Fulltone PlimSoul Distortion Guitar Effects Pedal
For many, many years you've basically had 2 choices for your overdrive and distortion pedals. You could either get "Soft-clipped" Bluesy, slightly compressed-type overdrive pedals, or you could get "Hard-Clipped" type distortion pedals. Now, the Fulltone PlimSoul guitar effects pedal offers both distortion and overdrive for a great price. The Fulltone PlimSoul guitar pedal has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube-style Distortion. What's more is you not only hear and feel it—you can see the Fulltone pedal reacting to your every mood via a fiery LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.It's touch sensitive, cleans up with the guitar's volume control, sounds superb with either humbuckers or single coils. And with a 500kOhm input impedance and ideal super low 10K output impedance, the Fulltone PlimSoul plays nice with other effects pedals. It goes from very clean to very dirty, giving your tone a vast range of tonal control to customize to your liking. The Fulltone overdrive/distortion pedal can blend both soft clip/hard clip distortion types, or isolate one or the other. The sound possibilities are truly endless. This Fulltone guitar pedal offers extremely good sustain/feedback qualities, just the right amount of mids and bottom, great touch sensitivity, dynamics, and all those in-between shades available created using your guitar's volume control....details

Fulltone OF-2 Octafuzz Fuzz Guitar Effects Pedal
The Fulltone OF-2 Octafuzz guitar effects pedal is the only exact circuit copy of the legendary Tycobrahe Octavia on the market. With this killer fuzz pedal you can achieve cool Octave-Up sounds ala Hendrix "Band of Gypsies" and SRV's many live shows, while the fuzz delivers just what it says: classic fuzz tone. Housed in a 14-gauge steel enclosure with a beautiful Ranar-blue gloss powdercoat finish and Antique-white logo, this Fulltone Octafuzz pedal is the reincarnation of the Tycobrahe. Its synth-like ring-modulation and "steel-drum" vibe will turn heads....details

"Fulltone Angled-Angled 6" Interconnect Pedal Patch Cable 6 Inch"
This 6" premium interconnect patch cable from Fulltone features angled connectors. You get high-end sound at a low price and a limited lifetime Fulltone warranty....details

"Fulltone Angled-Angled 8" Interconnect Pedal Patch Cable 8 Inch"
This 8" premium interconnect patch cable from Fulltone features angled connectors, giving you high-end sound at a low price and a limited lifetime Fulltone warranty....details

"Fulltone Angled-Angled 12" Interconnect Pedal Patch Cable 12 Inch"
This 6" premium interconnect patch cable from Fulltone features angled connectors, giving you high-end sound at a low price and a limited lifetime Fulltone warranty....details

Fulltone GS10-SS 10' Gold Standard Straight-Straight Instrument Cable 10 Feet
This 10' Gold Standard premium instrument cable from Fulltone features straight connectors. This cable delivers high-end sound at a low price and has a limited lifetime Fulltone warranty....details

Fulltone GS15-SS 15' Gold Standard Straight-Straight Instrument Cable 15 Feet
This 15' Gold Standard premium instrument cable from Fulltone features straight connectors. The cable delivers high-end sound at a low price and has a limited lifetime Fulltone warranty....details

Fulltone MDV2 Mini-Deja'Vibe 2 Guitar Effects Pedal Cream
The Fulltone MDV2 Mini-Deja'Vibe 2 is an effect pedal true to the original 1960s Univibe circuit, including the most important parts: the photocells—100% Fulltone-designed. Real estate is precious, especially on your pedalboard, but the lush organic sounds of a perfect "vintage Univibe clone" are a necessity. They are now attainable in a space no bigger than a standard wah-wah pedal: the Fulltone Mini-Deja'Vibe 2—MDV-2 for short. This chorus pedal from Fulltone has a Vintage Cream powdercoated finish with oxblood lettering and a blue LED that throbs to the beat of its asymmetrical rhythm. The Mini-Deja'Vibe pedal's dual pot gives you access to all speeds from slowest to fastest, all with a perfect sweep and no abrupt speed changes.Power the Fulltone MDV2 Mini-Deja'Vibe 2 pedal with the supplied 9V DC adapter or any pedalboard power supply on the market....details

Fulltone GS15-AS 15' Gold Standard Angled-Straight Instrument Cable 15 Feet
This 15' Gold Standard instrument cable from Fulltone has 1 straight and 1 angled connector. The cable delivers high-end sound at a low price and has a limited lifetime Fulltone warranty....details

Fulltone UO Guitar Effect Ultimate Octave
Save BIG when you buy today!...details

Fulltone TTE Delay Effect Tube Tape Echo
It used to be that no delay could quite replicate the natural, warm, and shimmery tones of an old Echoplex tape echo—enter the Fulltone TubeTapeEcho, or TTE. Old tape echoes used to be noisy and unreliable, but the Fulltone TTE is dead quiet and features revamped electronics, tape transport path, and even the tape cartridge itself to near-overkill, producing less noise than most delay pedals. The TTE effect pedal can provide anywhere from a quick slapback to over 2 seconds of delay time. There is a top-panel-mounted, dual-speed toggle switch to choose between Hi-Speed and Lo-Speed operation. Hi-Speed gets you lots of Highs, less Bass, and a True Repeat without the Pitch variation of the old Echoplex. Lo-Speed is warm, with lots of Bass, less highs, and a slight "warble" that imparts a natural chorus....details

Fulltone Clyde Standard Wah Guitar Effect Pedal
Clyde McCoy was a big-band Trumpet Player in the '60s... not a great musician, but one famous for getting a muted wah wah sound. This led to Vox trying to approximate this muted trumpet sound in a guitarpedal... hence the Vox "Clyde McCoy" wah wah circa 1967.Jimi Hendrix and Eric Clapton used a Vox "Clyde McCoy" model wah wah. Photos taken during the recording of Electric Ladyland document Jimi's as being the "signature" model, featuring Clyde McCoy's name written out script style on the bottomplate. The other type of Clyde McCoy was the "picture" version, which had Clyde's photo on the bottomplate. The "signature" model, with it's great sounding "halo" inductor, is what the Fulltone Clyde standard wah effect pedal is modeled after.The Fulltone CLYDE wah pedal was born from taking the best of the best of Fulltone's vintage Vox wah collection, and analyzing every aspect... going so far as sacrificing a few of the vintage inductors to get it right.Our Inductor is a tuned core handmade unit using exactly the same type wire and inductance as the '60s-era Vox, except very consistent from one unit to the next. A tuned core inductor is much more expensive to make, but the end result is worth it. Drop this into your wah and experience the difference. The only change from the original '60s Vox design is the addition of a very usable internal Resonance Control which is a large durable trimmer, for bass and gain adjustment, which is easily adjustable by hand without tools and with room to mark your favorite settings.All 2008 Fulltone's CLYDE Standard wah pedals sport the most authentic '60s Vox-type inductor available, which happens to also be the quietest....details

Fulltone MDV Mini DejaVibe Vibe/Chorus Pedal
The MDV Mini DejaVibe from Fulltone gives you the vintage experience of a '60s Univibe—you can't get more accurate than exact. The Mini DejaVibe delivers that dripping Phase-Chorused tone, the very same effect that made Jimi Hendrix's "Machine Gun" so epic. The Fulltone pedal comes in a beautiful vintage Cream color with maroon lettering on a sturdy 16-gauge steel housing that measures only 4" x 5-3/4".Now it's tiny enough to fit on the most cluttered pedalboard, and because of the mini-DV's unique voltage doubling circuit, you can use any standard 9-volt DC adapter (Fulltone FPS-1 adapter included), and inside the MDV pedal the power is ramped up to the original Univibe's 18+ volts DC.The mini-DejaVibe chorus pedal also has a mini-toggle switch to choose between Vintage and Modern settings, allowing for warm original Vintage '60s Univibe grind and louder, with more output (Modern setting)....details

Fulltone Robin Trower Overdrive Guitar Effects Pedal Grey
Robin Trower is known for tone, and the Robin Trower Signature Overdrive Pedal from Fulltone delivers a sonic effect truly worthy of its namesake. This pedal's got touch-responsive, huge-sounding sustain for days—and crystal clear when the guitar's volume knob is reduced for great live dynamics. This overdrive pedal sounds great with all of Trower's guitars. The front end of the pedal is specially tuned for those .012-.048 tuned-down strings. Robin's happy with the way it turned out. So give it a try. We think you'll be impressed....details

Fulltone Clyde Deluxe Wah Guitar Effects Pedal Black
The Clyde Deluxe Wah Pedal is the updated version of a Fulltone standard. The Deluxe version of the Clyde wah has all the features that players have come to know and love about the original, but now it has a 10-step variable input level control, it's true-bypass with a bright side-viewable low-current pilot light status indicator, and has 3 selectable modes: Wacked, Jimi, and Shaft.The Wah Pedal's 3-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile to biting funk to down-and-dirty low-end grunt. The Fulltone Clyde Deluxe can do it all....details

Fulltone FPS-2 Center Positive Pin 9V AC Adapter
The FPS-2 adapter from Fulltone delivers a consistent 9V regardless of what your wall AC is pumping out. This adapter has a positive center pin and is designed for use only with the '69, SoulBender, and OctaFuzz effect pedals....details

Fulltone FPS-1 Negative Center Pin 9V AC Adapter
The problem with most wall-wart adapters is that they aren't regulated, some straying up to 13 volts or so, causing hum and horrible tone—enter the Fulltone FPS-1 (200 mA.) regulated adapter. It's dead quiet and exactly 9 volts no matter what your wall AC is putting out. This adapter has the standard 2.1mm x 5.5mm end with a negative center pin and will work with most effects pedal from BOSS, Ibanez, and other pedals from Fulltone that include the FD2, OCD, Bassdrive, UltOct, '70, and CF-1....details

Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal Blue
Housed in a beautiful, powdercoated blue 16-gauge steel enclosure, the Fulltone Ful-Drive 2 pedal is capable of everything from clean boost to raw, non-compressed overdrive via its two switchable channels. With Volume, Tone, Overdrive, and Boost knobs along with toggle switches for selecting Vintage/CompCut modes and MOSFET/Standard overdrive styles.MOSFET and Standard modes each deliver their own clipping style, with the MOSFET adding more bottom end and roundness to the sound. The pedal's Tone knob is an effective presence control that can smooth out or add upper harmonics. Vintage mode provides a traditional midrange bump.The second, footswitchable Boost channel, with its own separate distortion control, is perfect for medium- to higher-gain overdrive with a more singing, violin-like sustain.Named the Best Stompbox of 2006 by Guitar Player magazine, it'll do great things for your sound....details

Fulltone Mini DejaVibe Stereo Chorus Guitar Effects Pedal Cream
The Mini DejáVibe from Fulltone packs the distinctive vintage tone of an early Univibe chorus into a modern compact stompbox. The photocells on this pedal are custom-made and have the correct glass-covered, hermetically sealed construction for 100% true-to-the-original tone. The Mini DejáVibe also has a specialized filament and mirrored interior for historically accurate construction, just the right level of brightness, and proper light reflection in its photo-array.The Fulltone Mini DejáVibe Pedal boasts a beautiful vintage cream color with maroon lettering housed in a sturdy 16-gauge steel housing. It's tiny enough to fit on the most cluttered pedalboard, and because of the Mini DejáVibe's unique voltage doubling circuit, you can use any standard 9V DC adapter, though the Fulltone FPS-1 power adapter is included.Controls also feature a mini toggle switch to choose between Vintage and Modern settings, allowing for warm original '60s Univibe grind or louder, higher-output tone....details

Fulltone Supa-Trem Tremolo Guitar Effects Pedal Black
The Supa-Trem pedal from Fulltone uses a photocell like an old American tube-amp, but without the annoying ticking sound that plagues other tremolo pedals. The Supa-Trem is extremely versatile—no gimmicks or silly paint jobs—"this thing lives up to it's name" (Guitar World). The tremolo pedal is true bypass with an LED status and speed indicator.The Supa-Trem's footswitchable Half/Full speed footswitch stays in tempo, allowing Leslie-like moves without losing the song's beat. Another footswitch lets you choose between "Soft" smooth wavering or "Hard" square-wave machine-gun stutter. And there's an internal trimmer to fine-tune the feel of the waveform....details

Fulltone GT-500 FET Distortion + Booster and Overdrive Guitar Effects Pedal Red
The GT-500 Effects Pedal from Fulltone is a discrete FET Hi-Gain Distortion and Overdrive Booster in one box. You could think of them as 2 separate pedals, or think of them as stages to be linked together for endless combinations. The Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Its Booster Side has Volume, Overdrive knobs, Bass and Highs minipots.Hard-clipped distortion—the way most guitar pedals achieve distortion—at one point in a circuit can be cool, but stage after stage of FET (GT-500) is very real, very amplike, and has ridiculous amounts of sustain even at low volume. It does the great chunky low-string rhythm stuff and cleans up incredibly well when you turn down the guitar's volume. The Fulltone GT500 contains 9 FETs, 2 Mosfets, and 1 Transistor with no opamps or clipping diodes used.What's special about the EQ? The Hi-Gain side has a discrete Inductor-Driven Midrange circuit—never been done in a pedal before. There's a wah-wah inductor inside the pedal that gives the Midrange control its ability to drastically increase or decrease the entire Low Mid, Mid, and Hi-Mid frequencies, to comical proportions. All this is done without any opamps—this has 100% discrete matched FETs.This Mid control mixed with a strong Bass and Treble control help give the Fulltone GT-500 the ability to dial in more variations than a simple tone control, which can only roll off the Highs.The Series Select Switch allows you to choose which pedal comes first (allowing you to instantly change the order of the 2 circuits). For example: A clean boost slamming into the front end a Distortion sounds way different than a Distortion followed by the clean boost, and when the EQs of the respective sides come into play, it's a wide-open canvas. Regardless of which side of the effects pedal is designated as first in line, you can still use each side by itself, completely independent of the other side....details

Fulltone OCD Obsessive Compulsive Drive Overdrive Guitar Effects Pedal
The Fulltone OCD—Obsessive Compulsive Drive&mdashoverdrive pedal packs classic OD tones into a compact pedal with simple, no-fuss operation. From heavy crunch rich with overtones and feedback to spanky cleans, the OCD delivers the sounds of a great tube amp, as sell as the same sensitivity and response to your playing style.Along with standard Volume, Drive, and Tone controls, the OCD's HP/LP (High Peak/Low Peak) switch takes the pedal from a clean boost to manic, sustain-laden distortion. True bypass switching....details

Fulltone FatBoost 3 FB-3 Guitar Effects Pedal Silver
The Fulltone FatBoost 3 effects pedal replaces previous versions 1 and 2, marrying everything that people liked about both versions while improving on them in a few key areas:•The FB-3 brings back the v1 11-position Gain control to give the ultimate in control over the FETs •The FB-3 adds one more stage of FET so that the pedal does not invert your signal •The FB-3 cures v1's huge bass increase and dull high-end issues, but allows those sounds as well should you so desireThe Fulltone FatBoost 3 is a discrete, Class-A, FET (Field-Effect-Transistor) guitar pedal offering up to 35dB of non-distorted gain without changing your signature sound, unless you want that. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract bass, and even add harmonics. The FB-3 has true-bypass switching (via the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to Fulltone's proprietary anti-pop circuitry. FET's can behave like tubes in a properly designed circuit. They can clip (distort) in a pleasing way instead of being buzzy or spiky-sounding (like a transistor) and can also add a subtle limiting to the signal which can even out the volume making your live and recorded tones more pleasing to the ear. If you're a recording engineer, you'll be happy to know you can use the Fulltone FatBoost 3 on everything from acoustic and electric guitar to electric bass, and even snare drums.The FatBoost 3 pedal works great in front of non-Master Volume tube amps to goose them into submission, as well as through Master Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars (with pickups), and is ideal at the end of a pedalboard effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.This version of the Fulltone FatBoost (FB-3) incorporates all of the things that people have loved about previous versions of these effects pedals in the past without any of the shortcomings. It brings back the 11-step FET Bias Drive knob that was missing from the FB-2. You'll notice that this knob makes a slight scraping noise when you turn it. Fear not, as that is totally normal, and is simply the sound of the Bias changing and settling on the FET MuAmp. The FatBoost 3 gives you the feeling that your amp is cranked at living room volumes so your playing is more dynamic and notes hold on longer without being distorted. It makes up for all the tone loss that (even true-bypass) pedals impart to your sound, especially if you have a lot of pedals on your pedalboard....details

Fulltone CT-1 Catalyst Guitar Effects Pedal
The Fulltone CT-1 Catalyst Guitar Pedal is equipped with a simple circuit that uses only discrete FET's to achieve its throaty roar. But the Catalyst stompbox brings something more to the table because it to does things that many other fuzz pedals can't. With its mini-toggle switch set to "Spark," the Catalyst effect pedal offers clean boosts, sweeter overdrives and all sorts of distortion sounds. Want more? Flip the switch to "Flame" and you'll be treated to a host of less civil overdrives, unique distortion voicings, and a plethora of vicious Fuzz sounds, all of which clean up with a twist of your guitar's volume knob, with a linear transition from clean to mean. To further enhance your tonal control, the Catalyst guitar pedal offers a pair of very effective low-loss tone controls that set it apart from the masses. Standard tone stacks often end up cutting so much gain that the effect designer has to make up for this loss later in the circuit, and many times you loose some of the magic in the process. Not so here because the Fulltone CT-1 Catalyst pedal's low-loss Bass/Mids knob dials out the flubby low-end, with the added bonus of supplying varying amounts of rich midrange when the Bass/Mids knob passes the 3 o'clock mark. This midrange, on top of an already wildly distorted tone, has the effect of increasing sustain to insane proportions as well as breaking you out of the standard super bright/super bassy Fuzz mold. Need to smooth out the highs? Simply turn down the Treble mini-knob—a low-loss hi-end roll-off—allowing you to shave off as much of the treble as necessary.Finally, many Fuzz pedals can have wacky input and output impedances, making it difficult to match-up successfully with wah-wah pedals and non-true-bypass buffered pedals. The Fulltone CT-1 Catalyst has none of these issues, sporting a friendly 1-meg input impedance and an astonishingly low 10K output impedance. When's the last time you had a fuzz work with a vibe or wah-wah? Things have changed, indeed....details