
  • Kremona
  • Kratt
  • Krank
  • Kramer
  • Koss
  • Korg
  • Kolstein
  • Kohlert
  • Koch
  • Knilling
  • Kluson
  • Kjos
  • Kiwi
  • King David
  • King
  • Kinder Mallets
  • Kimbo
  • Kidsplay
  • Kickport
  • Keywear
  • Kerusso
  • Kerly
  • Kepur
  • Kenyon
  • Kentucky
  • Kent Armstrong Pickups
  • Kensington
  • Kendrick
  • Kelly SHU
  • Kelly
  • Keith McMillen Instruments
  • Keilwerth
  • Keeley
  • Kay Vintage Reissue Guitars
  • Kawai
  • Karl Willhelm
  • Kanstul
  • Kangaba
  • Kaces
  • K & M
  • JVC
  • Jupiter
  • Juice Goose
  • Josef Lazar
  • Jose Ramirez
  • Jones
  • Joia Tubes
  • Johnson
  • John Pierce
  • John Pearse
  • Joemeek
  • JoeCo
  • Jody Jazz
  • Jodi Head
  • Jo Ral
  • Jewel
  • JetSlide
  • Jet Tone
  • Jet City Amplification
  • Jensen
  • Jellifish
  • Jeffrey David
  • JBL
  • Jay Turser
  • Jasmine by Takamine
  • Jargar
  • Jan Dvorak
  • JamHub
  • Jamey Aebersold
  • JAMedia
  • Jambone
  • Jade
  • Jacques
  • Jackson
  • J.Winter
  • iZotope
  • Italia
  • iTab
  • ISP Technologies
  • IsoNode Pro
  • iSong
  • Ion Audio
  • International Woodwind
  • Intellitouch
  • Integrity Music
  • Innovative Percussion
  • Innovative Music Systems
  • Ingles
  • Indamixx
  • IMV
  • Image Line
  • Image Entertainment
  • ILIO
  • iKEY Audio
  • IK Multimedia
  • Ice Pix
  • Ibanez
  • Humitron
  • Humicase
  • Humfrees
  • Humes & Berg
  • Hughes & Kettner
  • Hudson Music
  • HQ Percussion
  • Howel Roberts
  • Houston Publishing
  • House of Blues
  • Hot Sticks
  • Hot Licks
  • Hosa
  • Hornets
  • Horn Doctor
  • Horizon
  • Homespun
  • Holton
  • Hohner
  • Hofner
  • Hodge
  • Hiwatt
  • Hipshot
  • Hill
  • High Scope
  • Hidersine
  • HHB
  • Hetman
  • Hering
  • Hercules Stands
  • Hercules
  • Herco
  • Hennessey Guitar Parts
  • Heil Sound
  • Heavyocity
  • Hearos
  • Headway
  • Headfx
  • Hayes Publishing
  • Hart Dynamics
  • Harry Hartmann
  • Harrison Music Education Systems
  • Harris Teller
  • HarmonicaLessons.com
  • Harmonic Vision
  • Harmon
  • HardWear
  • Harbinger
  • Hao
  • Hansenfutz
  • Hans Hoyer
  • Hankie
  • Hammond
  • Hammerax
  • Hamilton Stands
  • Hamer
  • Hall
  • Hal Leonard
  • Hagstrom
  • Hagerty
  • H.W.
  • H. Wilson
  • Guyatone
  • Guitar Hero
  • Guitar 411
  • Guild
  • Guardala
  • Grover-Trophy
  • Grover
  • Grossman Music
  • Groove Tube
  • Groove Juice
  • Grombal
  • Griffin Technology
  • Gretsch Guitars
  • Gretsch Drums
  • Gretsch
  • Great Nutshell Productions
  • Graph Tech
  • Grand Concert Select
  • Grace Design
  • Gower
  • Gotoh
  • Gorilla Snot
  • Goodwood
  • Gonzalez
  • Gon Bops
  • Goldtone
  • Golden Touch
  • Golden Gate
  • Golden Bridge
  • Golden Age Project
  • Goldbrokat
  • Gold Star
  • Godlyke
  • Godin
  • GMS
  • Glyph
  • Glider
  • Glasser
  • Glaesel
  • Gitane
  • Gillis
  • Gig-FX
  • Gig Skinz
  • Gig
  • Giddings & Webster
  • Gibson Custom
  • Gibson
  • Gibraltar
  • Giardinelli
  • GIA Publications
  • GHS
  • Getzen
  • Get'm Get'm
  • George L's
  • George Dennis
  • Genz Benz
  • Gennusa
  • Genelec
  • Genalex
  • Gen16 Intelligent Percussion
  • Gemini
  • Gemeinhardt
  • Gem Woodwind Products
  • GEM Swabs
  • Gem Sound
  • Gem
  • GelRest
  • Gear One
  • Gazley
  • Gator
  • Gary E. Smith
  • Garritan
  • Garrett
  • Gard
  • Galway
  • Gallien-Krueger
  • Galaxy
  • G7th
  • G. Schirmer
  • G. Henle Verlag
  • G & L
  • Fxpansion
  • Furman
  • Fulltone
  • Full On Clothing
  • Full Contact Hardware
  • Fryette
  • Frontier Design Group
  • FretRest by Proline
  • Fretlord
  • Fret12
  • Freehand
  • Freedom
  • Frederick Hemke
  • Franklin Strap
  • Franklin
  • Framptone
  • Fox
  • Fostex
  • Focusrite
  • Florea
  • Flea Market Music
  • Flea Bass
  • Flatiron
  • Fishman
  • First Note
  • Firestix
  • Fingerease
  • Finger Fitness
  • Finale
  • Fibracell
  • Ferree
  • Fernandes
  • Fender Custom Shop
  • Fender
  • Featherweight
  • FEA
  • Faxx
  • Favored Nations
  • Fat Congas
  • Fat Cat
  • Fast Axe
  • Farley's
  • Fantom
  • Fancy Pans
  • Factory Metal Percussion
  • Facelift
  • Fable Sounds
  • Faber Music
  • EZ-Dupe
  • Expansion Tank
  • Evidence Audio
  • EVH
  • Everly
  • Everest
  • Eventide
  • Evans
  • Eurolite
  • Euphonix
  • Etude
  • ETA Systems
  • Espana
  • ESP
  • ESI
  • Esax
  • Ernie Ball
  • Equator Audio Research
  • Epiphone
  • Epifani
  • Engl
  • Engelhardt
  • Endust
  • Empirical Labs
  • EMMA
  • Eminence
  • EMI Digital
  • EMG
  • Emerson
  • eMedia
  • Elixir
  • Eliminator Lighting
  • Electro-Voice
  • Electro-Harmonix
  • Elation
  • El Dorado
  • EKS
  • Egnater
  • Educational Activities
  • Editio Musica Budapest
  • Edirol
  • Eden
  • Echo
  • Ebtech
  • EBS
  • EBow
  • EAW
  • EastWest
  • earthworks
  • Eagle
  • E.C. Kerby
  • E-MU
  • E-Cords
  • Dynaudio
  • Dynasty
  • Dycem
  • Dwarfcraft
  • DW
  • Duracell
  • Duplex
  • Dunnett
  • Dunlop
  • Duncan Performer
  • Dunbar
  • Dukoff
  • Duallist
  • Dtar
  • Drumometer
  • Drumdial
  • Drum Tech
  • Drum Pike
  • Drum One
  • Drum Fun Inc
  • Drawmer
  • Dr. Dan's
  • DR Strings
  • DR Pro
  • Down 2 Earth
  • Doreli
  • Donato
  • Don't Fret
  • DOD
  • DocZac
  • Doctor's Products
  • Dobro
  • Dixson
  • Dixon
  • Display and Play
  • Director's Showcase
  • Direct Sound
  • DiPinto
  • Dime Amplification
  • DiMarzio
  • DigiTech
  • Digital Reference
  • Digital Music Doctor
  • Digidesign
  • Didgeridoo Store
  • Diaz
  • Devine Entertainment
  • Devi Ever
  • Denon
  • Denis Wick
  • DeltaLab
  • Delkin
  • DEG
  • Deering
  • Deer River
  • Dean Markley
  • Dean
  • Deagan
  • De Haske Publications
  • De Armond
  • ddrum
  • dbx
  • dB
  • David Weber
  • David Hite
  • Dave Smith Instruments
  • Dava
  • Danmar
  • Danelectro
  • Dan Dean
  • Dan Armstrong
  • Dampit
  • Daking
  • Daisy Rock
  • D.W. Fearn
  • D'em Crazy
  • D'Andrea
  • D'Addario
  • Cymbal Crown
  • Curry
  • CruzTOOLS
  • Crown Strings
  • Crown
  • Crest Audio
  • Cremona
  • Creepnomore
  • Creative Tunings
  • Creative Concepts
  • Craviotto
  • Crate
  • CP
  • Courtois
  • Cortex
  • Cort
  • CoreX2
  • Corelli
  • Cordoba
  • Cordier
  • Cord-Lox
  • Converse
  • Control Acoustics
  • Consoli Ramplig
  • Conquest
  • Conn
  • Conklin
  • Command Center
  • Comfort Zone
  • Combs
  • Columbus Washboard
  • Columbia
  • Coffin Case
  • CMS
  • CME
  • Clevelander
  • Clebsch Strap
  • Clearvue
  • Cleartone
  • Clear Voice
  • Clayton
  • Claude Lakey
  • Classical Kids
  • Clark W Fobes
  • Claricord
  • Chunk Systems
  • Chronicle Books
  • ChopSaver
  • Chop-Sticks
  • Children's Book Store
  • Cherub
  • Cherry Lane
  • Chauvet
  • Charvel
  • Chartier
  • Chartbuster
  • Charles Davis
  • Chappell
  • Chandler Limited
  • Chandler
  • Chameleon Labs
  • Cerwin-Vega
  • Cerveny
  • CEntrance
  • Centerstream
  • CenterPitch
  • Celestion
  • Celemony
  • CBI
  • CB Percussion
  • Cavallaro
  • Casio
  • Case Logic
  • Carlsson
  • Carl Martin
  • Carl Fischer
  • Canto
  • Cannon
  • Calzone i Series
  • Cal-Mil
  • Cakewalk
  • CAIG
  • CAD
  • C Tech
  • ButtKicker
  • Bundy
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    Benchmark

    Benchmark MPA1 Rack Mount Black and other Benchmark products for sale online.

    Benchmark MPA1 Rack Mount Black
    Benchmark MPA1 Rack Mount Black
    The 2-channel Benchmark MPA1 microphone preamplifier is meticulously designed to Benchmark standards of transparency, ultra-low distortion, and ultra-low noise performance. The MPA1 mic pre is a perfect choice for stereo pairs, ribbon mics, and any other application where audio purity is the goal. Pristine Input Stage The Benchmark MPA1 mic pre's input stage offers high-voltage headroom (+29 dBu) and single-stage gain control to maximize the signal-to-noise ratio. The MPA1 maintains superb noise performance across the entire gain range (74 dB) by utilizing precision-matched, low-noise, transistor quad-arrays. A servo-controlled circuit minimizes DC-offset and maximizes headroom. Complete Low Frequency Response The MPA1 exhibits exceptional low-frequency performance with a clever dual-capacitor AC-coupling design. This dual-capacitor design defeats the limitations of single-capacitor AC-coupling designs, achieving an exceptionally low corner-frequency with excellent subsonic phase-accuracy. Innovative Stepped-Resistor Gain Control The gain control of the Benchmark MPA1 is completely unique. The gain is controlled via a 38-position, switched resistor ladder, set up in a continuously rotating orientation via relay control. This gain control circuit offers 2 dB per step, 0-74 dB of gain without attenuation, and inter-channel gain precision of +/- 0.03 dB. A make-before-break scheme creates a silent switching circuit. Elegant Phantom Power Protection The transistor stage is protected from phantom power surges with an ultra-fast, multistage protection circuit. This circuit utilizes the high-speed capabilities of low-capacitance Schotky diodes and the high-current capabilities of TVS diodes to absorb the phantom power surges caused by shorts and plugging/unplugging microphones with +48V on. This circuit is pre-biased so that it is isolated from the circuit in normal operation and activated when a surge occurs. For mounting options, see RM Kit #485682, RM Coupler #485683, and RM Blank #485683....details

    Benchmark DAC1 HDR Stereo Preamp Black
    Benchmark DAC1 HDR Stereo Preamp Black
    The reference-quality Benchmark DAC1 HDR preamplifier brings together all the best features and performance of the award-winning DAC1 family with the convenience of intelligent remote control. The all-in-one stereo DAC1 HDR combines some of Benchmark's finest engineering accomplishments into a single preamp: the DAC1 digital-to-analog audio converter with UltraLock clock system, AdvancedUSB computer audio playback (USB DAC) interface, and the legendary HPA2 headphone amplifier. The DAC1 HDR preamp's unique remote control is built around Benchmark's new HDR-VC (High Dynamic Range Volume Control). Benchmark's pro audio product designs have achieved unprecedented sonic purity due to an uncompromising engineering philosophy: eliminate digital distortion artifacts, establish a pristine analog path, and maintain sonic integrity regardless of external factors. The DAC1 HDR continues this tradition of excellence. The DAC1 HDR preamp's remote control solution is an intelligent implementation of dimming and muting. The Dim (quiet) and Soft-Mute settings of the remote control can easily be adjusted independent of the normal volume setting. The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after un-muting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD/CD player, computer, music/media server, satellite radio, and any other device with a digital audio output. Also, the HDR-VC will control the pristine path for an analog source, such as a phono stage, FM tuner, iPod, VCR, tape deck, etc. All digital inputs on the DAC1 HDR (including the USB) feature Benchmark's jitter-immune UltraLock clock system. The USB interface operates with Benchmark's AdvancedUSB native 24-bit, 96-kHz USB technology. The DAC1 HDR features a high-current output stage designed to drive even the most difficult loads. Other features include selectable headphone gain ranges and an auto-mute function for muting the main outputs when headphones are being used. HDR-VC High Dynamic Range Volume Control The DAC1 HDR features Benchmark's HDR-VC (High Dynamic Range Volume Control). The HDR-VC is achieved with a custom-built motorized Alps potentiometer. The DAC1 HDR's motor-driven volume control maintains the dynamic range of the converter and audio output. In contrast, digital volume controls reduce dynamic range, and analog volume IC's introduce distortion and noise. The acclaimed DAC1 D-to-A conversion system Recording studios...details

    Benchmark DAC1 USB D/A Converter Silver
    Benchmark DAC1 USB D/A Converter Silver
    The mastering-quality Benchmark DAC1 USB D/A Converter offers 2-channel 24-bit/192-kHz digital-to-analog audio conversion. For more then 10 years, engineers and audiophiles have come to rely on Benchmark for critical digital audio conversion. They consistently find themselves engaged in the music in a way that is rarely achieved with digital converters.Benchmark has achieved unprecedented sonic purity in their converters through intelligent engineering, eliminating digital distortion artifacts, and maintaining a pristine analog delivery path. The DAC1 USB continues this tradition of excellence.Preserving the Classic Benchmark DAC1 Heritage The pristine audio path of the award-winning Classic DAC1 has made it the 'Benchmark' of standalone D-to-A converters. The DAC1 USB preserves the exact topology of the audio path of the Classic DAC1, while adding some of the most frequently requested features.The DAC1 USB includes Benchmark's jitter-immune UltraLock clock system and Benchmark's 0-ohm HPA2 headphone amplifier. The DAC1 USB features Benchmarks AdvancedUSB technology to ensure bit-transparent, high-resolution playback directly from your computer. The DAC1 USB also includes a programmable mute function that automatically mutes the main outputs upon insertion of a headphone plug. Other features that are exclusive to the DAC1 USB include a programmable headphone gain range, an automatic 'Standby' feature, and a high-current output stage designed to drive even the most difficult loads.Jitter-Immune UltraLock Digital interconnect cables, electromagnetic interference, and many other variables introduce jitter into the digital audio. Jitter presents a major problem to most D-to-A converters. Jitter is a type of clock error that, if not properly addressed, can cause the D-to-A to misfire. The result of these misfires is a nonmusical, digital distortion.Many modern (and expensive) converters suffer from severe jitter-induced distortion. Jitter is NOT a problem for the DAC1 USB, which achieve jitter immunity by utilizing the proprietary UltraLock clock-recovery system.With the UltraLock clock-recovery system, the digital-to-analog conversion-clock in the DAC1 USB is totally isolated from the clock of the digital audio input. This clock-recovery topology outperforms even the most well-designed two-stage PLL designs. Using state-of-the-art Audio Precision testing equipment, no jitter-induced artifacts can be detected with the DAC1 USB. Any signal that can be decoded by the USB or AES/EBU receivers will be reproduced without the addition of any measurable jitter artifacts. The bottom line is this: Benchmark converters will consistently and faithfully deliver truthful audio with no jitter-induced artifacts, no matter what variables are present.AdvancedUSB Audio Technology The USB interface of the DAC1 USB features Benchmark's unique AdvancedUSB technology. This USB interface is completely bit-transparent. In other words, every sam...details

    Benchmark ADC1 USB A/D Converter Rack Mount Black
    Benchmark ADC1 USB A/D Converter Rack Mount Black
    The reference-quality Benchmark ADC1 2-channel 192-kHz 24-bit audio analog-to-digital converter is equipped with Benchmark's UltraLock technology. The ADC1 is designed for maximum transparency and is well suited for the most demanding applications in studios and mastering facilities. A rugged and compact half-wide 1 RU enclosure also makes the ADC1 an excellent choice for location recording, broadcast facilities, and mobile rigs. The internal power supply supports all international voltages and has generous margins for over- and under-voltage conditions.The Benchmark ADC1 achieves outstanding performance over a wide range of input levels. Each channel has a 41-detent variable gain control, a 10-turn calibration trimmer, and a 3- position first-stage gain switch (0, 10, and 20 dB). Each channel has a two-position toggle switch that selects either the 41-detent pot or the 10-turn trimmer. Both the pot and the trimmer have a 20 dB adjustment range. In combination with the first-stage gain switch, these controls provide exceptional SNR and THD+N performance over a 40 dB adjustment range. The 10-turn calibration trimmer may be used to calibrate the ADC1 to precise studio reference levels. It may also be used to optimize the gain-staging between a microphone preamplifier and the ADC1.The ADC1 has four digital outputs (1 balanced XLR, 2 coaxial, and 1 optical). The optical output supports AES, ADAT, and ADAT S/MUX. The two coaxial outputs (Main and Aux) can operate simultaneously at different word lengths and even at different sample rates. The ADC1 has the flexibility to allow simultaneous high-resolution and low-resolution recordings. For example, the main outputs of the ADC1 can be set to 192 kHz 24-bits while the auxiliary output is set to 44.1 kHz 16-bits for a safety backup or CDR demo recording. Both the Main and Aux Outputs originate from the same A/D converter. All outputs are professional format.The ADC1 has a Word Clock output that follows the sample rate of the Main Outputs. The Word Clock output is active in all modes of operation.A multi-format clock input automatically recognizes AES/EBU, SPDIF, Word Clock, or Super Clock signals. This clock input is used to synchronize the Main Outputs. If desired, the Main Outputs may be driven from internal sources. The ADC1 will automatically revert to an internal clock source when the external clock is lost.The ADC1 has two clock modes: Auto and Internal. Both modes support 44.1, 48, 88.2, 96, 176.4 and 192 kHz. The Auto mode allows the ADC1 to lock to an external clock reference. In Auto mode, the ADC1 will follow changes in sample rate, and/or changes in the type of reference signal (AES, SPDIF, word clock, or super clock).When a clock reference is not available, the Internal mode must be used, and a sample rate must be selected (44.1, 48, 88.2, 96,176.4, or 192 kHz). When the Internal mode is active, the ADC1 is acting as clock master, will only operate at the selected sample rate, and will ig...details

    Benchmark RM Kit
    Benchmark RM Kit
    The Benchmark RM Kit gives you a rack mount coupler and a blank rack mount panel for mounting a single « rack wide unit in a 1U-wide space....details

    Benchmark PRE420 Mic-Pre/Mixer Rack Mount Silver
    Benchmark PRE420 Mic-Pre/Mixer Rack Mount Silver
    The 4-channel Benbchmark PRE420 Mic-Pre/Mixer gives you a remarkable microphone preamplifier with an integrated stereo mix bus and stereo/mono solo bus in a sleek 1RU chassis. The PRE420 is designed for maximum transparency, wide bandwidth, low-noise, low-distortion, and superior RF immunity. It is well suited for the most demanding pro audio applications in studios and live venues.What makes one mic pre superior to others? Even high-end preamplifiers can mask subtle details because of intermodulation distortion, a symptom of RF interference and nonlinear performance at ultrasonic frequencies. This non-linearity causes intermodulation distortion (IMD) components that fold down to audible frequencies. Unlike harmonic distortion (THD), IMD produces distortion tones that are very unnatural and nonmusical. IMD also masks and alters the subtle details of delicate high-frequency transients such as those produced by bells. Benchmark MPS series preamps have always had outstanding high-frequency performance as well as freedom from IMD. The PRE420 takes the Benchmark design one step further, and achieves the lowest IMD that we have ever measured in any microphone preamplifier – the innovative circuitry provides ultra-low distortion over a 500kHz bandwidth while maintaining RF-immunity in the most demanding environments. Benchmark equips the PRE420 with the exclusive CMF1 RF-filter The CMF1 has been extensively tested and proven in Benchmark's MPS mic-pre series by experienced studio and remote recording engineers in heavy RF fields – such as venues in close proximity to broadcast antennas. This RF-immunity is coupled with ultra-low distortion performance at high frequencies beyond the reach of most mic pres, giving your audio remarkable realism. With amazingly low THD+N of 0.00024% (see specs), we welcome you to compare the PRE420's performance specifications with any other mic pre available. MirrorPan minimizes distortion & ensures constant-power precision panning MirrorPan's innovative mirrored-circuitry, from which the name is derived, eliminates the nonlinear distortion caused by potentiometer wiper-current. The result is excellent channel separation and remarkably accurate imaging. The center detent position is factory calibrated for precise center-placement. Elegant & completely unique feature set An elegant and completely unique feature set compliments the uncompromising sonic integrity of the PRE420.A solo section allows monitoring of any channel or combination of channels (with switchable stereo/mono) via control room XLR outputs and the integrated HPA2 – Benchmark's signature high-current, 0-Ohm headphone amplifier. The PRE420's main mix bus XLR outputs are monitored via a dual, variable intensity signal level meter and peak-warning indicator*. Each of the four channels has an independent direct XLR output, a variable intensity signal level meter and peak-warning indicator*, and MirrorPan control. Eac...details

    Benchmark RM Coupler
    Benchmark RM Coupler
    The Benchmark RM Coupler joins 2 single rack unit high, « rack unit wide units such as the Benchmark DAC1, ADC1, or PRE1....details

    Benchmark RM Blank
    Benchmark RM Blank
    The Benchmark RM Blank provides a rackmount panel for a one rack unit high, 1/2 rack unit wide space....details

    Benchmark DAC1 HDR Stereo Preamp Silver
    Benchmark DAC1 HDR Stereo Preamp Silver
    The reference-quality Benchmark DAC1 HDR preamplifier brings together all the best features and performance of the award-winning DAC1 family with the convenience of intelligent remote control. The all-in-one stereo DAC1 HDR combines some of Benchmark's finest engineering accomplishments into a single preamp: the DAC1 digital-to-analog audio converter with UltraLock clock system, AdvancedUSB computer audio playback (USB DAC) interface, and the legendary HPA2 headphone amplifier. The DAC1 HDR preamp's unique remote control is built around Benchmark's new HDR-VC (High Dynamic Range Volume Control). Benchmark's pro audio product designs have achieved unprecedented sonic purity due to an uncompromising engineering philosophy: eliminate digital distortion artifacts, establish a pristine analog path, and maintain sonic integrity regardless of external factors. The DAC1 HDR continues this tradition of excellence. The DAC1 HDR preamp's remote control solution is an intelligent implementation of dimming and muting. The Dim (quiet) and Soft-Mute settings of the remote control can easily be adjusted independent of the normal volume setting. The DAC1 HDR remembers and recalls your specified 'Dim' setting. This feature is ideal for HDTV users, as it allows you to set your preferred 'Dim' level for commercials, etc. The 'Soft-Mute' function fades down the volume to the 'Dim' level before muting and smoothly raises the volume to the normal level after un-muting. With a generous offering of inputs and outputs, the DAC1 HDR serves as the heart of expansive media and entertainment systems, optimizing the signal path from the various sources to the amplifier. The DAC1 HDR will enhance the audio performance of your digital television, digital cable box, DVD/CD player, computer, music/media server, satellite radio, and any other device with a digital audio output. Also, the HDR-VC will control the pristine path for an analog source, such as a phono stage, FM tuner, iPod, VCR, tape deck, etc. All digital inputs on the DAC1 HDR (including the USB) feature Benchmark's jitter-immune UltraLock clock system. The USB interface operates with Benchmark's AdvancedUSB native 24-bit, 96-kHz USB technology. The DAC1 HDR features a high-current output stage designed to drive even the most difficult loads. Other features include selectable headphone gain ranges and an auto-mute function for muting the main outputs when headphones are being used. HDR-VC High Dynamic Range Volume Control The DAC1 HDR features Benchmark's HDR-VC (High Dynamic Range Volume Control). The HDR-VC is achieved with a custom-built motorized Alps potentiometer. The DAC1 HDR's motor-driven volume control maintains the dynamic range of the converter and audio output. In contrast, digital volume controls reduce dynamic range, and analog volume IC's introduce distortion and noise. The acclaimed DAC1 D-to-A conversion system Recording studios...details

    Benchmark DAC1 PRE Stereo Preamp/DAC/Headphone Amp Silver
    Benchmark DAC1 PRE Stereo Preamp/DAC/Headphone Amp Silver
    The reference-quality Benchmark DAC1 PRE stereo preamplifier, headphone amp, and computer audio playback device (USB DAC), use the 24-bit, 192-kHz DAC1 digital-to-analog conversion (DAC) system. The DAC1 PRE is the culmination of years of high-precision analog and digital audio circuit design. Benchmark has achieved unprecedented sonic purity in their pro audio systems through an intelligent engineering philosophy—establish a pristine analog delivery path and eliminate digital distortion artifacts. The Benchmark DAC1 PRE continues this tradition of excellence.With 6 stereo inputs and 4 stereo analog outputs, the DAC1 PRE anchors expansive media systems and provides a pristine audio path from source to amplifier. The 6 stereo inputs include an analog input, a USB computer input, an optical input, and 3 coaxial digital inputs. The output section includes stereo XLR balanced, RCA unbalanced, and 2 headphone jacks driven by Benchmark's HPA2 0-ohm headphone amplifier.The acclaimed Benchmark DAC1 D-to-A conversion system Engineers and audiophiles have grown to rely on Benchmark for critical digital audio conversion for more then 10 years. They are consistently finding themselves engaged in the music when using Benchmark digital analog converters—engaged in a way that is rarely achieved with digital converters.The award-winning DAC1 PRE's superior performance has made it the 'Benchmark' of D-to-A converters. The DAC1 PRE gracefully merges the Benchmark DAC1 conversion system with elegant analog circuitry, Benchmark's HPA2 0-ohm headphone amplifier, and essential features and functions.Jitter-Immune UltraLock Clock System Benchmark's proprietary UltraLock clock system achieves an unprecedented immunity to jitter. Many modern (and expensive) converters suffer from significant jitter-induced distortion. If jitter is not effectively addressed, a converter will generate nonmusical sideband tones and digital distortion. Benchmark's highly regarded UltraLock clock system ensures that jitter is never a problem, even under extreme conditions. Even in the presence of extremely high input jitter, no jitter-induced artifacts can be detected on the outputs of the DAC1 PRE (using state-of-the-art testing equipment by Audio Precision). UltraLock will block more then 12.5 UI of jitter (@ 1 kHz). With the UltraLock clock system, the D/A conversion-clock in the DAC1 PRE is totally isolated from the clock of the digital audio source. The UltraLock clock system easily outperforms most well-designed two-stage PLL designs. The bottom line is this: Benchmark converters will consistently and faithfully deliver truthful audio without jitter-induced artifacts, no matter what variables are present.AdvancedUSB Audio Technology The USB interface of the DAC1 PRE operates with Benchmark's unique AdvancedUSB technology. Unlike many USB equipped D/A converters, Benchmark's AdvancedUSB technology supports 24-bit audio at sample rates...details

    Benchmark DAC1 USB D/A Converter Black
    Benchmark DAC1 USB D/A Converter Black
    The mastering-quality Benchmark DAC1 USB D/A Converter offers 2-channel 24-bit/192-kHz digital-to-analog audio conversion. For more then 10 years, engineers and audiophiles have come to rely on Benchmark for critical digital audio conversion. They consistently find themselves engaged in the music in a way that is rarely achieved with digital converters.Benchmark has achieved unprecedented sonic purity in their converters through intelligent engineering, eliminating digital distortion artifacts, and maintaining a pristine analog delivery path. The DAC1 USB continues this tradition of excellence.Preserving the Classic Benchmark DAC1 Heritage The pristine audio path of the award-winning Classic DAC1 has made it the 'Benchmark' of standalone D-to-A converters. The DAC1 USB preserves the exact topology of the audio path of the Classic DAC1, while adding some of the most frequently requested features.The DAC1 USB includes Benchmark's jitter-immune UltraLock clock system and Benchmark's 0-ohm HPA2 headphone amplifier. The DAC1 USB features Benchmarks AdvancedUSB technology to ensure bit-transparent, high-resolution playback directly from your computer. The DAC1 USB also includes a programmable mute function that automatically mutes the main outputs upon insertion of a headphone plug. Other features that are exclusive to the DAC1 USB include a programmable headphone gain range, an automatic 'Standby' feature, and a high-current output stage designed to drive even the most difficult loads.Jitter-Immune UltraLock Digital interconnect cables, electromagnetic interference, and many other variables introduce jitter into the digital audio. Jitter presents a major problem to most D-to-A converters. Jitter is a type of clock error that, if not properly addressed, can cause the D-to-A to misfire. The result of these misfires is a nonmusical, digital distortion.Many modern (and expensive) converters suffer from severe jitter-induced distortion. Jitter is NOT a problem for the DAC1 USB, which achieve jitter immunity by utilizing the proprietary UltraLock clock-recovery system.With the UltraLock clock-recovery system, the digital-to-analog conversion-clock in the DAC1 USB is totally isolated from the clock of the digital audio input. This clock-recovery topology outperforms even the most well-designed two-stage PLL designs. Using state-of-the-art Audio Precision testing equipment, no jitter-induced artifacts can be detected with the DAC1 USB. Any signal that can be decoded by the USB or AES/EBU receivers will be reproduced without the addition of any measurable jitter artifacts. The bottom line is this: Benchmark converters will consistently and faithfully deliver truthful audio with no jitter-induced artifacts, no matter what variables are present.AdvancedUSB Audio Technology The USB interface of the DAC1 USB features Benchmark's unique AdvancedUSB technology. This USB interface is completely bit-transparent. In other words, every sam...details

    Benchmark DAC1 USB D/A Converter Rack Mount Black
    Benchmark DAC1 USB D/A Converter Rack Mount Black
    The mastering-quality Benchmark DAC1 USB D/A Converter offers 2-channel 24-bit/192-kHz digital-to-analog audio conversion. For more then 10 years, engineers and audiophiles have come to rely on Benchmark for critical digital audio conversion. They consistently find themselves engaged in the music in a way that is rarely achieved with digital converters.Benchmark has achieved unprecedented sonic purity in their converters through intelligent engineering, eliminating digital distortion artifacts, and maintaining a pristine analog delivery path. The DAC1 USB continues this tradition of excellence.Preserving the Classic Benchmark DAC1 Heritage The pristine audio path of the award-winning Classic DAC1 has made it the 'Benchmark' of standalone D-to-A converters. The DAC1 USB preserves the exact topology of the audio path of the Classic DAC1, while adding some of the most frequently requested features.The DAC1 USB includes Benchmark's jitter-immune UltraLock clock system and Benchmark's 0-ohm HPA2 headphone amplifier. The DAC1 USB features Benchmarks AdvancedUSB technology to ensure bit-transparent, high-resolution playback directly from your computer. The DAC1 USB also includes a programmable mute function that automatically mutes the main outputs upon insertion of a headphone plug. Other features that are exclusive to the DAC1 USB include a programmable headphone gain range, an automatic 'Standby' feature, and a high-current output stage designed to drive even the most difficult loads.Jitter-Immune UltraLock Digital interconnect cables, electromagnetic interference, and many other variables introduce jitter into the digital audio. Jitter presents a major problem to most D-to-A converters. Jitter is a type of clock error that, if not properly addressed, can cause the D-to-A to misfire. The result of these misfires is a nonmusical, digital distortion.Many modern (and expensive) converters suffer from severe jitter-induced distortion. Jitter is NOT a problem for the DAC1 USB, which achieve jitter immunity by utilizing the proprietary UltraLock clock-recovery system.With the UltraLock clock-recovery system, the digital-to-analog conversion-clock in the DAC1 USB is totally isolated from the clock of the digital audio input. This clock-recovery topology outperforms even the most well-designed two-stage PLL designs. Using state-of-the-art Audio Precision testing equipment, no jitter-induced artifacts can be detected with the DAC1 USB. Any signal that can be decoded by the USB or AES/EBU receivers will be reproduced without the addition of any measurable jitter artifacts. The bottom line is this: Benchmark converters will consistently and faithfully deliver truthful audio with no jitter-induced artifacts, no matter what variables are present.AdvancedUSB Audio Technology The USB interface of the DAC1 USB features Benchmark's unique AdvancedUSB technology. This USB interface is completely bit-transparent. In other words, every sam...details

    Benchmark DAC1 D/A Converter Silver
    Benchmark DAC1 D/A Converter Silver
    The reference-quality Benchmark DAC1 boasts Benchmark's UltraLock technology to deliver 2-channel 192-kHz 24-bit audio digital-to-analog conversion. Designed for maximum transparency, the DAC1 is well suited for critical playback in studio control rooms and in mastering rooms. A compact and rugged enclosure makes the Benchmark DAC1 converter an excellent choice for location recording, broadcast facilities, and mobile trucks. The internal power supply supports all international voltages and has generous margins for over and under voltage conditions. Two 1/4" headphone jacks are driven with Benchmark's new HPA2 headphone amplifier. The high-current HPA2 amplifier is capable of driving a wide variety of headphone loads while achieving less than 0.0003% distortion under load. The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the balanced XLR and unbalanced RCA analog outputs. A rear-panel switch selects Variable or Calibrated output levels.Includes rackmount kit....details

    Benchmark DAC1 D/A Converter Rack Mount Black
    Benchmark DAC1 D/A Converter Rack Mount Black
    The reference-quality Benchmark DAC1 boasts Benchmark's UltraLock technology to deliver 2-channel 192-kHz 24-bit audio digital-to-analog conversion. Designed for maximum transparency, the DAC1 is well suited for critical playback in studio control rooms and in mastering rooms. A compact and rugged enclosure makes the Benchmark DAC1 converter an excellent choice for location recording, broadcast facilities, and mobile trucks. The internal power supply supports all international voltages and has generous margins for over and under voltage conditions. Two 1/4" headphone jacks are driven with Benchmark's new HPA2 headphone amplifier. The high-current HPA2 amplifier is capable of driving a wide variety of headphone loads while achieving less than 0.0003% distortion under load. The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the balanced XLR and unbalanced RCA analog outputs. A rear-panel switch selects Variable or Calibrated output levels.Includes rackmount kit....details

    Benchmark DAC1 D/A Converter Black
    Benchmark DAC1 D/A Converter Black
    The reference-quality Benchmark DAC1 boasts Benchmark's UltraLock technology to deliver 2-channel 192-kHz 24-bit audio digital-to-analog conversion. Designed for maximum transparency, the DAC1 is well suited for critical playback in studio control rooms and in mastering rooms. A compact and rugged enclosure makes the Benchmark DAC1 converter an excellent choice for location recording, broadcast facilities, and mobile trucks. The internal power supply supports all international voltages and has generous margins for over and under voltage conditions. Two 1/4" headphone jacks are driven with Benchmark's new HPA2 headphone amplifier. The high-current HPA2 amplifier is capable of driving a wide variety of headphone loads while achieving less than 0.0003% distortion under load. The gain control sets the output level of the headphone jacks. It can also be used to control the output level of the balanced XLR and unbalanced RCA analog outputs. A rear-panel switch selects Variable or Calibrated output levels.Includes rackmount kit....details

    Benchmark ADC1 USB A/D Converter Silver
    Benchmark ADC1 USB A/D Converter Silver
    The reference-quality Benchmark ADC1 2-channel 192-kHz 24-bit audio analog-to-digital converter is equipped with Benchmark's UltraLock technology. The ADC1 is designed for maximum transparency and is well suited for the most demanding applications in studios and mastering facilities. A rugged and compact half-wide 1 RU enclosure also makes the ADC1 an excellent choice for location recording, broadcast facilities, and mobile rigs. The internal power supply supports all international voltages and has generous margins for over- and under-voltage conditions.The Benchmark ADC1 achieves outstanding performance over a wide range of input levels. Each channel has a 41-detent variable gain control, a 10-turn calibration trimmer, and a 3- position first-stage gain switch (0, 10, and 20 dB). Each channel has a two-position toggle switch that selects either the 41-detent pot or the 10-turn trimmer. Both the pot and the trimmer have a 20 dB adjustment range. In combination with the first-stage gain switch, these controls provide exceptional SNR and THD+N performance over a 40 dB adjustment range. The 10-turn calibration trimmer may be used to calibrate the ADC1 to precise studio reference levels. It may also be used to optimize the gain-staging between a microphone preamplifier and the ADC1.The ADC1 has four digital outputs (1 balanced XLR, 2 coaxial, and 1 optical). The optical output supports AES, ADAT, and ADAT S/MUX. The two coaxial outputs (Main and Aux) can operate simultaneously at different word lengths and even at different sample rates. The ADC1 has the flexibility to allow simultaneous high-resolution and low-resolution recordings. For example, the main outputs of the ADC1 can be set to 192 kHz 24-bits while the auxiliary output is set to 44.1 kHz 16-bits for a safety backup or CDR demo recording. Both the Main and Aux Outputs originate from the same A/D converter. All outputs are professional format.The ADC1 has a Word Clock output that follows the sample rate of the Main Outputs. The Word Clock output is active in all modes of operation.A multi-format clock input automatically recognizes AES/EBU, SPDIF, Word Clock, or Super Clock signals. This clock input is used to synchronize the Main Outputs. If desired, the Main Outputs may be driven from internal sources. The ADC1 will automatically revert to an internal clock source when the external clock is lost.The ADC1 has two clock modes: Auto and Internal. Both modes support 44.1, 48, 88.2, 96, 176.4 and 192 kHz. The Auto mode allows the ADC1 to lock to an external clock reference. In Auto mode, the ADC1 will follow changes in sample rate, and/or changes in the type of reference signal (AES, SPDIF, word clock, or super clock).When a clock reference is not available, the Internal mode must be used, and a sample rate must be selected (44.1, 48, 88.2, 96,176.4, or 192 kHz). When the Internal mode is active, the ADC1 is acting as clock master, will only operate at the selected sample rate, and will ig...details

     

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