leo's drums

LeosDrums is an authorized affiliate of Musician's Friend

LEO'S DRUMS
and musical instruments

BRANDS

  • ZVex
  • ZT
  • Zplane
  • Zonda
  • Zon
  • ZOE
  • ZipSpin
  • Zills
  • Zildjian
  • ZeroGravity
  • Zero G
  • Zaret
  • Yorkville
  • York
  • Yellow Tools
  • Yanagisawa
  • Yamaha
  • XLNT Idea
  • XLN Audio
  • XL Specialty Percussion
  • Xeros
  • Wuhan
  • Writer's Digest
  • Wrap-N-Strap
  • Worship Together
  • World Wide Woodshed
  • World Beat
  • Word Music
  • Woodwind Paris
  • Woodwind and Brasswind
  • Woodwind
  • Wood Violins
  • WolfPak
  • Wolf
  • Wittner
  • Wise Publications
  • Windy City
  • Willson
  • Willis
  • Williams
  • William Lewis & Son
  • Whirlwind
  • Westminster
  • Western Digital
  • Weril
  • Wedgie
  • Weber Speakers
  • WEA
  • WD Music
  • Way Huge Electronics
  • Waves
  • Wave Machine Labs
  • Watson-Guptill
  • Waterloo
  • Washburn
  • Warwick
  • Warner Bros
  • Warchal
  • Warburton
  • Waltons
  • Walt Johnson
  • Walrus Productions
  • Wallander Instruments
  • Waldorf
  • W. Nirschl
  • VTG
  • Voyage-Air Guitar
  • Vox
  • Voodoo Lab
  • VocoPro
  • VMI
  • Viva La Musica
  • Vitri
  • Vito
  • Vital Arts
  • Visual Sound
  • Vir2
  • Vienna Instruments
  • Vienna by Woodwind
  • Vic Firth
  • Vibrass
  • Vestax
  • Verve
  • Verbatim
  • Venue
  • Vega
  • Vecchio
  • Vater
  • Vandoren
  • Valentino
  • Vact
  • Use Audio
  • Up-Stage
  • Universal Percussion
  • Universal Audio
  • Univenture
  • Unitec
  • UMI
  • UltraSound
  • Ultrasone
  • Ultra-Pure
  • Ultimate Support
  • Ultimate Ligature
  • UDG
  • U.S. Masters
  • Twinson
  • Turbo Harp
  • Tungsol
  • Tudor
  • Tube-Tech
  • TSoundPro
  • Trutone
  • Trumcor
  • True Systems
  • Trophy
  • Trombotine
  • Triplet Drum Glove
  • Trigger Perfect
  • Trick
  • Trench
  • TreeWorks
  • Traynor
  • Travelite
  • Traveler
  • Traps Drums
  • Transcontinental Music
  • Traben
  • Town Talk
  • Tourte
  • Tour Grade
  • Toontrack
  • Tonium
  • ToneShaper
  • TonePros
  • ToneGear
  • Ton Kooiman
  • Tom Crown
  • Toft Audio Designs
  • Toca
  • TL Audio
  • TKL
  • Tiger
  • Thumb-Eze
  • Thud Rumble
  • Thomson Technologies
  • Thomastik
  • Third Hand Capo
  • Theodore Presser
  • The String Centre
  • The Singing Machine
  • The Realist
  • The Loar
  • The Light Source
  • The Hood
  • The Gripp
  • The Drum Channel
  • THD
  • Telleno
  • Telex
  • Telefunken
  • Technics
  • Tech 21
  • Teac
  • TDK
  • TC Helicon
  • TC Electronic
  • Taylor
  • Taye
  • TASCAM
  • Tara Publications
  • Tapco
  • Tantrum
  • Tannoy
  • Tama
  • Takamine
  • Taiyo Yuden
  • T.U.K.
  • T-Rex
  • Synthogy
  • Synapse Audio
  • Symetrix
  • SWR
  • Switchcraft
  • Swirlygig
  • Sweet Pipes
  • Svetlana
  • Suzuki
  • Superslick
  • Super-Sensitive
  • Summy-Birchard
  • Summit Audio
  • Sugal
  • Submersible Music
  • StylePlus
  • Studiologic
  • Studio RTA
  • Studio Projects
  • Studio Devil
  • Studio 49
  • Stuart Dunkel
  • Strunal
  • String Swing
  • String Master
  • String Letter
  • Stradella
  • Stork
  • Stomvi
  • Stewart
  • Steven Slate Drums
  • Sterling by Music Man
  • Sterling Audio
  • Sterisol
  • Steinberger
  • Steinberg
  • Stedman
  • Stay-Put
  • Startec
  • Star Licks
  • Stanton
  • Standtastic
  • Standard
  • Stagg
  • StageTrix
  • Stageline
  • Stage Ninja
  • SR Technologies
  • Squier by Fender
  • Sperzel
  • Spectrasonics
  • Spector
  • Spaun
  • Space Filler
  • Sovtek
  • Soundwear
  • SoundTech
  • Sounds We Make
  • Soundcraft
  • Sound Sleeve
  • Sound Quest
  • Sound Percussion
  • Sound Back
  • Sony
  • Sonuus
  • Sonor
  • Sonoma Wire Works
  • Sonnox
  • SONiVOX
  • Sonik Capsules
  • Sonic Reality
  • Sonic Implants
  • Solidstand
  • Solid State Logic
  • Soldano
  • Softube
  • Softone
  • SofiaMari
  • Snarling Dogs
  • Snark
  • Snap Jack
  • SMP
  • Smokey
  • SM Pro Audio
  • Slider Straps
  • Slide-O-Mix
  • Slate Pro Audio
  • Slate Digital
  • Slappa
  • SKB
  • SIT
  • SimpleTech
  • Simmons
  • Silvertone
  • SilverFox
  • Silver Creek
  • Sibelius
  • Shure
  • Shur Stik
  • Shubb-Pearse
  • Shubb
  • Shredneck
  • Sherrard
  • Sherman
  • Shawnee
  • Shaker
  • Shadow
  • Seymour Duncan
  • Sevilla Classical Guitar Strings
  • Sennheiser
  • Selmer Paris
  • Selmer
  • Seiko
  • Sefour
  • Secrets of the Pros
  • Second Floor Music
  • Seagull
  • sE Electronics
  • Scratch Pad
  • Schott
  • Schoenhut
  • Schilke
  • Scherzer
  • Scherl and Roth
  • Schecter
  • Schalloch
  • Schaller
  • Savarez
  • Sattler
  • Sarkett
  • Sanyo
  • Sanctuary
  • Sample Logic
  • Samba
  • Sailor Jerry Clothing
  • Sacconi
  • Sabra
  • Sabine
  • Sabian
  • S. Clary
  • Rupert Neve Designs
  • Runyon
  • Ruff Rider
  • Rudy Muck
  • Ruby Tubes
  • RTOM
  • RSQ
  • Royer
  • Roxio
  • Rovner
  • Rousseau
  • Rounder
  • Rotosound
  • Ross Technologies
  • Ross Mallet
  • Rolls
  • Roland
  • Rogue
  • Rogers
  • Roger Linn Design
  • Rodriguez
  • Rode Microphones
  • Rocky Mountain Slides
  • Rocktron
  • Rockstop
  • Rockman
  • Rockfield
  • RockenWraps
  • Rock Steady
  • Rock n Roller
  • Rock Iconz
  • Rock House
  • Rock Band
  • Roche Thomas
  • Roc-N-Soc
  • Robokey
  • Robert Vinson
  • Rob Papen
  • Road Tough
  • Road Runner
  • Road Ready
  • RME
  • Rivera
  • Rittor Music
  • Rising Software
  • Rigotti
  • Ridenour
  • Rico Royal
  • Rico
  • Richmond by Godin
  • Rhythm Tech
  • Rhythm Band
  • Revere
  • Reunion Blues
  • Resonans
  • Replacement Cases
  • Ren Wei Shi
  • Remo
  • REH
  • Regal Tip
  • Regal
  • Rees Harps
  • Reeds Australia
  • Reed Wizard
  • Reed Mate
  • Redwine
  • Red Witch
  • Red Strings
  • Recording King
  • Record Research
  • Rebel Straps
  • Rebeats Publications
  • RCI Starlite
  • RCA
  • Raxxess
  • Raven
  • Rapco
  • Rane
  • Randall
  • Ralph Marlin
  • Rainsong
  • Radial
  • Qwik Tune
  • Qwik Time
  • Quik-Lok
  • QuickStep
  • Quick Note
  • QSC
  • Q Up Arts
  • Q Parts
  • Pyware
  • Pyne
  • Puresound
  • Pulse
  • PRS Cables
  • Prowler
  • Protection Racket
  • Protechtor Cases
  • Propellerhead
  • Prop-It
  • ProLine
  • ProjectSAM
  • Pro-Mark
  • Pro-Ject
  • Pro Tour
  • Pro Tec
  • Pro Media
  • Pro Co
  • Primero
  • Primera Technology
  • Primary Line
  • Primacoustic
  • Prim
  • PreSonus
  • Premiere
  • Premier
  • Prelude
  • Powerlung
  • Postal Monkey
  • Portnoy
  • Pork Pie
  • POPS
  • Pomarico
  • Poehland
  • Plush
  • Players
  • Play on Air
  • Platinum Samples
  • Plasti Lyre
  • Planet Waves
  • Pirastro
  • Pipers' Choice
  • Pioneer
  • Pintech
  • Pinnacle
  • PikCard USA
  • Pigtronix
  • Pignose
  • Pick N Glider
  • Piano Wizard
  • Phonic
  • PG Music
  • Petz
  • Peterson
  • Petersen Designs
  • Peter Ponzol
  • Perri's
  • Performance Gear
  • Perfectone
  • Perfection
  • Perantucci
  • Penguin Books
  • Pedaltrain
  • Pedal Pad
  • Peavey
  • Pearl Flutes
  • Pearl
  • Peak Music Stands
  • Peaceland Guitar Ring
  • PCDJ
  • PCAudioLabs
  • Paul Reed Smith
  • Parkwood
  • Parker
  • Parduba
  • Panyard
  • Palatino
  • Paiste
  • Paige
  • Pack-A-Stand
  • Pacific Drums by DW
  • Pace
  • P & H
  • Overseas Connection
  • Overloud
  • Ovation
  • Otto Musica
  • Otto Link
  • Oscar Schmidt
  • Ortofon
  • Original Swab
  • Orbitone
  • Orange County Drums and Percussion
  • Orange Amplifiers
  • Open Labs
  • Onori
  • On-Stage Stands
  • OmniSistem
  • Omnirax
  • Olympus
  • Olivieri
  • Oleg
  • Olathe
  • Odyssey
  • Ocheltree
  • Obedia
  • Oasis
  • O-Tray
  • Nyman
  • Numark
  • NS Design
  • Novation
  • Nova
  • Notion
  • Notes & Strings
  • Norren
  • Normandy
  • Nord
  • Nomata
  • Nomad
  • Node
  • Noblet
  • Noble & Cooley
  • Nino
  • Neutrik
  • Neuratron
  • Neumann
  • Neotech
  • Nechville
  • Neary
  • Native Instruments
  • National Picks
  • Namba Gear
  • Nagoya Suzuki
  • Nady
  • N-Tune
  • MXR
  • MXL
  • MVP
  • Mutec
  • Musser
  • Musitek
  • MusicXPC
  • MusicLab
  • Musician's Institute
  • Musician's Gear
  • Musician's Friend
  • Music Works
  • Music Sales
  • Music Man
  • Music Accessories
  • Mullard
  • Mu Technologies
  • MTS Products
  • MTD
  • MOTU
  • Motrya
  • Motion Sound
  • Morrie Backun
  • Morrell
  • Morpheus
  • Morley
  • Morgan
  • Mooradian
  • Moog
  • Monster Power
  • Monster Cable
  • Monster
  • Mono Cases
  • Monarch
  • Mollard
  • Mojave Audio
  • Mogami
  • Modulus
  • Modtone
  • Modern Drummer
  • Modartt
  • MJS
  • Mixta Music
  • Mixosaurus
  • MixMeister
  • Mitchell Lurie
  • Mitchell
  • Miraphone
  • Miller Freeman
  • Millennia
  • Mike Caddy
  • Mike Balter
  • Mighty Moe
  • Mighty Mite
  • Mighty Bright
  • Midwest
  • MIDI Solutions
  • Middle Atlantic
  • Midas
  • MicroPhome
  • Micronet
  • MicroBoards
  • Micro
  • Michael Kelly
  • MI Audio
  • Meyer
  • Metrophones
  • Meredith Music
  • Mel Bay
  • Meisel
  • Meinl Weston
  • Meinl
  • MEG
  • Mediapresse
  • McNally
  • McDSP
  • Maxon
  • Matrix
  • Matador
  • Martin-LeBlanc
  • Martin
  • Marshall
  • Marlin Lesher
  • Marks
  • Markbass
  • Marimba Warehouse
  • Marcinkiewicz
  • Marca
  • Marantz
  • Maranatha! Music
  • Mapex
  • Manuel Contreras II
  • Manley
  • Manhasset
  • Majestic
  • Mainline
  • Mahalo
  • Magnum
  • Magix
  • Magic Valve
  • Magic Reed
  • Maestro
  • Mackie
  • Mach One
  • M-Audio
  • Lyons
  • Lynx
  • Luyben
  • Lute Hole
  • Luna
  • Ludwig
  • Lucida
  • Lucid
  • Lucero
  • LR Baggs
  • Lovepedal
  • Lost Country
  • Londoner Bows
  • Lomax
  • LMI
  • LM Products
  • Livid
  • Live Wire Solutions
  • Live Wire
  • Littlite
  • Linton
  • Line 6
  • LightSnake
  • Lightning Lab Productions, LLC
  • Lighting
  • Lifetime
  • Lexicon
  • Levy's
  • Leslie
  • Lehle
  • Legere
  • Lee Oskar
  • LeBlanc
  • Leather Specialties Company
  • Lazer
  • LaVoz
  • Lava
  • Latin Percussion
  • Last Stand Deluxe
  • Laskey
  • Larsen Strings
  • Lanikai
  • Langevin
  • Lampcraft
  • Lamp Lite
  • Lakland
  • Laguna
  • LaCie
  • Lace
  • Lab Gruppen
  • La Patrie
  • L.A. Sax
  • Kyser
  • Kydd
  • Kustom
  • Kurzweil
  • Kun
  • Kultur
  • Kullerswift
  • KSP
  • KRK
  • Kremona
  • Kratt
  • Krank
  • Kramer
  • Koss
  • Korg
  • Kolstein
  • Kohlert
  • Koch
  • Knilling
  • Kluson
  • Kjos
  • Kiwi
  • King David
  • King
  • Kinder Mallets
  • Kimbo
  • Kidsplay
  • Kickport
  • Keywear
  • Kerusso
  • Kerly
  • Kepur
  • Kenyon
  • Kentucky
  • Kent Armstrong Pickups
  • Kensington
  • Kendrick
  • Kelly SHU
  • Kelly
  • Keith McMillen Instruments
  • Keilwerth
  • Keeley
  • Kay Vintage Reissue Guitars
  • Kawai
  • Karl Willhelm
  • Kanstul
  • Kangaba
  • Kaces
  • K & M
  • JVC
  • Jupiter
  • Juice Goose
  • Josef Lazar
  • Jose Ramirez
  • Jones
  • Joia Tubes
  • Johnson
  • John Pierce
  • John Pearse
  • Joemeek
  • JoeCo
  • Jody Jazz
  • Jodi Head
  • Jo Ral
  • Jewel
  • JetSlide
  • Jet Tone
  • Jet City Amplification
  • Jensen
  • Jellifish
  • Jeffrey David
  • JBL
  • Jay Turser
  • Jasmine by Takamine
  • Jargar
  • Jan Dvorak
  • JamHub
  • Jamey Aebersold
  • JAMedia
  • Jambone
  • Jade
  • Jacques
  • Jackson
  • J.Winter
  • iZotope
  • Italia
  • iTab
  • ISP Technologies
  • IsoNode Pro
  • iSong
  • Ion Audio
  • International Woodwind
  • Intellitouch
  • Integrity Music
  • Innovative Percussion
  • Innovative Music Systems
  • Ingles
  • Indamixx
  • IMV
  • Image Line
  • Image Entertainment
  • ILIO
  • iKEY Audio
  • IK Multimedia
  • Ice Pix
  • Ibanez
  • Humitron
  • Humicase
  • Humfrees
  • Humes & Berg
  • Hughes & Kettner
  • Hudson Music
  • HQ Percussion
  • Howel Roberts
  • Houston Publishing
  • House of Blues
  • Hot Sticks
  • Hot Licks
  • Hosa
  • Hornets
  • Horn Doctor
  • Horizon
  • Homespun
  • Holton
  • Hohner
  • Hofner
  • Hodge
  • Hiwatt
  • Hipshot
  • Hill
  • High Scope
  • Hidersine
  • HHB
  • Hetman
  • Hering
  • Hercules Stands
  • Hercules
  • Herco
  • Hennessey Guitar Parts
  • Heil Sound
  • Heavyocity
  • Hearos
  • Headway
  • Headfx
  • Hayes Publishing
  • Hart Dynamics
  • Harry Hartmann
  • Harrison Music Education Systems
  • Harris Teller
  • HarmonicaLessons.com
  • Harmonic Vision
  • Harmon
  • HardWear
  • Harbinger
  • Hao
  • Hansenfutz
  • Hans Hoyer
  • Hankie
  • Hammond
  • Hammerax
  • Hamilton Stands
  • Hamer
  • Hall
  • Hal Leonard
  • Hagstrom
  • Hagerty
  • H.W.
  • H. Wilson
  • Guyatone
  • Guitar Hero
  • Guitar 411
  • Guild
  • Guardala
  • Grover-Trophy
  • Grover
  • Grossman Music
  • Groove Tube
  • Groove Juice
  • Grombal
  • Griffin Technology
  • Gretsch Guitars
  • Gretsch Drums
  • Gretsch
  • Great Nutshell Productions
  • Graph Tech
  • Grand Concert Select
  • Grace Design
  • Gower
  • Gotoh
  • Gorilla Snot
  • Goodwood
  • Gonzalez
  • Gon Bops
  • Goldtone
  • Golden Touch
  • Golden Gate
  • Golden Bridge
  • Golden Age Project
  • Goldbrokat
  • Gold Star
  • Godlyke
  • Godin
  • GMS
  • Glyph
  • Glider
  • Glasser
  • Glaesel
  • Gitane
  • Gillis
  • Gig-FX
  • Gig Skinz
  • Gig
  • Giddings & Webster
  • Gibson Custom
  • Gibson
  • Gibraltar
  • Giardinelli
  • GIA Publications
  • GHS
  • Getzen
  • Get'm Get'm
  • George L's
  • George Dennis
  • Genz Benz
  • Gennusa
  • Genelec
  • Genalex
  • Gen16 Intelligent Percussion
  • Gemini
  • Gemeinhardt
  • Gem Woodwind Products
  • GEM Swabs
  • Gem Sound
  • Gem
  • GelRest
  • Gear One
  • Gazley
  • Gator
  • Gary E. Smith
  • Garritan
  • Garrett
  • Gard
  • Galway
  • Gallien-Krueger
  • Galaxy
  • G7th
  • G. Schirmer
  • G. Henle Verlag
  • G & L
  • Fxpansion
  • Furman
  • Fulltone
  • Full On Clothing
  • Full Contact Hardware
  • Fryette
  • Frontier Design Group
  • FretRest by Proline
  • Fretlord
  • Fret12
  • Freehand
  • Freedom
  • Frederick Hemke
  • Franklin Strap
  • Franklin
  • Framptone
  • Fox
  • Fostex
  • Focusrite
  • Florea
  • Flea Market Music
  • Flea Bass
  • Flatiron
  • Fishman
  • First Note
  • Firestix
  • Fingerease
  • Finger Fitness
  • Finale
  • Fibracell
  • Ferree
  • Fernandes
  • Fender Custom Shop
  • Fender
  • Featherweight
  • FEA
  • Faxx
  • Favored Nations
  • Fat Congas
  • Fat Cat
  • Fast Axe
  • Farley's
  • Fantom
  • Fancy Pans
  • Factory Metal Percussion
  • Facelift
  • Fable Sounds
  • Faber Music
  • EZ-Dupe
  • Expansion Tank
  • Evidence Audio
  • EVH
  • Everly
  • Everest
  • Eventide
  • Evans
  • Eurolite
  • Euphonix
  • Etude
  • ETA Systems
  • Espana
  • ESP
  • ESI
  • Esax
  • Ernie Ball
  • Equator Audio Research
  • Epiphone
  • Epifani
  • Engl
  • Engelhardt
  • Endust
  • Empirical Labs
  • EMMA
  • Eminence
  • EMI Digital
  • EMG
  • Emerson
  • eMedia
  • Elixir
  • Eliminator Lighting
  • Electro-Voice
  • Electro-Harmonix
  • Elation
  • El Dorado
  • EKS
  • Egnater
  • Educational Activities
  • Editio Musica Budapest
  • Edirol
  • Eden
  • Echo
  • Ebtech
  • EBS
  • EBow
  • EAW
  • EastWest
  • earthworks
  • Eagle
  • E.C. Kerby
  • E-MU
  • E-Cords
  • Dynaudio
  • Dynasty
  • Dycem
  • Dwarfcraft
  • DW
  • Duracell
  • Duplex
  • Dunnett
  • Dunlop
  • Duncan Performer
  • Dunbar
  • Dukoff
  • Duallist
  • Dtar
  • Drumometer
  • Drumdial
  • Drum Tech
  • Drum Pike
  • Drum One
  • Drum Fun Inc
  • Drawmer
  • Dr. Dan's
  • DR Strings
  • DR Pro
  • Down 2 Earth
  • Doreli
  • Donato
  • Don't Fret
  • DOD
  • DocZac
  • Doctor's Products
  • Dobro
  • Dixson
  • Dixon
  • Display and Play
  • Director's Showcase
  • Direct Sound
  • DiPinto
  • Dime Amplification
  • DiMarzio
  • DigiTech
  • Digital Reference
  • Digital Music Doctor
  • Digidesign
  • Didgeridoo Store
  • Diaz
  • Devine Entertainment
  • Devi Ever
  • Denon
  • Denis Wick
  • DeltaLab
  • Delkin
  • DEG
  • Deering
  • Deer River
  • Dean Markley
  • Dean
  • Deagan
  • De Haske Publications
  • De Armond
  • ddrum
  • dbx
  • dB
  • David Weber
  • David Hite
  • Dave Smith Instruments
  • Dava
  • Danmar
  • Danelectro
  • Dan Dean
  • Dan Armstrong
  • Dampit
  • Daking
  • Daisy Rock
  • D.W. Fearn
  • D'em Crazy
  • D'Andrea
  • D'Addario
  • Cymbal Crown
  • Curry
  • CruzTOOLS
  • Crown Strings
  • Crown
  • Crest Audio
  • Cremona
  • Creepnomore
  • Creative Tunings
  • Creative Concepts
  • Craviotto
  • Crate
  • CP
  • Courtois
  • Cortex
  • Cort
  • CoreX2
  • Corelli
  • Cordoba
  • Cordier
  • Cord-Lox
  • Converse
  • Control Acoustics
  • Consoli Ramplig
  • Conquest
  • Conn
  • Conklin
  • Command Center
  • Comfort Zone
  • Combs
  • Columbus Washboard
  • Columbia
  • Coffin Case
  • CMS
  • CME
  • Clevelander
  • Clebsch Strap
  • Clearvue
  • Cleartone
  • Clear Voice
  • Clayton
  • Claude Lakey
  • Classical Kids
  • Clark W Fobes
  • Claricord
  • Chunk Systems
  • Chronicle Books
  • ChopSaver
  • Chop-Sticks
  • Children's Book Store
  • Cherub
  • Cherry Lane
  • Chauvet
  • Charvel
  • Chartier
  • Chartbuster
  • Charles Davis
  • Chappell
  • Chandler Limited
  • Chandler
  • Chameleon Labs
  • Cerwin-Vega
  • Cerveny
  • CEntrance
  • Centerstream
  • CenterPitch
  • Celestion
  • Celemony
  • CBI
  • CB Percussion
  • Cavallaro
  • Casio
  • Case Logic
  • Carlsson
  • Carl Martin
  • Carl Fischer
  • Canto
  • Cannon
  • Calzone i Series
  • Cal-Mil
  • Cakewalk
  • CAIG
  • CAD
  • C Tech
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    Berg Larsen

    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/0 and other Berg Larsen products for sale online.

    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/0
    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/0
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/0
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 105/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 105/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 75/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 75/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/0
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/0
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 110/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 110/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 115/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 120/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 95/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 100/2 M
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 100/2 M
    Save BIG when you buy today!...details

    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 100/2 SMS
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 100/2 SMS
    Save BIG when you buy today!...details

    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 105/2 M
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 105/2 M
    Save BIG when you buy today!...details

    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 105/2 SMS
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 105/2 SMS
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    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 110/2 M
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 110/2 M
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    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 110/2 SMS
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 110/2 SMS
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    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 115/2 SMS
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 115/2 SMS
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    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 120/2 M
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 120/2 M
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    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 120/2 SMS
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 120/2 SMS
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/0
    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/0
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/1
    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/1
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/2
    Berg Larsen Rubber Alto Saxophone Mouthpiece 100/2
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/0
    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/0
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/1
    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/1
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/2
    Berg Larsen Rubber Alto Saxophone Mouthpiece 85/2
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/1
    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/1
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/2
    Berg Larsen Rubber Alto Saxophone Mouthpiece 90/2
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/0
    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/0
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/1
    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/1
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    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/2
    Berg Larsen Rubber Alto Saxophone Mouthpiece 95/2
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    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 100/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/0
    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/1
    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/2
    Berg Larsen Metal Tenor Saxophone Mouthpiece 105/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified.....details

    Berg Larsen Rubber Soprano Saxophone Mouthpiece 65/2
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 65/2
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    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/0
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/0
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    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/1
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/1
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    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/2
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 70/2
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    Berg Larsen Rubber Soprano Saxophone Mouthpiece 75/1
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 75/1
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    Berg Larsen Rubber Soprano Saxophone Mouthpiece 80/1
    Berg Larsen Rubber Soprano Saxophone Mouthpiece 80/1
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    Berg Larsen Metal Alto Saxophone Mouthpiece 100/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 100/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/0
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/0
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 105/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 105/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 105/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 105/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/0
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 105/0
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 80/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 80/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 80/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 80/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 115/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 85/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 85/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 90/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 90/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 120/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 120/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 120/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 120/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 90/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 90/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 90/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 90/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 95/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 95/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/0
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/0
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 95/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 95/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 95/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 95/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 95/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 100/1
    Berg Larsen Metal Alto Saxophone Mouthpiece 100/1
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 80/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 80/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 100/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 100/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 85/0
    Berg Larsen Metal Alto Saxophone Mouthpiece 85/0
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/2
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 100/2
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Metal Alto Saxophone Mouthpiece 85/2
    Berg Larsen Metal Alto Saxophone Mouthpiece 85/2
    Berg Larsen Metal Tenor Sax MouthpieceTip OpeningThe tip opening is the distance between the tip of the reed and the tip of the mouthpiece, measured in thousands of an inch. Generally speaking, the wider the tip opening, the softer the reed that may be used. For most beginners a narrower tip opening will result in a clearer tone and more consistent intonation. 90: Close / 95-100: Medium Close / 100-105: Medium / 110-115: Medium Open / 120-130: OpenThe ChamberThe degree of edge or brightness the player obtains is dictated by the size of the tone chamber. The more 'baffle' that is built into the tone chamber, the more edge the tone will have. A '0' tone chamber will have the most edge and a '3' will have a more mellow tone.Facing LengthThe term 'SMS ' or 'M' indicates the choice of facing. The SMS, or French facing is usually shorter with a steeper curve. The 'M' or American facing is slightly longer with a flatter type curve.Berg Larsen stainless steel mouthpieces are known for increased life and their diverse tonal quality. Due to the hardness of the metal and the highly reflective finish, they are able to maximize projection. With the many combinations of tip opening and chamber, these mouthpieces can produce whatever tone you are looking for, from bright and edgy to smooth and dark. Includes cap and ligature. Mouthpieces are SMS (European Facing) unless otherwise specified....details

    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 115/2 M
    Berg Larsen Vintage Metal Tenor Saxophone Mouthpiece 115/2 M
    Save BIG when you buy today!...details

    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/0
    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/1
    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/1
    Save BIG when you buy today!...details

    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/2
    Berg Larsen Rubber Alto Saxophone Mouthpiece 80/2
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 100/0
    Berg Larsen Metal Baritone Saxophone Mouthpiece 100/0
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 105/2
    Berg Larsen Metal Baritone Saxophone Mouthpiece 105/2
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 110/0
    Berg Larsen Metal Baritone Saxophone Mouthpiece 110/0
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 110/2
    Berg Larsen Metal Baritone Saxophone Mouthpiece 110/2
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 115/1
    Berg Larsen Metal Baritone Saxophone Mouthpiece 115/1
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 120/1
    Berg Larsen Metal Baritone Saxophone Mouthpiece 120/1
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/0
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/1
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/1
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 100/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/0
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/0
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 115/2
    Berg Larsen Metal Baritone Saxophone Mouthpiece 115/2
    Save BIG when you buy today!...details

    Berg Larsen Metal Baritone Saxophone Mouthpiece 120/0
    Berg Larsen Metal Baritone Saxophone Mouthpiece 120/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/1
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/1
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 105/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/0
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/1
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/1
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 110/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 115/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 115/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 120/2
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 120/2
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/0
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/0
    Save BIG when you buy today!...details

    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/3
    Berg Larsen Rubber Baritone Saxophone Mouthpiece 95/3
    Save BIG when you buy today!...details

    Berg Larsen Rubber Tenor Saxophone Mouthpiece 90/1
    Berg Larsen Rubber Tenor Saxophone Mouthpiece 90/1
    Berg originally made his name as a professional musician and whilst not working, he could be found making reeds in Archer Street London. In 1945, he designed and manufactured a range of ebonite mouthpieces for clarinet and saxophone which later evolved into a range made out of stainless steel for an increased lifespan. Although Berg died in 1972, his name lives on. Today, we can offer a wide variety of mouthpieces in various different materials and styles. Today, the name Berg Larsen in synonymous with hand crafted mouthpieces for saxophones. Skilled craftsmen use ten machining processes to create each Berg Larsen mouthpiece. Each one is individually hand finished and inspected to ensure the Berg Larsen reputation for quality is maintained. As well as using a variety of materials in the construction of our mouthpieces, they have a comprehensive range of tip openings, to be sure that there is a mouthpiece for EVERYONE. Berg Larsen Saxophone Mouthpieces are used by some of The World's top professional saxophonists.This is where it all started! Since 1945 Berg Larsen's mouthpieces were manufactured from black ebonite (hard rubber) which is the traditional material for mouthpieces. Ebonite has certain absorbent qualities which give a more resonant tone. Mouthpieces are SMS (European Facing) unless otherwise specified....details

     

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