Radial
Radial HotShot ABI Line Input Selector and other Radial products for sale online.
Radial HotShot ABI Line Input Selector
The balanced Radial Engineering HotShot ABi line selector instantly changes between 2 signal sources by depressing a latching footswitch. As the HotShot ABI is completely passive, a power source is not required. he Radial HotShot ABI input selector makes signal diversion control as simple as turning on or off. Radial arms the HotShot ABI with grounding options and level adjustments to make it suitable for a wide variety of live sound applications.Critical to the HotShot's performance is its rugged 14-gauge steel construction and ultra compact footprint. Use the HotShot ABi in the most demanding professional applications while enjoying years of trouble-free performance.The HotShot ABi is ideal for applications such as switching between 2 dynamic microphones on a stage or selecting between 2 audio sources. The latching switch also opens the door for other useful operations, such as using the HotShot ABi as a microphone mute; to select between 2 wireless receivers for live sound system backup; to select between 2 stereo guitars; or to provide the moderator with remote control over 2 audience microphones for community events.Ultra compact and extremely rugged, the Radial HotShot ABI s made tough for years of reliable use performance. Radial backs the HotShot signal switch with a 3-year transferable warranty....details
Radial JDX Reactor Guitar Amp and Cabinet Direct Box
The Radial JDX Reactor is a direct box designed to capture the explosive dynamics and warm tone of the electric guitar by connecting between the head and cabinet of a guitar amplifier to provide a direct feed to the PA or recording system.100% discrete class-A circuitry, multi-stage filtering and a unique reactive load all interact with the signal coming from the head and the electromagnetic back impulse from the cabinet to produce a more realistic rendering.In use, the Radial JDX DI box improves the consistency of the guitar signal over a typical microphone, as irregularities of mic placement and varying acoustics no longer play the dominant role on stage. When combined with a microphone, fatter tones can be created by double tracking and stereo imaging the two signals for more "produced" results....details
Radial J33 RIAA Turntable Preamp Direct Box
A combination RIAA phono-turntable preamp and direct box that allows long-play vinyl albums to be played directly through a professional microphone preamp or mixing console where the very highest quality is required. This audiophile interface is ideally suited for album archiving, pristine sampling, recording performances, and DJ mixing. It has RCA inputs; stereo RCA, 3.5mm, and 1/4" TRS -10dB line-level outputs; and balanced mic-level XLR outs. Employs an indestructible steel housing with internal I-beam construction, a protective zone around switches and jacks, and a full-bottom no-slip pad. May be powered with 48V phantom or DC supply. An auto sensor automatically selects whichever power supply is present....details
Radial BigShot MIX Effects Loop Mixer
At last, a device that allows you to mix the direct sound of an instrument with effects the same way that a professional mixing console lets you add reverb to a dry vocal. The BigShot MIX is designed for the more demanding guitar or bass player that wants to introduce cool effects pedals to the signal path without the noise and artifacts usually caused by their 'less than ideal' circuitry and cheap buffers.The Radial MIX pedal begins with 100% discreet, pure class-A circuitry to ensure the natural tone of the instrument is maintained. On the connector panel, a simple effects loop with send and return 1/4" jacks make connecting easy. A recessed MIX control lets you adjust and set the exact balance between your dry sound and the effect. Best of all, the natural tone of the instrument is maintained.Like all Radial pedals, the MIX is made road tough with 14 gauge steel construction, double-sided PC board and a heavy duty footswitch.BigShot MIX Development Necessity is and always will be the mother of invention! It's actually quite funny and really frustrating… Guitarists listen to the tone of their guitars, and then connect through a pedal only to immediately notice that the tone has changed. It turns out that the offending pedal is in fact inadequately buffered and therefore quickly discarded. So the search begins to find a substitute. After a futile attempt, the guitarist goes back to the cemetery and digs out that old pedal, forcing himself to use it… even though it compromises his tone.Because of this story and countless similar ones, all buffers get a bad rap and all true-bypass pedals tend to shine even though the vast majority are so poorly designed that they cause tremendous BANGS each and every time they are engaged.Truth is — like everything — there are good widgets and many more less than good ones. So what has this got to do with the BigShot MIX?The BigShot MIX actually solves the problem by allowing you to send your direct signal to your amp and mix in the desired amount of effect from your pedal. This way, the main guitar signal does not go through the pedal, only through the BigShot MIX. But here's the kicker: The only way you can take two signals and mix them together is by creating a mixer and a mixer is in fact, made up of buffers. And Radial makes great sounding buffers!The MIX pedal employs the same buffering circuit that is used in the Radial JD7 Injector that is used by artists as diverse as Buddy Guy, Nickelback, Tool and Billy Idol. As a unity gain buffer, whatever signal goes in will come out at the same level.For guitarists, less than ideal effects pedals that can completely ruin your tone can now be mixed in, while the natural tone of the guitar in all its glory connects to the amp. For bassists, the natural low end that is often ruined when pedals are introduced is now restored and the effects can be mixed in to add color without taking away the fundamental.With the MIX in you...details
Radial BigShot SW2 Slingshot Dual Footswitch
The BigShot SW2 Slingshot is a 2-channel universal remote control footswitch that can be used to replace two amplifier foot switches and combine their main functions with a single pedal. This is of primary importance for pedalboard users that always find themselves short on space. Both latching and pulse outputs are supported enabling the SW2 to control both older amps with contact closure style channel switching and newer amps with electronic pulse sensing. These options are augmented by the 'LINK' function that can gang both remote commands onto either foot switch. This could, for instance, switch both amp channels in a stereo rig from a clean rhythm to a distorted lead channel with one single foot stomp. No tap dancing!For Tonebone pedal users, the SW2 provides a compact Slingshot™ remote switching controller that can be used to remotely switch amp heads ( Headbone ) or speaker cabinets ( Cabbone ). When combined with guitar amps, the switching capabilities are huge!BigShot SW2 - switching channels and reverb: Each of the SW2's footswitches can be set to remotely switch any amp's on-board features such as reverb, tremolo or amp channels.BigShot SW2 Development When Radial introduced the Slingshot concept, a new approach to amp and pedal switching came to be. Using the tried and true switching systems that guitar amps have employed for years, Slingshot combines the simplicity of regular 1/4" guitar cable interconnect with on-off functionality of a basic MIDI system — albeit without the pre-required electronic degree.From a controller like the Tonebone Loopbone, suddenly you can engage several effects pedals and change channels on your amp with a single foot stomp. With the Headbone in tow, you could remotely switch heads with any footswitch. With Cabbone, you could switch amp channels and speaker cabinets with one tap.The SW2 Switchbone represents a natural evolution by providing a compact remote control with two footswitches that now lets you control either Tonebones or amps from a single device. And by adding the latch function, now multiple devices can 'snap' into action with a single foot stomp.Obviously, to do all of these tricks, the SW2 is not just a simple low-cost mechanical foot switch. Beneath the surface, complex electronics are employed to make the SW2's seemingly simple functions look easy. This is why the SW2 can be a stand alone device and needs to be powered with a 9V supply to perform its tasks. But for those that want the power of a custom made switcher, the BigShot SW2 provides incredible value.Using the BigShot SW2 The BigShot SW2 Slingshot is straight forward, but does require some technical understanding in effort to get the most out of it. Begin by connecting a standard Boss style 9 to 12V power supply. Simply connecting the power supply turns the unit on.Following the block diagram, you can see that each remote output is equipped with two switches: The 'OPEN' and '...details
Radial ProRMP Studio Re-Amper Passive Re-Amping Direct Box
The Radial Engineering ProRMP is a 100% passive re-amplifier that takes a prerecorded track and re-amplifies it through a guitar amp or effects pedal creating new and exciting tones. Re-amping has been the "secret weapon" for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion, and even voice to create new textures! Plug and play and easy to use, the ProRMP Studio Direct Box connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit!The magic behind the Radial Engineering ProRMP's great tone is a custom-wound transformer that at once converts the balanced Low-Z source to a Hi-Z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound.Like all Radial products, the ProRMP is built tough. Encased in a 14 gauge steel, the ProRMP employs a unique bookend design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed, adding durability. A full-bottom no-slip pad works double duty by providing plenty of stay put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops.The Radial ProRMP direct box gives you affordable professional re-amping for every recording studio.ProRMP application Plug a standard balanced cable from your recorder or mixer output to the ProRMP's XLR input. Connect the 1/4" ProRMP output to your instrument amp. Adjust the ProRMP's output level control as required to match the amp input and engage the ground lift switch to eliminate any hum and buzz caused by ground loops....details
Radial ProAV1 Single-Channel Direct Box
The Radial ProAV1 is a passive direct box specifically developed with the audio-video integrator in mind. The ProAV1 features a variety of stereo inputs that are merged via a resistive mixer to mono, greatly simplifying signal management.To eliminate the need for various adapters, a "Swiss Army" array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers, and a +4dB XLR input(s) for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points.Custom-wound transformers are employed that are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the AV1 particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow.The ProAV1 direct box is ideal for events that interlace audio with video where music sources can include iPods, CD players, and video decks. The Radial ProAV1 will be a welcome addition to the AV technician's tool box.ProAV1 Direct Box Setup: Plug your audio-video device into the ProAV1 using any number of connection options from XLR to 1/8" mini connector. L & R Stereo inputs are paralleled to the unused L & R input connectors so you can use these as thru-puts to connect to other devices or destinations. Stereo inputs are summed to mono at the XLR output. See the user manual for complete details about all the connection possibilities. A -15dB pad is provided to tame hot signals and the ground lift eliminates hum and buzz caused by ground loops.Application note: If you can only plug into one channel, or your mixer is set for mono output, just using a single mono cable or one side of the Y cable won't work. You'll lose half of your stereo mix. If you want to run mono (especially for long distances), the Radial ProAV1 will sum the stereo outputs to balanced mono and provide transformer isolation to protect your equipment from phantom power traveling back to the unit (causing it to burn out). Never, we repeat, never try to combine two signals into one with a Y cable or use a single mono cable. Here's why: Outputs are low-impedance and always must be connected to a high-impedance input. If you tie the two outputs together (with a Y cable or mono cable), each output will try to drive the other, which can force them beyond the safe current limit and possibly into short circuit. At minimum, you will experience a severe loss of signal. Worst case; you can damage your iPod or laptop. To avoid this, a resistive mixer is required—such as that found in the Radial Engineering ProAV1. Remember, a Y cable that splits one signal into two is okay (stereo to 2 x mono). Combining two signals into one is right out!...details
Radial Tonebone Classic Tube Distortion Pedal
The Radial Tonebone Classic Tube Drive Pedal is the perfect choice for players that want extra growl in their sound. From a light crunch to severe overdrive, the Classic offers tremendous flexibility. You get that natural, even-harmonic distortion only a tube can provide. From the sweet spot of a vintage tweed to hot-rod amps that smoke the blues, it's all here.5 knobs and 3 switches make it easy to sculpt your tone the way you like. Level provides overall output level control to your amp. High and low EQ knobs let you fine tune the tonal character, while the filter knob provides a gentle roll-off for extra-bright amps. The drive knob adjusts the input level for optimum distortion. For switches, the Top End offers Bright, Flat, and Dark settings to shape the feel and overall tone. Mid Boost is designed with classic amp sounds in mind, and gives you a 7dB or 12dB boost so your solos cut through. Drive Gain sets the distortion range to low, medium, or high. The heavy-duty footswitch controls a true-bypass circuit and a bright red LED can be seen on any stage. Includes power supply....details
Radial Tonebone Hot British Tube Drive Effects Pedal
The Radial Tonebone Hot British Tube Drive Effects Pedal is tube overdrive distortion at its best! It's the perfect choice for huge, chunky rhythm; fat, scooped tones; and soaring, screaming solos. You get that natural, even harmonic distortion only a tube can provide - from the sound of a 4x12 double stack to the power-chord mayhem of metal thrashing over barbed wire, it's all here.5 knobs and 3 switches make it easy to sculpt your tone the way you like. Level provides overall output level control to your amp. High and low EQ knobs let you fine-tune the tonal character, while the contour knob works with the Voicing switch to boost or cut the mids. The drive knob adjusts the input level for optimum distortion. For switches, the Top End offers Bright, Flat, and Dark settings to shape the feel and overall tone. Voicing shapes the tonal range to flat, scoop, or extra-fat. Mid Boost gives you a 7dB or 12dB boost to give your solos extra meat to cut through the mix. The heavy-duty footswitch controls a true-bypass circuit and a bright red LED can be seen on any stage. Includes power supply....details
Radial Tonebone 15V DC Power Supply
This power supply unit works with the Tonebone Pedal series from Radial....details
Radial BigShot EFX Effects Loop
The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain at will. This means that noisy pedals or tone robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed.Better yet, while an effects loop is on 'standby', you can turn on and off pedals at will and prepare your sound. Then, with one foot stomp you can turn on as many pedals as you like for professional multi-effects performance without the usual tap dancing! Add the BigShot PB1 buffer into the loop and you can now drive as many pedals as you like without adding noise. For those that like quiet tuning, you can use the second loop as a tuner out and the BigShot EFX will mute your signal with a single stomp.Compact, rugged and plug & play easy to use, the BigShot EFX opens the door to professional pedal management and lets you do it all right at your feet!...details
Radial BigShot I/O Selector Switch
The Radial BigShot i/o is an easy-to-use instrument selector switch that lets you quickly transition between any two instruments and drive the signal to your amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist. To further enhance connectivity, input-B is equipped with a level control called DIM that lets you reduce the signal from the louder of your two instruments so that both instruments are matched to the same volume level when they reach the amplifier. When passive instruments are used, a unique 'bright' switch lets you compensate for high frequency loss due to longer cables.To enhance onstage functionality, the BigShot i/o is equipped with a tuner output. With a simple foot stomp on the MUTE switch, the sound going to the amp is turned off and diverted to the tuner for quiet onstage adjustments. An 'always on' switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times.Compact, extremely rugged and completely passive, the BigShot i/o does not require any powering to make it work. This makes it ideal for pedalboards where the use of batteries or power supplies is painful! The BigShot i/o is also perfect for all you instruments and hi-Z line-level signal switching....details
Radial Tonebone JX-2 Pro Switchbone
The Radial Tonebone JX•2 Pro Switchbone is an exceptional AB-Y switcher. It allows you to drive 2 guitar amplifiers at the same time without introducing noise, hum, or coloration and to switch between amplifiers without problems. It employs the class-A circuitry from the acclaimed Radial JD7 Injector for exceptional audio performance. The compact pedal has been optimized for maximum, yet simple, performance.The Switchbone incorporates a simple yet extremely effective power booster with variable gain control and gain boost, mid and gain boost, and mute. The mute turns off the amp outputs while still sending signal to the tuner out.The innovative Drag Control feature allows the user to re-introduce a load on the pickup, which fools the pickup into thinking it is connected to an amplifier....details
Radial X-Amp Active Reamplifier
The Radial X-Amp Active Reamplifier presents the engineer/producer/guitarist with an innovative and creative tool that allows a prerecorded track from a line level device to drive 2 guitar amplifiers or effect pedals simultaneously. The X-Amp employs a unique Class-A circuit design that has been optimized for use with guitars. Using the X-Amp is easy: One would, for instance, record a dry track using a high-quality direct box, then send this track from the recorder to the X-amp and then to either guitar amps, effect pedals or combinations thereof.Recording using the X-Amp has many benefits: once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving 2 amps at the same time, new sounds and textures can be created allowing the engineer—producer to make artistic decisions as the recording progresses. Features include balanced line level input with LED peak indicator and level control, Class-A circuit topology for optimal reach and frequency response, direct and isolated guitar amplifier outputs, 180° polarity reverse to bring both amps into phase, and dual ground lift options for noise-free operation.Built like a tank to provide years of trouble-free performance, the Radial X-Amp boasts a welded I-beam internal skeleton with a separate housing for maximum protection of the circuit board. The outside bookend cover provides a protective zone for the switches, potentiometer, and connectors. A full bottom no-slip pad performs double duty by keeping the X-Amp from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation....details
Radial Headbone VT Amp Head Switcher for Tube Amps
As part of the growing line of Tonebone foot pedals, Radial introduces the Headbone VT, a guitar amplifier head switcher that allows the player to transition from, for example, a Mesa Boogie Dual-Rectifier to a Marshall JCM800 while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained....details
Radial JPC Stereo PC DI Box
The Radial Engineering JPC stereo PC direct box is specifically designed to connect computer sound cards and other consumer electronic products to professional sound systems. The JPC stereo DI box combines the advantages of transformer-isolated inputs with an active drive circuit, giving you the best of both in a compact and extremely flexible package. Transformer coupled inputs have the unique advantage of isolating the source from the destination. This proven approach eliminates 60-cycle hum and buzz caused by ground loops when 2 electrically powered devices are connected. Because the active circuit does all of the impedance conversion and balancing, a dedicated 1:1 transformer can be used. This results in a hybrid design that is at once great sounding, compact and more affordable. As with all great designs, simplicity is a fundamental trait and the Radial JPC certainly fits the bill. A choice of stereo ¼", 1/8" and RCA input AND thru-put connectors make interfacing a snap with all types of equipment. A single switch inserts a -10dB pad, two power LEDs confirm 48V phantom is turned on, and a pair of XLR output connectors round out the feature set. Of course, like all Radial products, the JPC stereo direct box is built to handle any audio environment. The book-cover wrap-around sleeve protects switches and connectors from damage while the 14 gauge steel I-beam construction eliminates stress that could torque the PC board and cause solder joint failure. A full-bottom no-slip pad provides electrical insulation and mechanical isolation with plenty of 'stay-put' for use on hectic stages. And with its baked enamel finish, the Radial JPC DI Box will continue looking great for years!...details
Radial JS2 Passive Microphone Splitter Direct Box
Features electrically isolated XLR I/O, a second auxiliary direct throughput with ground lift, and a transformer-isolated output. Has a 30dB pad, supplies 48V DC phantom power for microphones, has a ground lift, and has common mode noise rejection up to -100dB at 60Hz. Features a stand-alone housing with 14-gauge, I-beam steel frame with baked enamel finish and an innovative bookend cover....details
Radial JS3 Passive Microphone Splitter Direct Box
Features electrically isolated XLR I/O, a direct throughput with ground lift, and 2 transformer-isolated outputs. Has a 30dB pad, delivers 48V DC phantom power for microphones, has a ground lift, and has common mode noise rejection up to -100dB at 60Hz. Features a standalone housing with 14-gauge, I-beam steel frame with baked enamel finish and an innovative bookend cover. It also uses a Jensen JT-MBD mic bridging transformer. The JT-MBD features a 1:1:1 with dual secondary windings to allow dual isolated outputs. This allows the JS-3 to be equipped with a main direct-out for FOH and 2 isolated outs for monitor mix and broadcast feed....details
Radial Tonebone Classic TriMode Distortion Pedal
The 12AX7 tube-equipped Radial Tonebone Classic TriMode Distortion Pedal has true-bypass and 2 distorted channels with separate input drive and output level controls. It allows you to set up completely different clean, rhythm, and solo tones from a single pedal and amp combination. There's even an effects loop on channel 2 so you can insert an effect automatically when soloing. Tonebone pedal features include 3-position tone shaping, drive ranges switches, 2-band EQ, independent mid boost on each channel, and high frequency roll-off....details
Radial Tonebone Cab-bone EX Speaker Cabinet Switcher 300 Watt
Connects between an amp head and 2 cabinets allowing the guitarist to transition between 2 cabinets using the same amplifier head. High-performance, high-cycling, gold contact relays switch without adding color to the tone. A constant load is ensured on the output. A SafeMode power-off automatically diverts the input signal to output 1 if the power supply is disconnected....details
Radial Tonebone Dragster Guitar Wireless Load Correction Device
Simply clip the Radial Tonebone Dragster to your guitar strap and insert between your guitar and wireless transmitter and dial in the desired amount of pickup impedance load you want for full, natural sound. Regains your guitar's full, natural tone, eliminating that thin, brittle, squeaky sound. Restores the full rich tone you lose when you plug your guitar into a wireless transmitter or other types of buffered inputs like those of effects, mixers, sound cards, or recorders. The compact, lightweight aluminum construction features a bracket for guitar strap or pedalboard attachment. Dragster's exclusive Drag control makes passive pickups think (and sound) like they're connected directly to an amplifier input by allowing you to precisely dial in the correct amount of impedance loading. Result? Your guitar tone regains its warmth and feels right again and your performance sounds great!...details
Radial BigShot ABY Passive Switcher
The Radial Engineering BigShot ABY Passive Switcher toggles between 2 guitar amps. Or use the BigShot to play them both at the same time. Offers a guitar input, a thru-put, and 2 outputs. Output B has a ground-lift and 180° polarity reverse. For active buffered circuits, The BigShot ABY Passive Switcher eliminated ground loops with an isolation transformer on output-B. 14-gauge steel construction....details
Radial Pro48 Active 48-Volt Compact Active Direct Box
The Radial Pro48's innovative digital switching power supply significantly increases headroom and allows for less distortion while yielding a smooth, linear response extending from 20Hz to well above 100kHz resulting in natural, uncolored signal transfer. This superior performance makes the Pro48 an ideal candidate for use with today's battery-powered active basses and acoustic guitars that tend to overload other direct boxes. The compact Pro48 is built road-ready with 14-gauge steel in a unique bookend design that provides protective zones around the switches and connectors. The internal welded I-beam construction assures outside stress will not torque the PC board thus assuring longer product life. Pro48 - typical applications The Pro48 is designed for high-use applications wherever an active direct box is called for. A 15dB pad switch is provided to tame hot signal and expands the range of instrument preamps and the ground lift switch helps eliminate hum and buzz problems caused by ground loops....details
Radial Tonebone PZ-Pre Acoustic Direct Box Preamp
The Tonebone PZ-Pre Acoustic DI Box Preamp is equipped with piezo acoustic input signal boosters to allow both add-on instrument pickups and built-in, integral active preamps to be combined for a more natural rendering. It is compact yet full featured, designed for both studio and live performance.The Tonebone PZ-Pre instrument preamp begins with two inputs for two instruments, which can be toggled using the toggle footswitch. If you want to use two pickups on a single guitar, a unique Mix function is provided that converts the two channels from "either-or" to both. There are separate level controls for each input.The tone shaping on the PZ-Pre preamplifier is simple yet extremely musical. It features powerful bass and high controls with a semi-parametric mid. This is supported with a feedback eliminating notch filter with variable frequency sweep control and choice of normal and extra deep notch filtering. To help eliminate troublesome resonance, a dual slope low cut (high pass filter) is also provided. An internal polarity reverse can also be engaged to help eliminate run-away feedback.To augment on-stage performance, the PZ-Pre Direct Box Preamp is equipped with a combination power booster and effects loop bus. This allows you to introduce an effect such as a chorus, or boost the signal for soloing with a simple foot stomp. A separate tuner out has also been provided along with a mute footswitch for on-the-fly tuning.To facilitate all kinds of monitoring, the Radial PZ-Pre offers the most comprehensive output array ever: A standard instrument amp output sends the instrument signal to your personal amplifier. A pre-EQ balanced lo-Z balanced output is used to route the flat, pre-equalized signal the signal to the front of house mix position, while a second XLR out is post-EQ for onstage monitoring and in-ear systems so that the musician can get the sound he wants. XLR outputs are equipped with polarity reverse and ground lift.Like all Radial products, the PZ-Pre features heavy-duty 14-gauge construction and is supported with a 3-year transferable warranty. Comes equipped with an external 15VDC power supply....details
Radial Tonebone Headbone SS Switcher for Solid-State Amps
An amplifier head switcher specifically designed to allow you to switch between 2 solid-state amps while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high-cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained....details
Radial Tonebone Headbone TS Switcher for Tube to Solid State Amps
An amplifier head switcher specifically designed to allow you to switch between a solid-state and a tube amp while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high-cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained....details
Radial 8ox Eight Channel 3-way Microphone Splitter
The Radial 8ox is a high performance, 8-channel mic splitter with 3 outputs on each channel: a direct output for 48V phantom return, and auxiliary output with ground lift switch and a transformer isolated output. Although primarily designed for mic signals, the 8ox is equipped with a 20dB pad for line level sources. This makes the rackmountable 8ox highly adaptable for all types of signal splitting and particularly well-suited to accommodate live recording by delivering a transformer isolated audio signal path for the recording engineer while providing a direct feed to the front of house and monitor consoles.For maximum flexibility, several connector options are available: Inputs may be accessed via the front panel using standard XLRs or on the rear panel with choice of 25-pin D-subs wired to the TASCAM standard or Euro screw-down terminal connectors. Outputs include D-Subs and Euro connectors, which are also located on the rear panel. These make it easy to connect to popular multitrack recording systems while providing easy termination for permanent installations. Because it is 100% passive, it does not require any power to make it work and maximum durability is ensured with heavy-duty 14 gauge steel construction throughout. Comes standard with a custom wound Radial transformer. The Radial 8ox is a great sounding splitter that's easy to use, compact and convenient....details
Radial ProD8 Eight Channel Rackmount DI
The Radial ProD8 is a high-density rackmount 8-channel 19" direct box specifically designed to interface keyboards and pre-recorded backing tracks to the PA system with redundant inputs for live performance backup. The ProD8's input panel is equipped with two A-B 1/4" inputs per DI channel for main and back-up sources, throughput for personal monitoring and an effects loop that allows both A-B sources to share the same effects for each channel. The output panel features a XLR connector, -15dB input pad selector and ground lift witch. A 180° polarity reverse switch is internally mounted and factory set with pin 2 hot. Completely passive, the ProD8 employs eight custom wound Radial transformers that are linear from 20Hz to 18kHz and able to withstand highly dynamic levels from sources such as digital samplers and drum machines without flinching. To reduce interference from outside magnetic fields, the transformers are equipped with a mu-metal-nickel outer shield thus reducing phase distortion to an absolute minimum. For greater system setup flexibility, the Radial ProD8 DI Box features a reversible set of rack ears that allows the 1/4" input panel or the XLR output panels to be position at the front or back, depending on the system engineers preference....details
Radial ProAV2 Stereo Direct Box
The Radial ProAV2 is a passive direct box specifically developed with the audio-video integrator in mind. It has full two-channel stereo functionality.To eliminate the need for various adaptor, a "Swiss Army" array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers, and a +4dB XLR input for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points.Custom wound transformers are employed, which are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the ProAV2 Passive DI box particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow....details
Radial Tonebone Plexitube Distortion Pedal
2-channel tube distortion pedal combines the natural warmth and harmonic generation of a 12AX7 tube with the control and saturation of Radial's unique multi-stage solid-state drive circuit. This combination provides incredible gain with tons of overtones and, when combined with their unique passive-interactive EQ, produces four generations of Marshall Plexi tones worthy of a Shakespearian Ode.Designed to enhance onstage functionality, the Plexitube features two distinct distortion channels for on-the-fly transition between rhythm and lead settings. Channel-1 has been optimized for rhythm with chunk rhythm tones and scooped out mids for a thunderous wall-of-sound and complete world domination. Channel-2 is optimized to produce razor-sharp cut for solos and sustaining mids that are so smooth, they can make a grown man cry. This is augmented with an effects loop that can automatically turn your delay on for leads. No tap dancing!When the Plexitube is off, true-bypass connectivity ensures the natural tone of your guitar goes directly to your amp without obstruction or a tone robbing load.Plexitube Setup: The Plexitube is your 'Plexi-in-a-box'! Just plug the Plexitube output into your amp to open up a world of tube driven British rock tones. The separate trim, drive, contour and EQ controls give you instant command of both rhythm and lead distortion settings as well as a true bypass mode that ensures that nothing gets in the way of your pure guitar-to-amp tone.But that's just the beginning because you've also got a foot-switchable effects loop at your disposal that's there when you need it and out of your clean signal path when you don't. You will be amazed at the breadth and scope of the sounds just waiting to be discovered in this truly versatile pedal!...details
Radial JDI MK3 Passive Direct Box
The Radial JDI MK3 Passive Direct Box is a Jensen transformer equipped, high-quality passive direct box that has the advantage of providing complete isolation for reduced noise. The exceptionally low phase distortion, almost perfect linear response, and low harmonic distortion make the JDI direct box a superb choice for recording or live performance. The rugged construction allows it to be used in abusive environments without concern. The Radial JDI Mk3 is ideal for acoustic guitars, bass, and keyboards.Considered by many to be one of the finest passive-operation direct boxes available, this Radial DI employs a Jensen isolation transformer for optimum audio performance. 60-cycle ground loop elimination and adept handling of high-output, active instruments and keyboards make the Radial JDI discrete and versatile. Steel I-beam construction, baked enamel finish, and protected faceplate mean Radial JDI is built to survive.The Radial JDI passive direct box employs the Jensen JT-DBE transformer as its main drive engine. The Jensen DBE transformer employs a laminated nickel core with low-permeability and no magnetic memory, therefore eliminating phase distortion caused by the disruption of fundamentals and harmonics.The distinctive book-end design protects the switches against damage from abuse by providing a protective zone on both I/O panels. A baked enamel finish resists scratching while a no-slip rubberized pad on the bottom stops the JDI direct box from moving around and aids isolation. Inside, the Radial JDI features compound, welded I beam construction that protects the sensitive electronics from outside stress. The internal skeletal frame is locked together with 4 hex screws.The input panel features a 1/4" instrument input and traditional thru-put. An innovative merge function allows the thru-put to be converted to a second input to allow stereo to mono summing. This is useful for interface with stereo sources such as keyboards or CD players in live shows where audio channels may be not always be plentiful. The Radial JDI also sports a -15dB pad to interface with higher output levels.The output panel features a balanced 600-ohm XLR connector with pin-2 hot following the AES specification. A polarity reverse switch toggles pin-2 and pin-3 to allow the JDI direct bpx to interface with older non-AES equipment and for creative tinkering. The ground lift switch disconnects the XLR pin-1 ground from the Radial JDI for 100% input-to-output isolation. A second -30dB pad used in tandem with the -15dB input pad allows the JDI to be connected in parallel with a speaker. This, for instance, allows the engineer to tap the sound coming from a guitar amplifier speaker post-distortion thus adding another creative dimension. This unique function incorporates a speaker emulation filter circuit.The JDI input features a high 10kOhm input impedance for minimal loading. This makes the Radial JDI ideal for interface with all instruments. The 600-ohm mic level out...details
Radial JDV MK3 Direct Box
The JDV MK3 Direct Box is Radial's flagship direct box. It features their highly acclaimed active class A feed-forward circuit design with huge 30V internal rail voltage for absolute no-compromise performance. The JDV provides 4 instrument amplifier outputs plus balanced out. Drag control for precise pickup load correction, 3.9 Mohm input impedance for piezo pickups, hi-pass and lo-pass filters, full LED status indicators, and polarity reverse.Craig Anderton of EQ magazine says, "This box is as good as it gets when you need an accurate solidly engineered, great sounding direct box for stage or studio."...details
Radial J48 MK2 48V Phantom Power Active Direct Box
The Radial J48 is a great-sounding active direct box that has been optimized to produce maximum headroom while working within the limited current available from standard 48V phantom power. By employing a unique switching power supply, the J48 is capable of peak transients to 9 volts without choking. The result is lower harmonic distortion, half the intermodulation distortion and significantly improved dynamics over other DIs.Features include a -15dB pad, 180 degree polarity reverse, a unique merge function to mix 2 signals to mono, an 80Hz high-pass rumble filter, and ground lift. Like all Radial products, the J48 is built to handle abuse on the road and features a unique welded I-beam construction for years of trouble-free performance....details
Radial JD7 Injector Guitar Signal Distribution System
Front panel control makes selecting amplifiers, ground paths and polarity (phase reversal) easy. The JD7 has a Class-A audio signal path that has been optimized for use with electric guitars and is 100% discrete (no op amps or chips) producing the most accurate and faithful signal at each output. To eliminate problems such as 60 cycle hum caused by ground loops without signal degradation, the world's finest audio transformers by Jensen are employed. The Radial JD7 also features a 600-ohm balanced direct output to allow the engineer to record a dry guitar track or to use the JD7 as a direct box. A balanced input allows a pre-recorded track to be sent back into the JD7 which can then drive amplifiers, effect pedals, and other devices....details
Radial JDI Duplex mk4 Stereo Direct Box
Now with dual -10dB RCA connectors and dual +4db XLR inputs. Passive DI employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. The completely passive plug & play JDI does not require any power and has the unique advantage of eliminating 60-cycle ground loops. This makes it a definite favorite with informed audio engineers. Great for guitars, bass, and keyboards and particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. May be rackmounted using the J-RAK Adaptor (not included).Housed in a 14 gauge steel welded I-beam chassis, it protects all connectors and switches with a unique book-end design. The input panel is equipped with a pair of 1/4" and RCA inputs and thru-puts. A unique Merge function provides passive mix to convert the in/thru routing into a stereo-to-mono mix function-a valuable channel saver for large keyboard rigs and multiple audio sources. Each channel is also outfitted with a 10kHz low-pass filter to eliminate high-frequency system noise and a 15dB pad for greater source control. A switch on each channel allows the user to select the XLR male input. This simultaneously introduces a 20dB pad to allow high output +4dB line level devices to interface into snake systems and splitters without requiring an external attenuator. The rear panel features the XLR inputs and outputs along with polarity reverse and ground lift....details
Radial Tonebone Bassbone
The Radial Tonebone Bassbone is a smart EQ/DI pedal that manages your bass signal with 2 separate channels and a powerful EQ that overrides the preamp's tone settings. The Tonebone allows switching between a traditional passive bass and a modern active bass during a gig without lengthy and awkward adjustments to the preamp, EQ, amp, and instrument level. This EQ and DI Box can also be used with a single bass to provide 2 separate signals finessed by its incredible enhancement capabilities. The integrated boost, variable gain, and effects loop can be used individually or together. A balanced XLR out sends the complete signal direct to the board for PA-only gigs and studio time. Added heft and punch to your tone is like a secret weapon. The Radial Tonebone Bassbone is powered by a 15VDC power supply....details
Radial Cab-Bone Speaker Cabinet Switcher
This guitar amp cabinet switcher connects between an amp head and 2 cabinets, allowing transition between the 2 cabs while using the same amp head.Uses high-performance, high-cycling, gold contact relays to switch the amp's speaker output without adding color to the tone. To ensure safe, stable amplifier operation and smooth transitions, a timer IC manages a ramped connection overlap. This ensures constant load on the output, a major concern with tube amplifiers. As a further safety measure, the Cab-Bone incorporates a power-off feature called SafeMode which automatically diverts the input signal to output-1 if the power supply is ever disconnected or turned off by mistake.To reduce the 'cable spaghetti' between the amplifier, speakers, pedal board and back, Cab-Bone is equipped with a Slingshot input and output. Slingshot is Radial's easy to use remote control system that allows any footswitch to toggle switching of remote devices using just regular 1/4" guitar cables. The Slingshot remote input can be controlled by either momentary or latching contact closure.To add versatility, the Cab-Bone also incorporates a Slingshot output that can be used to remotely switch amp channels while switching cabinets. You could, for instance, connect the Slingshot remote output on the Radial Loopbone to toggle the Cab-Bone and go from a 2 x 12" open back to a 4 x12" half-stack. Connecting the Slingshot output to the amp as well would allow you to change the amp channel at the same time, allowing each cabinet to have its own EQ and gain.Add a Loopbone to the equation and with a single foot stomp you can introduce an effects loop, change speakers and change amp channels at the same time! Very cool! Now you can get those perfect tone combinations onstage quickly, and do it with one switch instead of a tap dance routine!Like all Radial products, the Cab-Bone is built tough to handle the road: 14-gauge steel, baked enamel finish, and high performance parts throughout. You get all of this in a compact enclosure that is ultra-quiet and completely transparent to the tone of your amp.Cab-Bone—another creative tool for making better music from the Tonebone tone fanatics at Radial....details
Radial Loopbone Dual Effects Loop
The Radial Loopbone Dual Effects Loop is a powerful effects loop controller for pedal boards that allows the guitar player to insert 2 separate pedal effects chains and remove them when not in use. This is particularly advantageous when using older effects pedals that tend to add noise and cause loading problems in the signal chain. The Radial Loopbone incorporates a superb post-effects variable-gain power booster that allows straight signal boosting or post loop-1 or loop-2 boost for soloing.To ensure that the natural tone of the instrument is maintained, the Loopbone features Radial's unique Drag Control pickup load correction circuit that allows the guitarist to properly match the impedance load of any pedal board configuration with any guitar for optimum performance. Furthermore, there are no signal degrading op-amps or chips in the signal path, only 100% discrete components and Radial's highly acclaimed Class-A circuit for natural tone and exceptional dynamics.Besides FX-loop switching, load matching, and signal boost, the Loopbone brings even more to your pedal board: a separate "always-on" tuner-out circuit allows on-the-fly tuning without adding noise or load to your instrument signal and, perhaps the most innovative feature of all, Slingshot. Slingshot is Radial's unique remote switching system that allows the Loopbone to simultaneously switch amplifier channels, other amp features, or even another Slingshot-equipped device....details
Radial ProDI Passive Direct Box
The Radial ProDI Passive Direct Box is a high-quality, passive direct box that employs a proprietary transformer for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. The Radial ProDI features 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600-ohm balanced output. 2-1/2" x 4-1/4"....details
Radial ProD2 Passive Stereo Direct Box
A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5"....details
Radial HotShot DM1 Microphone Signal Muting Footswitch
Allows the vocalist to depress to mute his mic with a footswitch and redirect the signal to the monitoring system and/or intercom. This passive floor box is equipped with an XLR mic input, momentary footswitch, and main and monitor XLR outputs. Designed for dynamic microphones....details
Radial TWIN ISO Passive Line-Level Isolator
Equipped with the world's finest Jensen Audio Transformers, the Radial Twin-Iso is a no-excuse problem solver that provides exceptional audio performance while eliminating ground loops. It features 2 +4dB line-level floating channels with XLR input and output connectors for easy interfacing. Nickel-laminated Jensen JT-11P1 isolation transformers and insulated XLRs provide 100% isolation. As a unity-gain device it boasts 10Hz-40kHz response and balanced, 10kohm input impedance.Jensens do not introduce problems such as phase shift or group delay, which can cause bass to sound muddy and indistinct. This is of utmost importance when interfacing advanced line array systems where maintaining phase relationships is paramount to achieving the controlled dispersion pattern. Jensen Transformers are legendary for their warm Bessel curve and for their ability to handle transients without overload or ringing....details
Radial JD6 6-Channel Rackmount Passive Direct Box
Featuring the same highly acclaimed Jensen transformer equipped circuit as used in the renowned Radial JDI direct box, the JD6 contains 6 completely independent audio channels for 100% isolation, minimal crosstalk and low noise.All channels feature -15dB pad, a 180° polarity reverse, and a pin-1 ground lift disconnect at the XLR for added prevention against ground-loops. Easy ID labels for each channel use removable marker pen.Channels 1 and 2 have been outfitted with extra features and connections to simplify interfacing: dual RCA and 1/4" jacks with push-button selector; a merge function that converts the input and thruput to left and right mix to mono at the XLR; and a high-frequency roll-off filter. Channels 1 and 2 also feature 1/4" switching jacks with front channel priority....details
Radial SGI TX/RX Studio Guitar Interface
A transmit and receive module allows your guitar signal to travel through 350' of balanced cable to a distant amplifier. The SGI is a unity gain device that features 100% discrete Class-A circuitry and transformer isolation to eliminate ground loops. It also has a Drag Control load correction circuit, DC connection for provided 15VDC supply, and ground lift.The SGI receive module features an XLR input and ground lift. Made from heavy-duty 14-gauge steel with internal I-beam frame and protective zone around switches and connectors. With the SGI, the guitarist can now play the roles of performer, engineer, and producer while saving immeasurable time during the recording process....details
Radial J-RAK 2-Space Rack Adapter for 8 Units
A 2RU shelf that allows as many as 8 Radial direct boxes or switchers to be rackmounted. These can face forward (input at front) or backward (XLRs at front), active (J48) or passive (JDI) in any combination, depending on the system designer's preference.All you do is take the bookend cover off the JDI or J48 and attach one of the 8 insert sleeves supplied with the J-Rak. These are then screwed into the J-Rak shelf from the top. The direct boxes can have the XLR facing either the front or the rear of the rack depending on the application; whether one is racking up DIs for keyboards, sound modules, computers, or other sound sources....details
Radial BigShot PB1 Class-A Power Booster
The Radial BigShot PB1 provides 15dB of boost, accessed using a guitar pick via a rear-mounted recessed control that is protected from foot stomp damage.Unlike class-B preamps found in most pedals that color the tone and give buffers a bad name, the BigShot PB1 features 100% discreet class-A circuit topology for the utmost in sound quality. Class-A circuits are preferred due to reduced zero cross distortion, improved phase response and the resulting smooth Bessel curve of evenly cascading harmonics. This is augmented with Drag control, a variable load correction circuit that lets you dial in the perfect impedance to match the original tone and feel of your guitar and amp combination.With the PB1, noise is reduced while performance is augmented. Long cable runs are finally possible. And when you hit the boost, you get smooth clean control like you never though possible. The BigShot PB1 is likely the finest guitar power booster ever made....details
Radial Tonebone Vienna Analog Chorus Pedal
From Radial Engineering comes the Tonebone Vienna Chorus, an analog chorus pedal that features dual-mode functionality. It allows the guitarist to transition between a subtle choral effect for rhythm, and toggle quickly to an exaggerated effect for soloing or special effects.The Vienna Chorus guitar pedal features a compact footprint and employs standard 9-volt powering for easy interface on any pedalboard. Two independent channels with individual speed and intensity controls are provided for each to create two very different sonic textures. With two footswitches, the Tonebone Vienna pedal can be bypassed, activated and toggled between channels quickly for on-the-fly effects. The guitar effects pedal requires standard 9V power supply.Designed to enhance performance and expand the musical palette, Radial Tonebone power tools for musicians' are easy-to-use, rugged, extremely quiet, and sound great....details
Radial Radial-Furman PROAV1 DI Box SS-6B Surge Block Bundle
This generous deal puts together a Radial Engineering DI box and a Furman surge protector. Inclues the Radial JPC Stereo PC DI Box and the Furman SS-6B Surge Suppressor. Radial JPC Stereo PC DI Box The Radial JPC is a stereo direct box that has been specifically designed for use with computer sound cards and other consumer electronic products to allow these to be connected to a professional sound system. It is unique in that it combines the advantages of transformer-isolated inputs with an active drive circuit, giving you the 'best of both worlds' in a compact and extremely flexible package. Transformer coupled inputs have the unique advantage of isolating the 'source' from the 'destination'. This proven approach eliminates 60-cycle hum and buzz caused by so-called ground loops when two pieces of electrically powered devices are connected together. Because the active circuit does all of the impedance conversion and balancing, a dedicated 1:1 transformer can be used. This results in a hybrid design that is at once great sounding, compact and more affordable. As with all great designs, simplicity is a fundamental trait and the Radial JPC certainly fits the bill. A choice of stereo ¼", 1/8" and RCA input AND thru-put connectors make interfacing a snap with all types of equipment. A single switch inserts a -10dB pad, two power LEDs confirm 48V phantom is turned on, and a pair of XLR output connectors round out the feature set. Of course like all Radial products, the JPC is built to handle any environment. The book-cover wrap-around sleeve design protects switches and connectors from damage while the 14 gauge steel I-beam construction eliminates stress that could torque the PC board and cause solder joint failure. A full-bottom no-slip pad provides electrical insulation and mechanical isolation with plenty of 'stay-put' for use on hectic stages. And with its baked enamel finish, the Radial JPC will continue looking great for years! Furman SS-6B Surge Suppressor The Furman SS-6B Surge Suppressor is a high quality AC power distributor with a 6-outlet block, heavy-duty metal construction, 15' power cord, illuminated on/off switch, and circuit breaker. EMI/RFI noise attenuation make it an effective power strip to supply and protect your gear. Black color blends in onstage....details
Radial Radial-Furman ProAV2 Audio-Video DI Box/SS-6B Surge Suppressor Bundle
Radial ProAV2 Audio-Video DI The Radial Engineering ProAV2 is a passive direct box specifically developed with the audio-video integrator in mind. It has full two-channel stereo functionality.To eliminate the need for various adaptor, a "Swiss Army" array of connections are provided, including 1/4" for instruments, RCA and 1/8" connectors for consumer electronics and computers, and a +4dB XLR input for professional systems. Front panel connectors can also be used as thru-puts to allow multiple patch points.Custom wound transformers are employed, which are able to withstand exceptionally hot levels while maintaining linearity from 20Hz to 18.5kHz. The resulting smooth Bessel curve is warm and natural, making the ProAV2 Passive DI box particularly adept at handling digital sources that can sound harsh. Transformer isolation adds the benefit of eliminating ground loops that cause audio hum and buzz and video hum bars or snow. Furman SS-6B Surge Suppressor The Furman SS-6B Surge Suppressor is a high quality AC power distributor with a 6-outlet block, heavy-duty metal construction, 15' power cord, illuminated on/off switch, and circuit breaker. EMI/RFI noise attenuation make it an effective power strip to supply and protect your gear. Black color blends in onstage....details
Radial Phazer Active Class-A Analogue Phase Controller
The Radial Phazer is a +4dB line level phase alignment tool that lets you bring two sound sources into phase alignment to guarantee that the fundamental frequencies play in sync. On electric guitar, for example, you can use the Radial Phaser to combine the direct feed from an amp with the signal of a room mic to create incredibly fat, rich tones. On a kick drum you can combine the attack from a close mic'd bass drum batter head with the boom picked up by an ambient shell mic. Combining top and bottom snare mic signals nets you a big in-your-face sound. For acoustic instruments, combining a spot mic with a room mic captures textures like you've never heard before. Unlike Class-AB devices that suffer from zero-cross distortion, the Radial Phazer is designed from the ground up for optimum sound quality and features 100% discreet Class-A circuitry. This results in smooth and natural sounding phase curves that are particularly important in the lower frequency spectrum. 0 to 180 degree phase adjustment is performed with a single knob, making it easy to zone in on the sweet spot. For the more adventurous, a 180-degree polarity reverse switch accesses the 181 to 360 degree range and lets you create weird to absurd 'Phazed' tonal textures. This is augmented with a variable low-pass filter that lets you focus the effect in the lower frequency spectrum where phasing is most audible. Built Radial-tough for the road, the Phazer is equipped with an innovative bookend design that creates a protective zone around the knobs and switches. Construction is 14-gauge steel with a welded internal I-beam frame that protects the sensitive electronics in even the harshest touring environments. A bottom no-slip pad provides electrical insulation to eliminate electrical bonding, and mechanical isolation to reduce mishap. The Radial Phazer is a creative tool for the studio designed to expand your tonal palette. Live, it delivers great sound fast and may well turn into your best audio soul mate.Development Messing around with 'time travel' is not new… In the dark ages of the 1970s, MXR, with their groundbreaking Phase 90 and Phase 100, ignited interest in phasing by way of modulating the phase effect for electric guitar. This inspired Radial's chief engineer Denis Rozon to start messing with phase circuits in the early 1980s. Fast-forward 20 years, MXR is re-launched by Dunlop and these 'vintage' remakes are once again available to the masses. Radial has taken a different route, targeting not guitar pedals, but audio signal paths.What few realize is that beyond the sweeping phase effect, minute phase adjustments can lead to actually creating more natural sounds. It has to do with physics or more precisely, the physical location of the desired sound source and the various devices used to capture the sound.Sound travels at roughly 1100 feet per second (340 meters per second) while electricity is estimated to travel at 650,000 feet per...details
Radial Bones R800-7100 Hollywood Distortion Guitar Effects Pedal
The Hollywood 'Bone' from Radial Engineering is a solid-state version of the popular Tonebone Classic distortion pedal. Inside is a dual-stage drive circuit that produces sweet, yet distinctive tones reminiscent of the best American tube amps from the last half-century, while delivering real-amp dynamics. This means that when you turn your guitar down, the Bones Hollywood will clean up like a real tube amp. The distortion pedal has variable drive that lets you dial-in the perfect amount of distortion, a powerful dual-band equalizer with Radial's distinctive passive-interactive tone circuit, a 3-position 'gain' switch that lets you adjust the drive range from slight grit to extreme overdrive, plus a 3-position 'cut' switch that lets you add extra mid-range drive or fatten up single coil pickups.Radial's Hollywood employs a unique high-performance buffering circuit with preset load correction that retains the performance of 'true bypass' connectivity while lowering the impedance and susceptibility to noise. This enables the Hollywood pedal to efficiently drive the guitar signal when using longer cables and enables it to employ our latest EIS—Electronic Impulse Switching—for unmatched durability without the challenges posed by mechanical switches.For maximum on-stage efficiency, the Bones Hollywood is configured for 'clean, rhythm & lead' playability whereby in bypass mode, you get the natural clean sound of your guitar. When the Hollywood is activated, you can choose between two output drive circuits using the toggle footswitch. Each is equipped with a variable level control so that Level-1 can be set for rhythm while Level-2 can be driven at a higher level for lead. To increase sustain and cut for solos, the second drive circuit is augmented in the mid-range. Bright, easy to see LEDs deliver on-stage switching cues so you know exactly where you are at all times.As most players today employ pedalboards, this effect pedal features standard "Boss" style 9V powering that will adapt to most multi-pedal power supplies. The ultra compact design with top mounted i/o connections allow pedals to be brought close together for those wishing maximum pedalboard density....details
Radial Bones R800-7110 Texas Overdrive Guitar Effects Pedal
The Texas 'Bone' is a high-performance overdrive pedal capable of generating everything from vintage 'TS9' style tones all the way to the latest ultra high-gain 'in-your-face' tones. Inside is a minimalist high-gain drive circuit that lets you add bluesy textures or when driven hard, will produce harmonically rich tones that are fatter than a Texas Longhorn and more fun than a rattlesnake neck tie.The Texas overdrive effect pedal employs a unique high-performance buffering circuit with preset load correction that retains the performance of 'true bypass' connectivity while lowering the impedance and susceptibility to noise. This enables the Texas to efficiently drive the guitar signal when using longer cables and lets it employ Radial's own EIS - Electronic Impulse Switching for outstanding durability without the challenges of mechanical switches.For maximum on-stage efficiency, the Radial Bones Texas pedal is configured for 'clean, rhythm & lead' playability whereby in bypass mode, you get the natural clean sound of your guitar. When the Texas is activated, you can choose between two channels using the toggle footswitch. Each channel is equipped with its own tone and level control that lets you adjust each sound to your specific needs. For instance, you can set the rhythm tone with extra high end to cut through at lower volumes while the pedal's lead channel can be set with more bottom end to fatten up the tone for solos. This is augmented with two 3-position 'bite' switches that let you assign each channel for vintage style overdrive, extra beef, or a more aggressive modern tonal structure. To increase sustain and cut for solos, channel-2 is augmented in the mid-range....details
Radial HotShot ABO Line Output Selector
The Radial Engineering HotShot ABo balanced line output selector does the work of setting the path you want for your sound between 2 destinations. The completely passive HotShot ABo does not require powering of any type to work its latching switch. The multi-purpose HotShot ABo simplifies on-off and diversion control over audio signals. Radial outfits the selector with useful features such as grounding options and level adjustments to conform to a wide variety of applications.Critical to its performance is the HotShot ABo's rugged 14-gauge steel construction and ultra compact footprint. Use your HotShot ABo in the most demanding professional applications while enjoying years of trouble-free performance.The Radial HotShot ABo can be used in a variety of applications including driving 2 channels on a mixing console for dry and wet effects routing; to divert a mic from the PA system to the monitors or intercom; for temporarily muting the audio signal such as when coughing; and for talkback mic control.Ultra compact and extremely rugged, the Radial Engineering HotShot ABo is made tough for years of trouble free performance and is backed with a 3-year transferable warranty....details
Radial J-ISO Jensen Transformer Equipped Stereo Isolator +4dB to -10dB Converter
The Radial Engineering J-ISO stereo interface takes a high output +4dB line level signal from a mixing console and converts it so that it may be connected to low-level unbalanced devices. In an effort to adapt to all of the variables, the output may be adjusted with a recessed set and forget level control. This makes it easy to connect professional audio gear with devices such as computer sound cards, iPods, or -10dB recorders. The Radial J-ISO stero isolator has the smart features of the Radial PRO ISO but with the added sonic excellence of genuine Jensen audio transformers. Jensen transformers are equipped with nickel cores for high input levels before saturation. Their Mu-metal shields offer protection against electromagnetic fields. The result: 100% ground loop isolation for noise elimination, virtually zero phase shift, and they sound great!To reduce noise problems, the J-ISO is equipped with an audio isolation transformer on each channel that helps eliminate hum and buzz caused by ground loops. Connections are straight forward: inputs are standard balanced XLR female while outputs include choice of stereo RCA, 3.5mm or standard 1/4". All connectors and controls are protected with a book-end design and the J-ISO may be rack-mounted in the optional J-Rak (sold separately) or secured to a podium using the J-clamp. This makes the J-ISO an easy-to-use solution for interfacing between pro and consumer electronics and an ideal interface for recording events.•Balanced stereo line-level inputs with XLR connectors accept the +4db professional signal standard.•Rugged XLR connectors are glass filled nylon, 100% electrically isolated, and eliminate chassis ground potential.•Ground lift on outputs can eliminate hum and buzz caused by ground loops.•Recessed level control makes fine adjustments to the unbalanced outputs for optimum recordings.•Unbalanced -10 db output jacks provide quick and easy patching to any consumer audio device like stereo's and laptops.•Book-end design creates a protective zone around the jacks and switches.•Full bottom pad improves electrical isolation and keeps the unit in one place.•High performance transformer for distortion-free signal transfer and 100% isolation from ground loop hum.•Heavy-duty welded i-beam enclosure of 14 gauge steel makes it impossible to torque the pc board and eliminates cold solder joints.•Military-grade pc board inside with full ground plane to reduce susceptibility to RF noise....details
Radial J+4 Stereo Line Driver -10dB to +4dB Interface
The Radial Engineering J+4 Stereo Line Driver accepts consumer level -10dB unbalanced high impedance signals and converts them to +4dB balanced low impedance signals. If your needs involve pro audio, whether in broadcast, recording studios, or live touring, you'll find the Line Driver box invaluable.Radial paid careful attention to noise elimination by combining the advantages of active signal buffering with transformer isolation. The J+4 delivers better than 95dB signal-to-noise. It also keeps hum and buzz caused by ground loops and spurious clocking noise from polluting the signal path. For reliability and ease-of-operation, Radial kept controls on the J+4 to a minimum. Input connectors include a stacked set of 1/4" jacks for DJ mixers or keyboards, RCA's for CD players and a mini 3.5mm for I-pods.High Pass Filter The Radial stereo J+4 is equipped with a handy high-pass filter that is used to cut low frequencies below 100Hz. This provides several important benefits. First and foremost, when playing back audio tracks through a PA system, excessive bottom end can produce low frequency resonance which in turn can cause runaway feedback. It is also important to note that bass frequencies contain significantly more energy than higher frequencies. Reducing bass content can dramatically increase your system's dynamic range. Finally, by reducing unneeded low frequencies, it really helps clean up the mix. Built tough As with all Radial products, the Radial J+4 is built tough to handle the extreme rigors of professional touring. A unique 14-gauge steel I-beam inner frame ensures the sensitive PC board will not be subjected to outside stress which could potentially cause solder joints to fail. An innovative book-end outer shell creates protective zones around the sensitive controls, switches and connectors to further improve dependability while a full bottom no-slip pad provides both mechanical and electrical isolation.The Radial J+4 balanced line driver delivers exceptional sonic performance, plenty of headroom and ultra-low noise making it the ideal companion in today's more demanding professional audio systems....details
Radial PRO ISO Stereo Line Isolator +4dB to -10dB with Radial Transformer
The Radial Engineering PRO ISO stereo line isolator takes a high output +4dB line level signal from a mixing console and converts it so that it may be connected to low level unbalanced devices. In an effort to adapt to all of the variables, the output may be adjusted with a recessed set and forget level control. This makes it easy to interface professional audio gear with devices such as computer sound cards, iPods, or -10dB recorders. To reduce noise problems, the PRO ISO is equipped with an audio isolation transformer on each channel that helps eliminate hum and buzz caused by ground loops. Connections are straightforward: inputs are standard balanced XLR female while outputs include choice of stereo RCA, 3.5mm or standard 1/4". All connectors and controls are protected with a book-end design and the Radial PRO ISO may be rack-mounted in the optional J-Rak (sold separately) or secured to a podium using the J-clamp. This makes the ProISO an easy-to-use solution for interfacing between pro and consumer electronics and an ideal interface for recording events.•The balanced stereo line-level inputs with XLR connectors accept the +4db professional signal standard.•Rugged XLR connectors are glass filled nylon, 100% electrically isolated, and eliminate chassis ground potential.•Ground lift on outputs can eliminate hum and buzz caused by ground loops.•Recessed level control makes fine adjustments to the unbalanced outputs for optimum recordings.•Unbalanced -10 db output jacks provide quick and easy patching to any consumer audio device like stereo's and laptops.•Book-end design creates a protective zone around the jacks and switches.•Full bottom pad improves electrical isolation and keeps the unit in one place.•High performance transformer for distortion-free signal transfer and 100% isolation from ground loop hum.•Heavy-duty welded i-beam enclosure of 14 gauge steel makes it impossible to torque the pc board and eliminates cold solder joints.•Military-grade pc board inside with full ground plane to reduce susceptibility to RF noise....details
Radial Bones R800-7105 London Distortion Guitar Effects Pedal
The London 'Bone' from Radial Engineering is a solid-state version of the popular Tonebone Hot British distortion pedal. Inside is a multi-stage drive circuit that produces rich, fat tones reminiscent of the latest high-gain Plexi-style tube amplifiers. This unique circuitry retains note clarity even when driven to extremes. The Bones London pedal has variable drive that lets you dial-in the perfect amount of distortion, a powerful dual-band equalizer with Radial's distinctive passive-interactive tone circuit, a 3-position 'Kick' switch to add extra mid-range drive or fatten up single coil pickups, plus a 3-position 'Bite' control that can compensate for overly bright amps or add extra cut and sizzle to your tone.The Radial distortion pedal employs a unique high-performance buffering circuit with preset load correction that retains the performance of 'true bypass' connectivity while lowering the impedance and susceptibility to noise. This enables the London pedal to efficiently drive the guitar signal when using longer cables and lets it employ Radial's own EIS — Electronic Impulse Switching — for outstanding durability without the challenges of mechanical switches.For maximum on-stage efficiency, the Bones London is configured for 'clean, rhythm & lead' playability whereby in bypass mode, you get the natural clean sound of your guitar. When the distortion pedal is activated, you can choose between two output drive circuits using the toggle footswitch. Each is equipped with a variable level control ( so that Level-1 can be set for rhythm while Level-2 can be driven at a higher level for lead. To increase sustain and cut for solos, the second drive circuit is augmented in the mid-range. Bright, easy to see LEDs deliver on-stage switching cues so you know exactly where you are at all times.As most players employ pedalboards, the London features standard 'Boss style' 9V powering that will adapt to most multi-pedal power supplies. The ultra-compact design with top mounted i/o connections allow effects pedals to be placed close together for those wishing maximum pedalboard density....details
Radial Bones R800-7115 Twin City A-B-Y Footswitch
The Bones Twin-City footswitch from Radial Engineering is an active ABY switcher and buffer that enables you to connect any two amps and drive them simultaneously without noise, loss of gain, and without degrading your natural guitar tone. This is accomplished with Radial's highly acclaimed buffering technology and the same Drag Control load correction circuitry as used in the award-winning Radial JD7 Injector. The 'set and' forget Drag Control lets you compensate for cable signal loss and introduce the perfect amount of loading to replicate the way your guitar and amp interact.To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output B. This is augmented with a ground lift switch and 180° polarity reverse switch that ensures both amplifiers play in phase while noise is reduced to an absolute minimum even when using older vintage amps that are generally more prone to noise. As a buffer, the Twin-City footswitch lowers the impedance and susceptibility to noise, making it the ideal signal driver for large stages when using long cable runs.Like all Radial products, the Bones are constructed from heavy 14 gauge steel for greater durability and added 'stay put' when kicked around on a busy stage. For even greater durability, the Twin-City footswitch employs Radial's own EIS—Electronic Impulse Switching—for outstanding performance without the challenges of mechanical switches. Bright, easy to see LEDs deliver on-stage switching cues so you know exactly where you are at all times.As most players employ pedalboards, the Radial Twin-City features standard 'Boss style' 9V powering that will adapt to most multi-pedal power supplies. The ultra compact design with top mounted output and DC connections allow effect pedals to be placed close together for those wishing maximum pedalboard density....details
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