leo's drums

LeosDrums is an authorized affiliate of Musician's Friend

LEO'S DRUMS
and musical instruments

BRANDS

  • ZVex
  • ZT
  • Zplane
  • Zonda
  • Zon
  • ZOE
  • ZipSpin
  • Zills
  • Zildjian
  • ZeroGravity
  • Zero G
  • Zaret
  • Yorkville
  • York
  • Yellow Tools
  • Yanagisawa
  • Yamaha
  • XLNT Idea
  • XLN Audio
  • XL Specialty Percussion
  • Xeros
  • Wuhan
  • Writer's Digest
  • Wrap-N-Strap
  • Worship Together
  • World Wide Woodshed
  • World Beat
  • Word Music
  • Woodwind Paris
  • Woodwind and Brasswind
  • Woodwind
  • Wood Violins
  • WolfPak
  • Wolf
  • Wittner
  • Wise Publications
  • Windy City
  • Willson
  • Willis
  • Williams
  • William Lewis & Son
  • Whirlwind
  • Westminster
  • Western Digital
  • Weril
  • Wedgie
  • Weber Speakers
  • WEA
  • WD Music
  • Way Huge Electronics
  • Waves
  • Wave Machine Labs
  • Watson-Guptill
  • Waterloo
  • Washburn
  • Warwick
  • Warner Bros
  • Warchal
  • Warburton
  • Waltons
  • Walt Johnson
  • Walrus Productions
  • Wallander Instruments
  • Waldorf
  • W. Nirschl
  • VTG
  • Voyage-Air Guitar
  • Vox
  • Voodoo Lab
  • VocoPro
  • VMI
  • Viva La Musica
  • Vitri
  • Vito
  • Vital Arts
  • Visual Sound
  • Vir2
  • Vienna Instruments
  • Vienna by Woodwind
  • Vic Firth
  • Vibrass
  • Vestax
  • Verve
  • Verbatim
  • Venue
  • Vega
  • Vecchio
  • Vater
  • Vandoren
  • Valentino
  • Vact
  • Use Audio
  • Up-Stage
  • Universal Percussion
  • Universal Audio
  • Univenture
  • Unitec
  • UMI
  • UltraSound
  • Ultrasone
  • Ultra-Pure
  • Ultimate Support
  • Ultimate Ligature
  • UDG
  • U.S. Masters
  • Twinson
  • Turbo Harp
  • Tungsol
  • Tudor
  • Tube-Tech
  • TSoundPro
  • Trutone
  • Trumcor
  • True Systems
  • Trophy
  • Trombotine
  • Triplet Drum Glove
  • Trigger Perfect
  • Trick
  • Trench
  • TreeWorks
  • Traynor
  • Travelite
  • Traveler
  • Traps Drums
  • Transcontinental Music
  • Traben
  • Town Talk
  • Tourte
  • Tour Grade
  • Toontrack
  • Tonium
  • ToneShaper
  • TonePros
  • ToneGear
  • Ton Kooiman
  • Tom Crown
  • Toft Audio Designs
  • Toca
  • TL Audio
  • TKL
  • Tiger
  • Thumb-Eze
  • Thud Rumble
  • Thomson Technologies
  • Thomastik
  • Third Hand Capo
  • Theodore Presser
  • The String Centre
  • The Singing Machine
  • The Realist
  • The Loar
  • The Light Source
  • The Hood
  • The Gripp
  • The Drum Channel
  • THD
  • Telleno
  • Telex
  • Telefunken
  • Technics
  • Tech 21
  • Teac
  • TDK
  • TC Helicon
  • TC Electronic
  • Taylor
  • Taye
  • TASCAM
  • Tara Publications
  • Tapco
  • Tantrum
  • Tannoy
  • Tama
  • Takamine
  • Taiyo Yuden
  • T.U.K.
  • T-Rex
  • Synthogy
  • Synapse Audio
  • Symetrix
  • SWR
  • Switchcraft
  • Swirlygig
  • Sweet Pipes
  • Svetlana
  • Suzuki
  • Superslick
  • Super-Sensitive
  • Summy-Birchard
  • Summit Audio
  • Sugal
  • Submersible Music
  • StylePlus
  • Studiologic
  • Studio RTA
  • Studio Projects
  • Studio Devil
  • Studio 49
  • Stuart Dunkel
  • Strunal
  • String Swing
  • String Master
  • String Letter
  • Stradella
  • Stork
  • Stomvi
  • Stewart
  • Steven Slate Drums
  • Sterling by Music Man
  • Sterling Audio
  • Sterisol
  • Steinberger
  • Steinberg
  • Stedman
  • Stay-Put
  • Startec
  • Star Licks
  • Stanton
  • Standtastic
  • Standard
  • Stagg
  • StageTrix
  • Stageline
  • Stage Ninja
  • SR Technologies
  • Squier by Fender
  • Sperzel
  • Spectrasonics
  • Spector
  • Spaun
  • Space Filler
  • Sovtek
  • Soundwear
  • SoundTech
  • Sounds We Make
  • Soundcraft
  • Sound Sleeve
  • Sound Quest
  • Sound Percussion
  • Sound Back
  • Sony
  • Sonuus
  • Sonor
  • Sonoma Wire Works
  • Sonnox
  • SONiVOX
  • Sonik Capsules
  • Sonic Reality
  • Sonic Implants
  • Solidstand
  • Solid State Logic
  • Soldano
  • Softube
  • Softone
  • SofiaMari
  • Snarling Dogs
  • Snark
  • Snap Jack
  • SMP
  • Smokey
  • SM Pro Audio
  • Slider Straps
  • Slide-O-Mix
  • Slate Pro Audio
  • Slate Digital
  • Slappa
  • SKB
  • SIT
  • SimpleTech
  • Simmons
  • Silvertone
  • SilverFox
  • Silver Creek
  • Sibelius
  • Shure
  • Shur Stik
  • Shubb-Pearse
  • Shubb
  • Shredneck
  • Sherrard
  • Sherman
  • Shawnee
  • Shaker
  • Shadow
  • Seymour Duncan
  • Sevilla Classical Guitar Strings
  • Sennheiser
  • Selmer Paris
  • Selmer
  • Seiko
  • Sefour
  • Secrets of the Pros
  • Second Floor Music
  • Seagull
  • sE Electronics
  • Scratch Pad
  • Schott
  • Schoenhut
  • Schilke
  • Scherzer
  • Scherl and Roth
  • Schecter
  • Schalloch
  • Schaller
  • Savarez
  • Sattler
  • Sarkett
  • Sanyo
  • Sanctuary
  • Sample Logic
  • Samba
  • Sailor Jerry Clothing
  • Sacconi
  • Sabra
  • Sabine
  • Sabian
  • S. Clary
  • Rupert Neve Designs
  • Runyon
  • Ruff Rider
  • Rudy Muck
  • Ruby Tubes
  • RTOM
  • RSQ
  • Royer
  • Roxio
  • Rovner
  • Rousseau
  • Rounder
  • Rotosound
  • Ross Technologies
  • Ross Mallet
  • Rolls
  • Roland
  • Rogue
  • Rogers
  • Roger Linn Design
  • Rodriguez
  • Rode Microphones
  • Rocky Mountain Slides
  • Rocktron
  • Rockstop
  • Rockman
  • Rockfield
  • RockenWraps
  • Rock Steady
  • Rock n Roller
  • Rock Iconz
  • Rock House
  • Rock Band
  • Roche Thomas
  • Roc-N-Soc
  • Robokey
  • Robert Vinson
  • Rob Papen
  • Road Tough
  • Road Runner
  • Road Ready
  • RME
  • Rivera
  • Rittor Music
  • Rising Software
  • Rigotti
  • Ridenour
  • Rico Royal
  • Rico
  • Richmond by Godin
  • Rhythm Tech
  • Rhythm Band
  • Revere
  • Reunion Blues
  • Resonans
  • Replacement Cases
  • Ren Wei Shi
  • Remo
  • REH
  • Regal Tip
  • Regal
  • Rees Harps
  • Reeds Australia
  • Reed Wizard
  • Reed Mate
  • Redwine
  • Red Witch
  • Red Strings
  • Recording King
  • Record Research
  • Rebel Straps
  • Rebeats Publications
  • RCI Starlite
  • RCA
  • Raxxess
  • Raven
  • Rapco
  • Rane
  • Randall
  • Ralph Marlin
  • Rainsong
  • Radial
  • Qwik Tune
  • Qwik Time
  • Quik-Lok
  • QuickStep
  • Quick Note
  • QSC
  • Q Up Arts
  • Q Parts
  • Pyware
  • Pyne
  • Puresound
  • Pulse
  • PRS Cables
  • Prowler
  • Protection Racket
  • Protechtor Cases
  • Propellerhead
  • Prop-It
  • ProLine
  • ProjectSAM
  • Pro-Mark
  • Pro-Ject
  • Pro Tour
  • Pro Tec
  • Pro Media
  • Pro Co
  • Primero
  • Primera Technology
  • Primary Line
  • Primacoustic
  • Prim
  • PreSonus
  • Premiere
  • Premier
  • Prelude
  • Powerlung
  • Postal Monkey
  • Portnoy
  • Pork Pie
  • POPS
  • Pomarico
  • Poehland
  • Plush
  • Players
  • Play on Air
  • Platinum Samples
  • Plasti Lyre
  • Planet Waves
  • Pirastro
  • Pipers' Choice
  • Pioneer
  • Pintech
  • Pinnacle
  • PikCard USA
  • Pigtronix
  • Pignose
  • Pick N Glider
  • Piano Wizard
  • Phonic
  • PG Music
  • Petz
  • Peterson
  • Petersen Designs
  • Peter Ponzol
  • Perri's
  • Performance Gear
  • Perfectone
  • Perfection
  • Perantucci
  • Penguin Books
  • Pedaltrain
  • Pedal Pad
  • Peavey
  • Pearl Flutes
  • Pearl
  • Peak Music Stands
  • Peaceland Guitar Ring
  • PCDJ
  • PCAudioLabs
  • Paul Reed Smith
  • Parkwood
  • Parker
  • Parduba
  • Panyard
  • Palatino
  • Paiste
  • Paige
  • Pack-A-Stand
  • Pacific Drums by DW
  • Pace
  • P & H
  • Overseas Connection
  • Overloud
  • Ovation
  • Otto Musica
  • Otto Link
  • Oscar Schmidt
  • Ortofon
  • Original Swab
  • Orbitone
  • Orange County Drums and Percussion
  • Orange Amplifiers
  • Open Labs
  • Onori
  • On-Stage Stands
  • OmniSistem
  • Omnirax
  • Olympus
  • Olivieri
  • Oleg
  • Olathe
  • Odyssey
  • Ocheltree
  • Obedia
  • Oasis
  • O-Tray
  • Nyman
  • Numark
  • NS Design
  • Novation
  • Nova
  • Notion
  • Notes & Strings
  • Norren
  • Normandy
  • Nord
  • Nomata
  • Nomad
  • Node
  • Noblet
  • Noble & Cooley
  • Nino
  • Neutrik
  • Neuratron
  • Neumann
  • Neotech
  • Nechville
  • Neary
  • Native Instruments
  • National Picks
  • Namba Gear
  • Nagoya Suzuki
  • Nady
  • N-Tune
  • MXR
  • MXL
  • MVP
  • Mutec
  • Musser
  • Musitek
  • MusicXPC
  • MusicLab
  • Musician's Institute
  • Musician's Gear
  • Musician's Friend
  • Music Works
  • Music Sales
  • Music Man
  • Music Accessories
  • Mullard
  • Mu Technologies
  • MTS Products
  • MTD
  • MOTU
  • Motrya
  • Motion Sound
  • Morrie Backun
  • Morrell
  • Morpheus
  • Morley
  • Morgan
  • Mooradian
  • Moog
  • Monster Power
  • Monster Cable
  • Monster
  • Mono Cases
  • Monarch
  • Mollard
  • Mojave Audio
  • Mogami
  • Modulus
  • Modtone
  • Modern Drummer
  • Modartt
  • MJS
  • Mixta Music
  • Mixosaurus
  • MixMeister
  • Mitchell Lurie
  • Mitchell
  • Miraphone
  • Miller Freeman
  • Millennia
  • Mike Caddy
  • Mike Balter
  • Mighty Moe
  • Mighty Mite
  • Mighty Bright
  • Midwest
  • MIDI Solutions
  • Middle Atlantic
  • Midas
  • MicroPhome
  • Micronet
  • MicroBoards
  • Micro
  • Michael Kelly
  • MI Audio
  • Meyer
  • Metrophones
  • Meredith Music
  • Mel Bay
  • Meisel
  • Meinl Weston
  • Meinl
  • MEG
  • Mediapresse
  • McNally
  • McDSP
  • Maxon
  • Matrix
  • Matador
  • Martin-LeBlanc
  • Martin
  • Marshall
  • Marlin Lesher
  • Marks
  • Markbass
  • Marimba Warehouse
  • Marcinkiewicz
  • Marca
  • Marantz
  • Maranatha! Music
  • Mapex
  • Manuel Contreras II
  • Manley
  • Manhasset
  • Majestic
  • Mainline
  • Mahalo
  • Magnum
  • Magix
  • Magic Valve
  • Magic Reed
  • Maestro
  • Mackie
  • Mach One
  • M-Audio
  • Lyons
  • Lynx
  • Luyben
  • Lute Hole
  • Luna
  • Ludwig
  • Lucida
  • Lucid
  • Lucero
  • LR Baggs
  • Lovepedal
  • Lost Country
  • Londoner Bows
  • Lomax
  • LMI
  • LM Products
  • Livid
  • Live Wire Solutions
  • Live Wire
  • Littlite
  • Linton
  • Line 6
  • LightSnake
  • Lightning Lab Productions, LLC
  • Lighting
  • Lifetime
  • Lexicon
  • Levy's
  • Leslie
  • Lehle
  • Legere
  • Lee Oskar
  • LeBlanc
  • Leather Specialties Company
  • Lazer
  • LaVoz
  • Lava
  • Latin Percussion
  • Last Stand Deluxe
  • Laskey
  • Larsen Strings
  • Lanikai
  • Langevin
  • Lampcraft
  • Lamp Lite
  • Lakland
  • Laguna
  • LaCie
  • Lace
  • Lab Gruppen
  • La Patrie
  • L.A. Sax
  • Kyser
  • Kydd
  • Kustom
  • Kurzweil
  • Kun
  • Kultur
  • Kullerswift
  • KSP
  • KRK
  • Kremona
  • Kratt
  • Krank
  • Kramer
  • Koss
  • Korg
  • Kolstein
  • Kohlert
  • Koch
  • Knilling
  • Kluson
  • Kjos
  • Kiwi
  • King David
  • King
  • Kinder Mallets
  • Kimbo
  • Kidsplay
  • Kickport
  • Keywear
  • Kerusso
  • Kerly
  • Kepur
  • Kenyon
  • Kentucky
  • Kent Armstrong Pickups
  • Kensington
  • Kendrick
  • Kelly SHU
  • Kelly
  • Keith McMillen Instruments
  • Keilwerth
  • Keeley
  • Kay Vintage Reissue Guitars
  • Kawai
  • Karl Willhelm
  • Kanstul
  • Kangaba
  • Kaces
  • K & M
  • JVC
  • Jupiter
  • Juice Goose
  • Josef Lazar
  • Jose Ramirez
  • Jones
  • Joia Tubes
  • Johnson
  • John Pierce
  • John Pearse
  • Joemeek
  • JoeCo
  • Jody Jazz
  • Jodi Head
  • Jo Ral
  • Jewel
  • JetSlide
  • Jet Tone
  • Jet City Amplification
  • Jensen
  • Jellifish
  • Jeffrey David
  • JBL
  • Jay Turser
  • Jasmine by Takamine
  • Jargar
  • Jan Dvorak
  • JamHub
  • Jamey Aebersold
  • JAMedia
  • Jambone
  • Jade
  • Jacques
  • Jackson
  • J.Winter
  • iZotope
  • Italia
  • iTab
  • ISP Technologies
  • IsoNode Pro
  • iSong
  • Ion Audio
  • International Woodwind
  • Intellitouch
  • Integrity Music
  • Innovative Percussion
  • Innovative Music Systems
  • Ingles
  • Indamixx
  • IMV
  • Image Line
  • Image Entertainment
  • ILIO
  • iKEY Audio
  • IK Multimedia
  • Ice Pix
  • Ibanez
  • Humitron
  • Humicase
  • Humfrees
  • Humes & Berg
  • Hughes & Kettner
  • Hudson Music
  • HQ Percussion
  • Howel Roberts
  • Houston Publishing
  • House of Blues
  • Hot Sticks
  • Hot Licks
  • Hosa
  • Hornets
  • Horn Doctor
  • Horizon
  • Homespun
  • Holton
  • Hohner
  • Hofner
  • Hodge
  • Hiwatt
  • Hipshot
  • Hill
  • High Scope
  • Hidersine
  • HHB
  • Hetman
  • Hering
  • Hercules Stands
  • Hercules
  • Herco
  • Hennessey Guitar Parts
  • Heil Sound
  • Heavyocity
  • Hearos
  • Headway
  • Headfx
  • Hayes Publishing
  • Hart Dynamics
  • Harry Hartmann
  • Harrison Music Education Systems
  • Harris Teller
  • HarmonicaLessons.com
  • Harmonic Vision
  • Harmon
  • HardWear
  • Harbinger
  • Hao
  • Hansenfutz
  • Hans Hoyer
  • Hankie
  • Hammond
  • Hammerax
  • Hamilton Stands
  • Hamer
  • Hall
  • Hal Leonard
  • Hagstrom
  • Hagerty
  • H.W.
  • H. Wilson
  • Guyatone
  • Guitar Hero
  • Guitar 411
  • Guild
  • Guardala
  • Grover-Trophy
  • Grover
  • Grossman Music
  • Groove Tube
  • Groove Juice
  • Grombal
  • Griffin Technology
  • Gretsch Guitars
  • Gretsch Drums
  • Gretsch
  • Great Nutshell Productions
  • Graph Tech
  • Grand Concert Select
  • Grace Design
  • Gower
  • Gotoh
  • Gorilla Snot
  • Goodwood
  • Gonzalez
  • Gon Bops
  • Goldtone
  • Golden Touch
  • Golden Gate
  • Golden Bridge
  • Golden Age Project
  • Goldbrokat
  • Gold Star
  • Godlyke
  • Godin
  • GMS
  • Glyph
  • Glider
  • Glasser
  • Glaesel
  • Gitane
  • Gillis
  • Gig-FX
  • Gig Skinz
  • Gig
  • Giddings & Webster
  • Gibson Custom
  • Gibson
  • Gibraltar
  • Giardinelli
  • GIA Publications
  • GHS
  • Getzen
  • Get'm Get'm
  • George L's
  • George Dennis
  • Genz Benz
  • Gennusa
  • Genelec
  • Genalex
  • Gen16 Intelligent Percussion
  • Gemini
  • Gemeinhardt
  • Gem Woodwind Products
  • GEM Swabs
  • Gem Sound
  • Gem
  • GelRest
  • Gear One
  • Gazley
  • Gator
  • Gary E. Smith
  • Garritan
  • Garrett
  • Gard
  • Galway
  • Gallien-Krueger
  • Galaxy
  • G7th
  • G. Schirmer
  • G. Henle Verlag
  • G & L
  • Fxpansion
  • Furman
  • Fulltone
  • Full On Clothing
  • Full Contact Hardware
  • Fryette
  • Frontier Design Group
  • FretRest by Proline
  • Fretlord
  • Fret12
  • Freehand
  • Freedom
  • Frederick Hemke
  • Franklin Strap
  • Franklin
  • Framptone
  • Fox
  • Fostex
  • Focusrite
  • Florea
  • Flea Market Music
  • Flea Bass
  • Flatiron
  • Fishman
  • First Note
  • Firestix
  • Fingerease
  • Finger Fitness
  • Finale
  • Fibracell
  • Ferree
  • Fernandes
  • Fender Custom Shop
  • Fender
  • Featherweight
  • FEA
  • Faxx
  • Favored Nations
  • Fat Congas
  • Fat Cat
  • Fast Axe
  • Farley's
  • Fantom
  • Fancy Pans
  • Factory Metal Percussion
  • Facelift
  • Fable Sounds
  • Faber Music
  • EZ-Dupe
  • Expansion Tank
  • Evidence Audio
  • EVH
  • Everly
  • Everest
  • Eventide
  • Evans
  • Eurolite
  • Euphonix
  • Etude
  • ETA Systems
  • Espana
  • ESP
  • ESI
  • Esax
  • Ernie Ball
  • Equator Audio Research
  • Epiphone
  • Epifani
  • Engl
  • Engelhardt
  • Endust
  • Empirical Labs
  • EMMA
  • Eminence
  • EMI Digital
  • EMG
  • Emerson
  • eMedia
  • Elixir
  • Eliminator Lighting
  • Electro-Voice
  • Electro-Harmonix
  • Elation
  • El Dorado
  • EKS
  • Egnater
  • Educational Activities
  • Editio Musica Budapest
  • Edirol
  • Eden
  • Echo
  • Ebtech
  • EBS
  • EBow
  • EAW
  • EastWest
  • earthworks
  • Eagle
  • E.C. Kerby
  • E-MU
  • E-Cords
  • Dynaudio
  • Dynasty
  • Dycem
  • Dwarfcraft
  • DW
  • Duracell
  • Duplex
  • Dunnett
  • Dunlop
  • Duncan Performer
  • Dunbar
  • Dukoff
  • Duallist
  • Dtar
  • Drumometer
  • Drumdial
  • Drum Tech
  • Drum Pike
  • Drum One
  • Drum Fun Inc
  • Drawmer
  • Dr. Dan's
  • DR Strings
  • DR Pro
  • Down 2 Earth
  • Doreli
  • Donato
  • Don't Fret
  • DOD
  • DocZac
  • Doctor's Products
  • Dobro
  • Dixson
  • Dixon
  • Display and Play
  • Director's Showcase
  • Direct Sound
  • DiPinto
  • Dime Amplification
  • DiMarzio
  • DigiTech
  • Digital Reference
  • Digital Music Doctor
  • Digidesign
  • Didgeridoo Store
  • Diaz
  • Devine Entertainment
  • Devi Ever
  • Denon
  • Denis Wick
  • DeltaLab
  • Delkin
  • DEG
  • Deering
  • Deer River
  • Dean Markley
  • Dean
  • Deagan
  • De Haske Publications
  • De Armond
  • ddrum
  • dbx
  • dB
  • David Weber
  • David Hite
  • Dave Smith Instruments
  • Dava
  • Danmar
  • Danelectro
  • Dan Dean
  • Dan Armstrong
  • Dampit
  • Daking
  • Daisy Rock
  • D.W. Fearn
  • D'em Crazy
  • D'Andrea
  • D'Addario
  • Cymbal Crown
  • Curry
  • CruzTOOLS
  • Crown Strings
  • Crown
  • Crest Audio
  • Cremona
  • Creepnomore
  • Creative Tunings
  • Creative Concepts
  • Craviotto
  • Crate
  • CP
  • Courtois
  • Cortex
  • Cort
  • CoreX2
  • Corelli
  • Cordoba
  • Cordier
  • Cord-Lox
  • Converse
  • Control Acoustics
  • Consoli Ramplig
  • Conquest
  • Conn
  • Conklin
  • Command Center
  • Comfort Zone
  • Combs
  • Columbus Washboard
  • Columbia
  • Coffin Case
  • CMS
  • CME
  • Clevelander
  • Clebsch Strap
  • Clearvue
  • Cleartone
  • Clear Voice
  • Clayton
  • Claude Lakey
  • Classical Kids
  • Clark W Fobes
  • Claricord
  • Chunk Systems
  • Chronicle Books
  • ChopSaver
  • Chop-Sticks
  • Children's Book Store
  • Cherub
  • Cherry Lane
  • Chauvet
  • Charvel
  • Chartier
  • Chartbuster
  • Charles Davis
  • Chappell
  • Chandler Limited
  • Chandler
  • Chameleon Labs
  • Cerwin-Vega
  • Cerveny
  • CEntrance
  • Centerstream
  • CenterPitch
  • Celestion
  • Celemony
  • CBI
  • CB Percussion
  • Cavallaro
  • Casio
  • Case Logic
  • Carlsson
  • Carl Martin
  • Carl Fischer
  • Canto
  • Cannon
  • Calzone i Series
  • Cal-Mil
  • Cakewalk
  • CAIG
  • CAD
  • C Tech
  • ButtKicker
  • Bundy
  • Bullet Cable
  • Bugera
  • Buffet Crampon
  • Budda
  • BSX Bass
  • BSS Audio
  • Brio
  • Brilhart
  • Brian May Guitars
  • Brentwood-Benson
  • Brent Publications
  • Breedlove
  • Breath Builder
  • Brasswind
  • Brainwerks
  • Bow-Right
  • Boss
  • Bosphorus Cymbals
  • Bose
  • Born to Sing
  • Borbeck
  • BOOMWHACKERS
  • Boomerang
  • Bonade
  • Bon Musica
  • Bois
  • Bogner
  • Bobcat
  • Bob Reeves
  • Bob McGrath
  • Bo-Pep
  • Blueridge
  • Blue Sky
  • Blue Juice
  • Blue
  • BLOWiT
  • Blessing
  • BLB
  • Blayman
  • Blackstar
  • Blackheart
  • Black Mountain
  • Black Label
  • Black Diamond
  • Bill Pfund
  • Bill Lawrence
  • Bill Edwards Publishing
  • Bigsby
  • BigHeart
  • Big Rock Engineering
  • Big Fish Audio
  • Big Bends
  • Big Bang
  • Bias
  • BG
  • Beyerdynamic
  • Best Service
  • Best Products
  • Besson
  • BERP
  • Berklee Press
  • Berg Larsen
  • Benz Reeds
  • Benge
  • Benchmark
  • Belmonte
  • Bellafina
  • Belkin
  • Behringer
  • Beechler
  • Beato
  • Beatnik
  • Beatkangz
  • BBE
  • Bay
  • Basson
  • Basslines
  • Bass Drum O's
  • Barrington
  • Bari
  • Barbetta
  • Banners
  • BandNow
  • Band Caddy
  • Bamboo Rattan Works
  • Bambina
  • BAM
  • Balu
  • Baldwin
  • Backbeat
  • Bach
  • B.C. Rich
  • B-Band
  • B-52
  • B & S
  • Azumi
  • Axl
  • Axis
  • Award Emblem
  • Aviom
  • Avid
  • Avanti
  • Avalon
  • AV Link
  • Auralex
  • Aulos
  • Augustine
  • Audix
  • AudioWarrior
  • Audio-Technica
  • Audient
  • Attack
  • Atlas
  • Atkinson
  • Asymmetric
  • Astatic by Hohner
  • Astatic by CAD
  • Associated
  • Ashly Audio
  • Ashley Mark
  • Ashdown
  • Arturia
  • ArtistPro
  • Artemis Editions
  • ART
  • Arriba Cases
  • Arobas Music
  • Armstrong
  • Aria
  • Arcolla
  • Archives
  • Aquarian
  • Applied Microphone Technology
  • Applied Acoustics Systems
  • Apple Creek
  • Apple
  • Applause
  • Apogee
  • Aphex
  • AP Audio
  • aNueNue
  • Antari
  • Antares
  • Andrea Rosin
  • Analysis Plus
  • AMT Electronics
  • Amsco
  • Ampwedge
  • AmpRidge
  • Ampeg
  • American Recorder (ART)
  • American DJ
  • American Audio
  • Amati
  • Alvarez
  • Alto
  • Altieri
  • Allora
  • Allied Music Supply
  • Allen & Heath
  • Alisyn
  • Alfred
  • Alexander
  • Alessi-Vacchiano
  • Alesis
  • Aleken Games
  • Alaska Pik
  • Alan Abel
  • Al Cass
  • AKG
  • Akai
  • Ahead
  • Aguilar
  • AER
  • Adams Media
  • Adams
  • Adamas
  • ADAM Audio
  • Acura
  • Acronova
  • Acoustica
  • Acoustic
  • Acme
  • Ace
  • AccuGroove
  • Access
  • Ac-cetera
  • Ableton
  • AB
  • A-Designs
  • A Days Work
  • 3M
  • 3 Drumsticks
  •  

     

     

    Lee Oskar

    Lee Oskar Harmonic Minor Harmonica B MINOR and other Lee Oskar products for sale online.

    Lee Oskar Harmonic Minor Harmonica B MINOR
    Lee Oskar Harmonic Minor Harmonica B MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Harmonic Minor Harmonica F# MINOR
    Lee Oskar Harmonic Minor Harmonica F# MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Stainless Steel Harmonica Cover Plates 10CP
    Lee Oskar Stainless Steel Harmonica Cover Plates 10CP
    Lee Oskar Stainless Steel Harmonica Cover Plates breathe new life into your old favorite harp. You've got the reeds broken in just the way you like 'em, but the covers are the worse for the wear. Rather than buy a new harmonica and start over—better yet—buy these cover plates, and your harp will look brand new....details

    Lee Oskar Harmonic Minor Reed Plates D MINOR
    Lee Oskar Harmonic Minor Reed Plates D MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonica Tool Kit and Instruction Manual
    Lee Oskar Harmonica Tool Kit and Instruction Manual
    The Lee Oskar Harmonica Tool Kit comes in handy whether you're simply replacing reed plates or actually tuning and adjusting reeds on your harmonicas. This tool kit is an absolute must for every serious harp player. Instruction manual shows how to adjust and tune harmonica reeds, including info on diagnosing and correcting reed problems....details

    Lee Oskar Natural Minor Reed Plates A MINOR
    Lee Oskar Natural Minor Reed Plates A MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates Bb MINOR
    Lee Oskar Natural Minor Reed Plates Bb MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates B MINOR
    Lee Oskar Natural Minor Reed Plates B MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates C MINOR
    Lee Oskar Natural Minor Reed Plates C MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates C# MINOR
    Lee Oskar Natural Minor Reed Plates C# MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates D MINOR
    Lee Oskar Natural Minor Reed Plates D MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates Eb MINOR
    Lee Oskar Natural Minor Reed Plates Eb MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates E MINOR
    Lee Oskar Natural Minor Reed Plates E MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates F MINOR
    Lee Oskar Natural Minor Reed Plates F MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates Ab MINOR
    Lee Oskar Natural Minor Reed Plates Ab MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Natural Minor Reed Plates F# MINOR
    Lee Oskar Natural Minor Reed Plates F# MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Harmonica G
    Lee Oskar Melody Maker Harmonica G
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever str...details

    Lee Oskar Natural Minor Reed Plates G MINOR
    Lee Oskar Natural Minor Reed Plates G MINOR
    No need to toss that harp with bad reeds. Simply replace the harmonica reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates A MINOR
    Lee Oskar Harmonic Minor Reed Plates A MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates Bb MINOR
    Lee Oskar Harmonic Minor Reed Plates Bb MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates B MINOR
    Lee Oskar Harmonic Minor Reed Plates B MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates C MINOR
    Lee Oskar Harmonic Minor Reed Plates C MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates Ab MINOR
    Lee Oskar Harmonic Minor Reed Plates Ab MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates C# MINOR
    Lee Oskar Harmonic Minor Reed Plates C# MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates Eb MINOR
    Lee Oskar Harmonic Minor Reed Plates Eb MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates E MINOR
    Lee Oskar Harmonic Minor Reed Plates E MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates F MINOR
    Lee Oskar Harmonic Minor Reed Plates F MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Harmonica A
    Lee Oskar Melody Maker Harmonica A
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever str...details

    Lee Oskar Melody Maker Harmonica C
    Lee Oskar Melody Maker Harmonica C
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever str...details

    Lee Oskar Harmonic Minor Reed Plates F# MINOR
    Lee Oskar Harmonic Minor Reed Plates F# MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Harmonic Minor Reed Plates G MINOR
    Lee Oskar Harmonic Minor Reed Plates G MINOR
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Harmonica D
    Lee Oskar Melody Maker Harmonica D
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever str...details

    Lee Oskar Melody Maker Harmonica E
    Lee Oskar Melody Maker Harmonica E
    Melody Makers are the best harps available for playing single-note melodies. They're great for playing country, pop, R&B, jazz, folk, & standards. This tuning makes it easier to play many songs...that can be difficult, or impossible, to play on a standard major diatonic...in cross harp. All of the notes that are missing on the major diatonic are right there on the Melody Maker! It provides a complete major scale in cross harp for playing exact melody without bending. Yet, the draw notes can still be bent for that bluesy feeling! Melody Makers are designed to be played in cross harp (draw), not straight harp (blow). In cross harp, melodies can be played with an expressive, fluid style that is extremely difficult to achieve in straight harp. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever str...details

    Lee Oskar Natural Minor Harmonica E MINOR
    Lee Oskar Natural Minor Harmonica E MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica Ab MINOR
    Lee Oskar Natural Minor Harmonica Ab MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica G MINOR
    Lee Oskar Natural Minor Harmonica G MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Harmonica 5-Pack with Case
    Lee Oskar Harmonica 5-Pack with Case
    Includes 5 Lee Oskar Major Diatonic Harmonicas (keys of G, A, C, D, and F - lowest to highest) and a hardshell harmonica case to carry them. The Major Diatonic Harmonicas are more airtight, easier to bend, and better sounding than most other harps. The hardshell harmonica case features a black Tolex cover, imitation leather accents with creme piping, a plush interior, and a locking latch under the handle. Holds 20 diatonic and 2 chromatic harmonicas. Removable tray, plenty of room for cables, microphone, and accessories.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've prob...details

    Lee Oskar Plastic Harmonica Comb 10CB
    Lee Oskar Plastic Harmonica Comb 10CB
    The Lee Oscar 10CB Plastic Harmonica Comb fits all Lee Oskar reed plates. Air-tight design. Plastic construction eliminates swelling/shrinking....details

    Lee Oskar Major Diatonic Harmonica Ab
    Lee Oskar Major Diatonic Harmonica Ab
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica A
    Lee Oskar Major Diatonic Harmonica A
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica Ab MINOR
    Lee Oskar Harmonic Minor Harmonica Ab MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Harmonic Minor Harmonica A MINOR
    Lee Oskar Harmonic Minor Harmonica A MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Major Diatonic Harmonica Bb
    Lee Oskar Major Diatonic Harmonica Bb
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica B
    Lee Oskar Major Diatonic Harmonica B
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica Bb MINOR
    Lee Oskar Harmonic Minor Harmonica Bb MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Harmonic Minor Harmonica E MINOR
    Lee Oskar Harmonic Minor Harmonica E MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Major Diatonic Harmonica C
    Lee Oskar Major Diatonic Harmonica C
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica Db
    Lee Oskar Major Diatonic Harmonica Db
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica Db/C# MINOR
    Lee Oskar Harmonic Minor Harmonica Db/C# MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Major Diatonic Harmonica D
    Lee Oskar Major Diatonic Harmonica D
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica Eb
    Lee Oskar Major Diatonic Harmonica Eb
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica D MINOR
    Lee Oskar Harmonic Minor Harmonica D MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Harmonic Minor Harmonica Eb MINOR
    Lee Oskar Harmonic Minor Harmonica Eb MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Major Diatonic Harmonica E
    Lee Oskar Major Diatonic Harmonica E
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica F
    Lee Oskar Major Diatonic Harmonica F
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica F MINOR
    Lee Oskar Harmonic Minor Harmonica F MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Natural Minor Harmonica A MINOR
    Lee Oskar Natural Minor Harmonica A MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica Bb MINOR
    Lee Oskar Natural Minor Harmonica Bb MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica B MINOR
    Lee Oskar Natural Minor Harmonica B MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica C MINOR
    Lee Oskar Natural Minor Harmonica C MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica D MINOR
    Lee Oskar Natural Minor Harmonica D MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica Eb MINOR
    Lee Oskar Natural Minor Harmonica Eb MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Major Diatonic Reed Plates Ab
    Lee Oskar Major Diatonic Reed Plates Ab
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Natural Minor Harmonica F# MINOR
    Lee Oskar Natural Minor Harmonica F# MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Natural Minor Harmonica F MINOR
    Lee Oskar Natural Minor Harmonica F MINOR
    Natural Minor harps have a very bluesy, soulful sound that's perfect for playing blues, rock, country, reggae, pop, and jazz. This fabulous tuning is set up to play tunes in minor keys easily without straining the lips, the lungs, or the mind! All of the notes and chords that are missing on major diatonic harps are right there on the Natural Minor. Natural Minors are designed to be played in cross harp (draw), not straight harp (blow) position. In cross harp, many of the draw notes can be bent and this allows for a much more expressive, fluid style of playing. Cross harp is a very popular style used by most players for today's music.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modesbr> Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch...details

    Lee Oskar Major Diatonic Reed Plates B
    Lee Oskar Major Diatonic Reed Plates B
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates C
    Lee Oskar Major Diatonic Reed Plates C
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates Db
    Lee Oskar Major Diatonic Reed Plates Db
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates E
    Lee Oskar Major Diatonic Reed Plates E
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates Eb
    Lee Oskar Major Diatonic Reed Plates Eb
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates Bb
    Lee Oskar Major Diatonic Reed Plates Bb
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates F
    Lee Oskar Major Diatonic Reed Plates F
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates G
    Lee Oskar Major Diatonic Reed Plates G
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates LOW F
    Lee Oskar Major Diatonic Reed Plates LOW F
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates HIGH G
    Lee Oskar Major Diatonic Reed Plates HIGH G
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Harmonica G
    Lee Oskar Major Diatonic Harmonica G
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica F#
    Lee Oskar Major Diatonic Harmonica F#
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Harmonic Minor Harmonica G MINOR
    Lee Oskar Harmonic Minor Harmonica G MINOR
    Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave...details

    Lee Oskar Harmonica Holder
    Lee Oskar Harmonica Holder
    The Lee Oskar Harmonica Holder is specially designed for 10-hole harmonicas. Adjustable, fits securely around the neck. All-metal construction....details

    Lee Oskar Major Diatonic Reed Plates A
    Lee Oskar Major Diatonic Reed Plates A
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates D
    Lee Oskar Major Diatonic Reed Plates D
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Major Diatonic Reed Plates F#
    Lee Oskar Major Diatonic Reed Plates F#
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes. Reed plates for all 12 keys plus low F and high G....details

    Lee Oskar Melody Maker Reed Plates C
    Lee Oskar Melody Maker Reed Plates C
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Reed Plates A
    Lee Oskar Melody Maker Reed Plates A
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Reed Plates D
    Lee Oskar Melody Maker Reed Plates D
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Melody Maker Reed Plates G
    Lee Oskar Melody Maker Reed Plates G
    No need to toss that harp with bad reeds. Simply replace the reed plate and save yourself some hard-earned money. Installs easily in minutes....details

    Lee Oskar Major Diatonic Harmonica LOW F
    Lee Oskar Major Diatonic Harmonica LOW F
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar Major Diatonic Harmonica HIGH G
    Lee Oskar Major Diatonic Harmonica HIGH G
    Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elemen...details

    Lee Oskar 7-Harmonica Soft Pouch
    Lee Oskar 7-Harmonica Soft Pouch
    The Lee Oskar LOHP Harmonica Soft Pouch is a zippered harp gig bag that will hold 7 of your favorite harmonicas. The harmonica pouch has an attached strap to keep your harps in place. Also features the Lee Oskar Harmonicas logo prestigiously on the front.As the man behind the incredibly tasty harmonica licks heard on the recordings of fusion icons War, Lee Oskar is easily the most recognized harmonica player in the world. While he still plays his favorite instrument, he also produces his harmonicas, as well as quality accessories for them....details

     

    Hosted by HostGator | Music Personal Checks | © Copyright 2005 - 2010 LeosDrums.com ~ Leo's Drums and Musical Instruments.